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Bullfighting In Art
Bullfighting is a physical contest that involves a bullfighter attempting to subdue, immobilize, or kill a bull, usually according to a set of rules, guidelines, or cultural expectations. There are several variations, including some forms which involve dancing around or leaping over a cow or bull or attempting to grasp an object tied to the animal's horns. The best-known form of bullfighting is Spanish-style bullfighting, practiced in Spain and its former American colonies, as well as parts of Portugal (see: Portuguese-style bullfighting) and Southern France. The Spanish Fighting Bull is bred for its aggression and physique, and is raised free-range with little human contact. The practice of bullfighting is controversial because of a range of concerns including animal welfare, funding, and religion. While some forms are considered a blood sport, in some countries, for example Spain, it is defined as an art form or cultural event, and local regulations define it as a cultur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matador
A bullfighter or matador () is a performer in the activity of bullfighting. ''Torero'' () or ''toureiro'' (), both from Latin ''taurarius'', are the Spanish and Portuguese words for bullfighter, and describe all the performers in the activity of bullfighting as practised in Spain, Portugal, Mexico, Peru, France, Colombia, Ecuador, Venezuela and other countries influenced by Portuguese and Spanish culture. The main performer and leader of the entourage in a bullfight, and who finally kills the bull, is addressed as ''maestro'' (master), or with the formal title ''matador de toros'' (killer of bulls). The other bullfighters in the entourage are called ''subalternos'' and their suits are embroidered in silver as opposed to the matador's gold. They include the '' picadores'', '' rejoneadores'', and ''banderilleros''. Present since the sport's earliest history, the number of women in bullfighting has steadily increased since the late-19 century, both on foot and on horseback ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knossos Bull-Leaping Fresco
Knossos (; , ; Linear B: ''Ko-no-so'') is a Bronze Age archaeological site in Crete. The site was a major centre of the Minoan civilization and is known for its association with the Greek myth of Theseus and the minotaur. It is located on the outskirts of Heraklion, and remains a popular tourist destination. Knossos is considered by many to be the oldest city in Europe. Knossos is dominated by the monumental Palace of Minos. Like other Minoan palaces, this complex of buildings served as a combination religious and administrative centre rather than a royal residence. The earliest parts of the palace were built around 1900 BC in an area that had been used for ritual feasting since the Neolithic. The palace was continually renovated and expanded over the next five centuries until its final destruction around 1350 BC. The site was first excavated by Minos Kalokairinos in 1877. In 1900, Arthur Evans, Sir Arthur Evans undertook more extensive excavations which unearthed most of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clunia
Clunia (full name ''Colonia Clunia Sulpicia'') was an ancient Roman city. Its remains are located on Alto de Castro, at more than 1000 metres above sea level, between the villages of Peñalba de Castro and Coruña del Conde, 2 km away from the latter, in the province of Burgos in Spain. It was one of the most important Roman cities of the northern half of ''Hispania'' and, from the 1st century BC, served as the capital of a ''conventus iuridici'' in the province ''Hispania Tarraconensis'',The Site of Clunia Yacimiento arqueológico ˜COLONIA CLVNIA SVLPICIA˜ called ''Conventus Cluniensis''. It was located on the road that led f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tombstone
A gravestone or tombstone is a marker, usually stone, that is placed over a grave. A marker set at the head of the grave may be called a headstone. An especially old or elaborate stone slab may be called a funeral stele, stela, or slab. The use of such markers is traditional for Chinese, Jewish, Christian, and Islamic burials, as well as other traditions. In East Asia, the tomb's spirit tablet is the focus for ancestral veneration and may be removable for greater protection between rituals. Ancient grave markers typically incorporated funerary art, especially details in stone relief. With greater literacy, more markers began to include inscriptions of the deceased's name, date of birth, and date of death, often along with a personal message or prayer. The presence of a frame for photographs of the deceased is also increasingly common. Use The stele (plural: stelae), as it is called in an archaeological context, is one of the oldest forms of funerary art. Originally, a to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtiberians
The Celtiberians were a group of Celts and Celticized peoples inhabiting an area in the central-northeastern Iberian Peninsula during the final centuries BC. They were explicitly mentioned as being Celts by several classic authors (e.g. Strabo). These tribes spoke the Celtiberian language and wrote it by adapting the Iberian alphabet, in the form of the Celtiberian script. The numerous inscriptions that have been discovered, some of them extensive, have enabled scholars to classify the Celtiberian language as a Celtic language, one of the Hispano-Celtic (also known as Iberian Celtic) languages that were spoken in pre-Roman and early Roman Iberia. Archaeologically, many elements link Celtiberians with Celts in Central Europe, but also show large differences with both the Hallstatt culture and La Tène culture. There is no complete agreement on the exact definition of Celtiberians among classical authors, nor modern scholars. The Ebro river clearly divides the Celtiberian areas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithraeum
A Mithraeum , sometimes spelled Mithreum and Mithraion (), is a Roman temple, temple erected in classical antiquity by the Mithraism, worshippers of Mithras. Most Mithraea can be dated between 100 BC and 300 AD, mostly in the Roman Empire. The Mithraeum was either an adapted natural cave, cavern, or building imitating a cave. Where possible, the Mithraeum was constructed within or below an existing building, such as the Mithraeum found beneath the Basilica di San Clemente, Basilica of San Clemente in Rome. While most Mithraea are underground, some feature openings in the ceiling to allow light to enter, a reminder of the connection to the universe and the passage of time. The site of a Mithraeum may also be identified by its singular entrance or vestibule, which stands across from an apse at the back of which stands an altar on a pedestal, often in a recess, and its "cave," called the ''Spelaeum'' or ''Spelunca'', with raised benches along the side walls for the ritu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithraic Mysteries
Mithraism, also known as the Mithraic mysteries or the Cult of Mithras, was a Roman mystery religion focused on the god Mithras. Although inspired by Iranian worship of the Zoroastrian divinity ('' yazata'') Mithra, the Roman Mithras was linked to a new and distinctive imagery, and the degree of continuity between Persian and Greco-Roman practice remains debatable. The mysteries were popular among the Imperial Roman army from the 1st to the 4th century AD. Worshippers of Mithras had a complex system of seven grades of initiation and communal ritual meals. Initiates called themselves ''syndexioi'', those "united by the handshake". They met in dedicated '' mithraea'' (singular ''mithraeum''), underground temples that survive in large numbers. The cult appears to have had its centre in Rome, and was popular throughout the western half of the empire, as far south as Roman Africa and Numidia, as far east as Roman Dacia, as far north as Roman Britain, and to a lesser ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tauroctony
''Tauroctony'' is a neologism, modern name given to the central cult image, cult reliefs of the Mithraic Mysteries in the Roman Empire. The imagery depicts Mithras killing a bull, hence the name ''tauroctony'' after the Greek word (, "bull killing"). A ''tauroctony'' is distinct from the sacrifice of a bull in ancient Rome called a ; the was mainly part of the unrelated cult of Cybele. Despite the name, the scene is symbolic, and to date there is no known physical evidence that patrons of the Roman cult ever performed such a rite. Like all Greco-Roman mysteries, the Mithraic Mysteries was limited to initiates, and there is very little known about the cult's beliefs or practices. However, several images of the bull include a ribbon or blanket, which was a Roman convention to identify a sacrificial animal, so it is fairly certain that the killing of the bull represents a sacrificial act. Because the main bull-killing scene is often accompanied by explicit depictions of the sun, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avesta
The Avesta (, Book Pahlavi: (), Persian language, Persian: ()) is the text corpus of Zoroastrian literature, religious literature of Zoroastrianism. All its texts are composed in the Avestan language and written in the Avestan alphabet. Modern Edition (book), editions of the Avesta are based on the various manuscript traditions that have survived in Zoroastrianism in India, India and Zoroastrianism in Iran, Iran. The individual texts of the Avesta were originally Oral tradition, oral compositions. They were composed over a long period of several centuries during the Avestan period, Old Iranian period (possibly ranging from 15th century BCE – 4th century BCE). The written transmission began during the Sassanian empire, Sassanian period, with the creation of the Avestan alphabet. The resulting texts were then compiled into a comprehensive edition of the Sasanian Avesta, Avesta in 21 volumes. This edition was lost sometime after the 10th century CE and only a small part survi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gathas
The Gathas () are 17 hymns in the Avestan language from the Zoroastrian oral tradition of the Avesta. The oldest surviving text fragment dates from 1323 CE, but they are believed by scholars to have been composed before 1000 BCE and passed down orally for centuries. They are traditionally believed to have been composed by the prophet Zarathushtra (Zoroaster) himself. They form the core of the Zoroastrian liturgy (the Yasna). They are arranged in five different modes or metres. The Avestan term ' (𐬔𐬁𐬚𐬁 "hymn", but also "mode, metre") is cognate with Sanskrit '' gāthā'' (गाथा), both from the Proto-Indo-Iranian word ''*gaHtʰáH'', from the root ''*gaH-'' "to sing". Structure and organization The Gathas are in verse, metrical in the nature of ancient Iranian religious poetry, that is extremely terse. The 17 hymns of the Gathas consist of 238 stanzas, of about 1300 lines or 6000 words in total. They were later incorporated into the 72-chapter ''Yasna'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoroaster
Zarathushtra Spitama, more commonly known as Zoroaster or Zarathustra, was an Iranian peoples, Iranian religious reformer who challenged the tenets of the contemporary Ancient Iranian religion, becoming the spiritual founder of Zoroastrianism. Variously described as a Sage (philosophy), sage or a wonderworker; in the oldest Zoroastrian scriptures, the Gatha (Zoroaster), Gathas, which he is believed to have authored, he is described as a preacher and a poet-prophet. He also had an impact on Heraclitus, Plato, Pythagoras, and the Abrahamic religions, including Judaism, Christianity, and Islam. He spoke an Eastern Iranian language, named Avestan by scholars after the Avesta, corpus of Zoroastrian religious texts written in that language. Based on this, it is tentative to place his homeland somewhere in the eastern regions of Greater Iran (perhaps in modern-day Afghanistan or Tajikistan), but his exact birthplace is uncertain. His life is traditionally dated to sometime around th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bull-leaping
Bull-leaping (, ) is a term for various types of non-violent bull fighting. Some are based on an ancient ritual from the Minoan civilization involving an acrobat leaping over the back of a charging bull (or cow). As a sport it survives in Spain, with bulls, as ; in modern France, usually with cows rather than bulls, as ; and in Tamil Nadu, India with bulls as Jallikattu. Ritual leaping over bulls is a motif in Middle Bronze Age figurative art, especially in Minoan art, and what are probably Minoan objects found in Mycenaean Greece, but it is also sometimes found in Hittite Empire, Hittite Anatolia, the Levant, Bactria–Margiana Archaeological Complex, Bactria and the Indus Valley civilisation, Indus Valley. It is often interpreted as a depiction of a rite performed in connection with bull worship. Iconography Younger (1995) classifies bull-leaping depictions in Bronze Age Aegean art as follows: * Type I: the acrobatics, acrobat approaches the bull from the front, grabs the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
