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Antonio Canova
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italians, Italian Neoclassical sculpture, Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Republic of Venice, Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Angela Zardo Fantolin.. In 1761, his father died. A year later, his mother remarried. In 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemasonry, stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Possagno
Possagno is a comune in the Province of Treviso, in the Italy, Italian region Veneto. It is located about northwest of Venice and about northwest of Treviso. As of 31 August 2021, it had a population of 2,215 and an area of .All demographics and other statistics: Italian statistical institute National Institute of Statistics (Italy), Istat. Possagno borders the municipalities of Castelcucco, Cavaso del Tomba, Pieve del Grappa, and Setteville. History Since the end of the 18th century, the history of the municipality has been linked to the famous name of Antonio Canova, of whose works the Canova Temple stands out, a church designed by the sculptor inspired by the Pantheon in Rome, and the Canova Gipsoteca, a collection of casts and plaster casts in the house of the artist. Antonio Canova (1757-1822), the great Neoclassicism#Sculpture, neoclassical sculptor was born in Possagno. He chose to erect the Tempio Canoviano in the city, a structure he designed, financed, and partly-buil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinckney Marcius-Simons, The Child Canova Modeling A Lion Out Of Butter, C 1885
Pinckney may refer to: __NOTOC__ People * Pinckney (surname) * Pinckney (given name) Places in the United States * Pinckney, Michigan, a village * Pinckney, Missouri, an unincorporated community * Pinckney, New York, a town * Pinckney State Recreation Area, a protected area in Michigan Ships * USS ''Pinckney'', a US Navy destroyer See also * Castle Pinckney, a US fortification in South Carolina * The Community Learning Center at Pinckney, an alternative middle and high school in Carthage, North Carolina * Pinckney's Treaty Pinckney's Treaty, also known as the Treaty of San Lorenzo or the Treaty of Madrid, was signed on October 27, 1795, by the United States and Spain. It defined the border between the United States and Spanish Florida, and guaranteed the United S ... (1795–1796), between Spain and the US * * Pinkney (other) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza San Marco
Piazza San Marco (; ), often known in English as St Mark's Square, is the principal Town Square, public square of Venice, Italy, where it is generally known just as ''la Piazza'' ("the Square"). The Piazzetta ("little Piazza/Square") is an extension of the Piazza towards San Marco basin in its southeast corner (see plan). The two spaces together form the social, religious and political centre of Venice and are referred to together. This article relates to both of them. A remark usually attributed (though without proof) to Napoleon calls the Piazza San Marco "the drawing room of Europe". Description The square is dominated at its eastern end by St Mark's Basilica. It is described here by a perambulation starting from the west front of the church (facing the length of the piazza) and proceeding to the right. St Mark's Basilica has a western façade with great arches and marble decoration, Romanesque carvings around the central doorway, and four horses which preside over the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feast Of The Ascension
The Feast of the Ascension of Jesus Christ (also called the Solemnity of the Ascension of the Lord, Ascension Day, Ascension Thursday, or sometimes Holy Thursday) commemorates the Christian belief of the bodily Ascension of Jesus into Heaven. It is one of the ecumenical (shared by multiple Christian denomination, denominations) feasts of Christian churches, ranking with the feasts of the Passion (Christianity), Passion and Pentecost. Following the account of that the risen Jesus appeared for 40 days prior to his Ascension, Ascension Day is traditionally celebrated on a Thursday, the fortieth day of Easter according to inclusive counting, although some Christian denominations have moved the observance to the following Sunday, sometimes called Ascension Sunday. The day of observance varies by ecclesiastical province in many Christian denominations, as with Lutherans and Catholics, for example. Ascensiontide refers to the ten-day period between the Feast of the Ascension and the Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo Style
Rococo, less commonly Roccoco ( , ; or ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence other arts, particularly sculpture, furniture, silverware, glassware, painting, music, theatre, and literature. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asolo
Asolo () is a town and ''comune'' in the Veneto, Veneto Region of northern Italy. It is known as "The Pearl of the province of Treviso", and also as "The City of a Hundred Horizons" for its mountain settings. It is one of I Borghi più belli d'Italia ("The most beautiful villages of Italy"). History The town was originally a settlement of the Adriatic Veneti, Veneti, and was mentioned as Acelum in the works of Pliny the Elder, Pliny. Its citizens were inscribed into the Roman tribe ''Claudia''. It was called Acelum in the acts of a synod held in Marano in 588 or 591, since one of the participants was ''Agnellus episcopus sanctae Acelinae ecclesiae''; the name Asolo was already in use by the time of a synod held in Mantua in 827 (or perhaps 835), at which the participation of ''Arthemius episcopus Asolensis'' is noted. In 969, Emperor Otto I assigned the territory of the diocese of Acelum/Asolo to the diocese of Roman Catholic Diocese of Treviso, Treviso. This action may be rela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurydice
Eurydice (; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: ) was a character in Greek mythology and the wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music. Etymology Several meanings for the name ''Eurydice'' have been proposed such as "true judgment" or "profound judgment" from the Greek language, Greek: ''eur dike''. Fabius Planciades Fulgentius, Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the latter etymological meaning. Adriana Cavarero, in the book ''Relating Narratives: Storytelling and Selfhood'', wrote that "the etymology of Eurydice seems rather to indicate, in the term ''eurus'', a vastness of space or power, which, joining to ''dike'' [and thus ''deiknumi'', to show], designates her as 'the one who judges with breadth' or, perhaps, 'she who shows herself amply.'" Mythology Marriage to Orpheus, death and afterlife Eurydice was the wife of musician Orpheus, who loved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus
In Greek mythology, Orpheus (; , classical pronunciation: ) was a Thracians, Thracian bard, legendary musician and prophet. He was also a renowned Ancient Greek poetry, poet and, according to legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and descended into the Greek underworld, underworld to recover his lost wife, Eurydice. The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who got tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the classical reception studies, reception of classical mythology in Western culture, portrayed or allusion, alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di Belle Arti Di Venezia
The (English: Academy of Fine Arts of Venice) is a public tertiary academy of art in Venice, Italy. History The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756. The first director was Giovanni Battista Piazzetta; Gianbattista Tiepolo became the first president after his return from Würzburg. The academy was at first housed in a room on the upper floor of the , a flour warehouse and market on the Grand Canal, close to Piazza San Marco. The space was insufficient, and students and teachers had to contend with the noise and dust of the market, which also occupied the first floor of the building. Antonio Canova studied at the academy in the 1770s. In 1807, the academy was re-founded by Napoleonic decree. The name was changed from Veneta Academia di Pittura, Scultura e Architettura to Accademia Reale di Belle Arti, "royal academy of fine arts", and the academy was moved to premises in the Palladian complex of the Scuola della ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Ferrari (sculptor)
Giovanni Ferrari detto Torretto (5 June 1744 – 2 November 1826) was an Italian sculptor. Biography Giovanni Ferrari was born 5 June 1744, in Crespano del Grappa. His father, Gaetano, was a stonemason by trade. His mother was Domenica Tedesca. He is the last of well-known artist from the Torretti dynasty of sculptors, which including his great-uncle Giuseppe Torretto and Uncle Giuseppe Bernardi. In 1755 he moved to Venice to join the studio of the latter, and at Bernardi's death in 1773, he inherited his studio. He died 2 November 1826 in Venice. As sculptor Ferrari was concerned initially to complete some works of his predecessor, helped, among others, by Antonio Canova, who had been working in the shop since 1744. But by 1777, Ferrari closed the studio, and moved to Mantua, then to Modena, then to Bologna. From 1779 he was in Rome where he worked at the studio of Lorenzo Cardelli, and later under Francesco Antonio Franzoni. He then returned to Venice, where he worked till ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Bernardi
Giuseppe Bernardi (24 March 1694 in Pagnano – 22 February 1773 in Venice), also called Torretto, was a prominent mid-18th-century Italian sculptor. He is also known as a carver of intaglios and as the first teacher of Neoclassical sculptor Antonio Canova. His father was Sebastiano Bernardi whose works include the statues of the park of the Villa Manin di Passariano (Udine) and of the Prato della Valle in Padua. His mother, Cecilia Torretto, was sister to the sculptor Giuseppe Torretto and Bernardi took the nickname "il Torretto" as a child in honor of his uncle. Career Bernardi learned his craft from his maternal uncle whose workshop he later inherited. He worked on both small and large projects, and documents from his workshop indicate that he was quite prolific, taking on numerous projects at a time. Beginning in the 1730s, he was involved with the Santa Maria della Fava sculptural project which took him several decades to complete. He was commissioned to sculpt eight, ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Canova, Orfeo, 1777, 01
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language–speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language, it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
