Büttenrede
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Büttenrede
A Büttenrede (also washtub speech, carnival speech) is a humorous speech, originating in the western German cultural tradition, that is given during carnival. It is usually given at carnival conventions, revue-like events organized by carnival societies. Büttenreden are often rhymed and are performed from a special lectern called a ''bütt'' (rhenish franconian/moselle franconian/ colognian/rhinelandic for barrel, vessel) in a local German dialect. Over the last few decades, Büttenreden have also become more popular in eastern Germany, including at the Berlin carnival. Format Especially in the Rhenish carnival tradition, the format of the traditional Büttenrede has undergone many changes. The spectrum of Büttenreden nowadays ranges from elements of stand-up comedy and sung interludes to dialogues and ventriloquism. Even the ''bütt'' itself is only rarely visible, although this is usually for technical reasons. The content of the speeches has also gradually shifted fro ...
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Dialogues
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term ''dialogue'' stems from the Greek (, ); its roots are (, ) and (, ). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as . As genre Antiquity Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns, and the ''Mahabharata''. In the West, Plato ( BC – BC) has commonly been credited with the systematic use of dialogue as an indepen ...
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Black People
Black is a racial classification of people, usually a political and skin color-based category for specific populations with a mid- to dark brown complexion. Not all people considered "black" have dark skin and often additional phenotypical characteristics are relevant, such as facial and hair-texture features; in certain countries, often in socially based systems of racial classification in the Western world, the term "black" is used to describe persons who are perceived as dark-skinned compared to other populations. It is most commonly used for people of sub-Saharan African ancestry, Indigenous Australians and Melanesians, though it has been applied in many contexts to other groups, and is no indicator of any close ancestral relationship whatsoever. Indigenous African societies do not use the term ''black'' as a racial identity outside of influences brought by Western cultures. Contemporary anthropologists and other scientists, while recognizing the reality of biological ...
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Asylum Seeker
An asylum seeker is a person who leaves their country of residence, enters another country, and makes in that other country a formal application for the right of asylum according to the Universal Declaration of Human Rights Article 14. A person keeps the status of asylum seeker until the right of asylum application has concluded. The relevant immigration authorities of the country of asylum determine whether the asylum seeker will be granted the right of asylum protection or whether asylum will be refused and the asylum seeker becomes an illegal immigrant who may be asked to leave the country and may even be deported in line with non-refoulement. Signatories to the Universal Declaration of Human Rights create their own policies for assessing the protection status of asylum seekers, and the proportion of asylum applicants who are accepted or rejected varies each year from country to country. The asylum seeker may be simultaneously recognized as a refugee and given refugee ...
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Saxony-Anhalt
Saxony-Anhalt ( ; ) is a States of Germany, state of Germany, bordering the states of Brandenburg, Saxony, Thuringia and Lower Saxony. It covers an area of and has a population of 2.17 million inhabitants, making it the List of German states by area, 8th-largest state in Germany by area and the List of German states by population, 11th-largest by population. Its capital and most populous city is Magdeburg. The state of Saxony-Anhalt was formed in July 1945 after World War II, when the Soviet Military Administration in Germany, Soviet army administration in Allied-occupied Germany formed it from the former Free State of Prussia, Prussian Province of Saxony and the Free State of Anhalt. Saxony-Anhalt became part of the East Germany, German Democratic Republic in 1949, but was dissolved in 1952 during Administrative divisions of East Germany, administrative reforms and its territory was divided into the districts of Halle (Bezirk), Halle and Magdeburg (Bezirk), Magdeburg. Follow ...
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Süplingen
Süplingen is a village and a former municipality in the Börde district in Saxony-Anhalt, Germany. Since 1 January 2014, it is part of the town Haldensleben Haldensleben (; Eastphalian dialect, Eastphalian: ''Halslä'') is a town in Saxony-Anhalt, Germany. It is the administrative seat of the Börde (district), Börde district. Geography It is situated on the Ohre river, near the confluence with its .... References Former municipalities in Saxony-Anhalt Börde (district) {{Börde-geo-stub ...
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Public Broadcasting
Public broadcasting (or public service broadcasting) is radio, television, and other electronic media outlets whose primary mission is public service with a commitment to avoiding political and commercial influence. Public broadcasters receive funding from diverse sources including broadcast receiving licence, license fees, individual contributions and donations, public financing, and corporate underwriting. A public service broadcaster should operate as a Nonpartisanship, non-partisan, Nonprofit organization, non-profit entity, guided by a clear public interest mandate. PSBs must be safeguarded from external interference—especially of a political or commercial nature—in matters related to governance, budgeting, and editorial decision-making. The PSB model relies on an independent and transparent system of governance, encompassing key areas such as editorial policy, managerial appointments, and financial oversight. Common media include AM broadcasting, AM, FM broadcasting, ...
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Couplet
In poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their w ...
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Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ...
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Punch Line
A punch line (also punch-line or punchline) concludes a joke; it is intended to make people Laughter, laugh. It is the third and final part of the Joke#Telling jokes, typical joke structure. It follows the introductory framing of the joke and the narrative which sets up for the punch line. In a broader sense, "punch line" can also refer to the unexpected and funny conclusion of any performance, situation or story. Etymology The origin of the term Punch (magazine), is unknown. Even though the comedic formula using the classic "set-up, premise, punch line" format was well-established in Vaudeville by the beginning of the 20th century, the actual term "punch line" is first documented in the 1910s; the Merriam-Webster dictionary pegs the first use in 1916. Linguistic analysis A linguistic interpretation of the mechanics of the punch line response is posited by Victor Raskin in his Theories of humor#Script-based semantic theory of humor, script-based semantic theory of humor. Hu ...
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Iambic Pentameter
Iambic pentameter ( ) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in each line. Meter is measured in small groups of syllables called feet. "Iambic" indicates that the type of foot used is the iamb, which in English is composed of an unstressed syllable followed by a stressed syllable (as in ''a-BOVE''). "Pentameter" indicates that each line has five metrical feet. Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in '' The Prelude''. As lines in iambic pentameter usually c ...
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Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ...
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