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Béatrice (opera)
''Béatrice'' is a (opera) in four acts of 1914, with music by André Messager and a French libretto by Caillavet and Flers, after the short story ''La légende de Soeur Béatrix'' (1837) by Nodier. Background Nodier's work was first published in ''La Revue de Paris'' in October 1837. The story was chosen by the composer for its variety of dramatic situations; the opera is a serious lyric drama, unprecedented in Messager's output, generally weighted towards operetta.Augé-Laribé, M. ''Messager: La vie, L'Oeuvre, Discographie''. La Colombe, Paris, 1951. The music critic Pierre Lalo, commenting on the Paris premiere, noted the impact of the second act love duet and considered the fourth act to be most well written. Performance history ''Béatrice'' was first performed at the Opéra de Monte-Carlo on 21 March 1914, and was subsequently produced in Buenos Aires on 15 July 1916 and Rio de Janeiro on 20 September 1916. The Opéra-Comique in Paris mounted the work on 23 November 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty , opérettes and other stage works, among which his ballet (1886) and (1898) have had lasting success; (1897) and (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revivals. He wrote two operatic works in English, and his later output included Musical theatre#Early 20th century, musical comedies for Sacha Guitry and Yvonne Printemps. As a conductor, Messager held prominent positions in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solange Michel
Solange Michel (27 November 1912 – 15 December 2010) was a French classical mezzo-soprano who sang in concerts, recitals, and operas from the 1930s to the 1970s. She was particularly associated with the French opera repertory and was one of the most popular interpreters of the title heroine in Georges Bizet's ''Carmen'' in post World War II France. Life and career Born Solange Boulesteix in Paris, Michel studied at the Conservatoire de Paris under Eustase Thomas-Salignac and André Gresse. She began her career as a concert singer, giving her first performance on French Radio in 1936, and made her stage debut in 1942, as Charlotte in ''Werther''. In 1945, she changed her name to Solange Michel and became a member of the Opéra-Comique where she debuted as ''Mignon''. Shortly afterwards, she was invited to perform at the Paris Opera, and quickly established herself as the most important mezzo of her era. Her interpretation of Carmen is now widely regarded as a classic. Other no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Rousselière
Charles Rousselière (17 January 1875 – 11 May 1950) was a French operatic tenor who performed primarily at the Paris Opera, the Opéra de Monte-Carlo, and the Opéra-Comique. He sang in the world premieres of several operas, including the title role in Charpentier's ''Julien'' and Giorgio in Mascagni's '' Amica''. Rousselière was born in Saint-Nazaire-d'Aude (village in Languedoc-Roussillon) and originally worked as a blacksmith before studying with Edmond Vergnet, Alfred Giraudet and Léon Achard at the Conservatoire de Paris. He was active in café-concert, and one of the stars of the Petit Ramponneau in Montmartre, run by Théophile Pathé, brother of Charles Pathé, through whom he recorded his first cylindres. He made his stage debut as Samson in Saint-Saëns's '' Samson and Delilah'' at the Paris Opera in 1900. He also appeared at the Metropolitan Opera in New York (where he debuted as Roméo in ''Roméo et Juliette'' in 1906) as well as in Berlin, Buenos Aires an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a classical music, classical female singing human voice, voice whose vocal range is the lowest of their voice type, voice types. The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable Voice classification in non-classical music, system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacqueline Royer
Jacqueline Royer (1884 – 19??) was a French opera singer who sang leading contralto and mezzo-soprano roles at the Opéra de Paris, London's Royal Opera House, the Teatro Colón in Buenos Aires, and the Opéra de Monte-Carlo. Active on the stage from 1904 until 1924, she created several roles in early 20th century operas, including Carmine in the posthumous premiere of Ponchielli's ''I Mori di Valenza''. Royer was born in Guîtres, the daughter of a music professor and conductor. She began singing as a child, appearing as the soloist in the performance of a ''Stabat Mater'' at the age of ten. She graduated from the Paris Conservatory in 1904 and was immediately engaged by the Paris Opera. She made her debut in November of that year as Léonore in Donizetti's ''La favorite''. Royer can be heard singing "O toi qui m'abandonne" from Meyerbeer's ''Le prophète'' on volume 2 of ''The Record of Singing''. Roles created *Marquise de Prie in Spiro Samara's ''Mademoiselle de Belle-Isl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Jehin
Léon Jehin (17 July 1853 – 14 February 1928) was a conducting, conductor and composer, especially associated with the opera house in Monte Carlo.Favre G. ''Histoire Musicale de la Principauté de Monaco du XVIe au XXe siècle.'' Éditions des Archives du Palais Princier, Monaco/Éditions A et J Picard, Paris, 1974. He composed the national anthem of Monaco. Life and career Jehin was born in Spa, Belgium. He studied at the conservatoire in Liege and then in Brussels. He was a violinist at La Monnaie in the Belgian capital and conducted at Anvers, Aix-les-Bains, and the Royal Opera House. In 1889, when he was an assistant conductor in Brussels, he succeeded Arthur Steck as the conductor of the Opéra de Monte-Carlo, Monte Carlo Opera in Monaco, a position he held until his death. His first performance there was of ''Mireille (opera), Mireille'' by Charles Gounod.Walsh T J. ''Monte Carlo opera, 1879–1909.'' Gill and Macmillan, Dublin, 1975. In addition to conducting the main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
