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Byzantine Master Of The Crucifix Of Pisa
The Crucifix of Pisa is a painting of the crucifixion painted on wood panel, dating to sometime around 1230 and currently in the Museo nazionale di San Matteo, Pisa Pisa ( , or ) is a city and ''comune'' in Tuscany, central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower, the cit ..., Italy. Its anonymous author is referred to as the Byzantine Master of the Crucifix of Pisa. He was an Italian painter active in Pisa in the first half of the thirteenth century. The painting is significant in the history of Italian painting for its iconography of the patient, suffering Christ on the cross; although then new, it quickly replaced the older style, depicting Christ triumphant and free from pain, with open eyes and a regal bearing free from sorrow.Lorenzo Carletti, ''scheda n. 7 - Croce dipinta'', in ''Cimabue a Pisa. La pittura pisana del Duecento da Giunt ...
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Maestro Bizantino, Crocifisso Del Museo Nazionale Di San Matteo, Pisa, 1230 Circa, Tavola Sagomata
Maestro (; from the Italian '' maestro'' , meaning " master" or " teacher") is an honorific title of respect (plural: maestros or maestri). The term is most commonly used in the context of Western classical music and opera, in line with the ubiquitous use of Italian musical terms. In music The word ''maestro'' is most often used in addressing or referring to conductors. Less frequently, one might refer to respected composers, performers, impresarios, musicologists, and music teachers. In the world of Italian opera, the title is also used to designate a number of positions within the orchestra and company that have specific duties during rehearsal and performance. These include: * Maestro sostituto or maestro collaboratore: musicians who act as '' répétiteurs'' and assistant conductors during performances. * Maestro concertatore, the keyboard continuo player, who prepares singers and leads rehearsals. * Maestro direttore: the leader of the first violins of the orchestra ...
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Crucifixion
Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthaginians and Romans, among others. Crucifixion has been used in parts of the world as recently as the twentieth century. The crucifixion of Jesus of Nazareth is central to Christianity, and the Christian cross, cross (sometimes crucifix, depicting Jesus nailed to it) is the main religious symbol for many Christian churches. Terminology Ancient Greek has two verbs for crucify: (), from (which in today's Greek only means "cross" but which in antiquity was used of any kind of wooden pole, pointed or blunt, bare or with attachments) and () "crucify on a plank", together with ( "impale"). In earlier pre-Roman Greek texts usually means "impale". The Greek used in the Christian New Testament uses four verbs, three of them based upon (), ...
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Museo Nazionale Di San Matteo
The National Museum of San Matteo in Pisa (''Museo Nazionale di San Matteo'') displays works from historic ecclesiastical buildings in the city and Province of Pisa. Collections The works span from early Medieval period to the 16th century. The collection includes sculptural masterworks by Nicola Pisano and Donatello. It has a rich collection of antique paintings, including works by Berlinghiero Volterrano, Giunta Pisano, Simone Martini, Lippo Memmi, Francesco Traini, Masaccio, Beato Angelico, Benozzo di Lese, and Ghirlandaio. The museum also has a collection of medieval illuminated manuscripts, wooden religious sculpture from 13th century to 15th century, and antique ceramics. History The nucleus of the collection was initially started by a 1796 endowment by the Canon of the Pisa Cathedral, Sebastiano Zucchetti. Further works were added after the Napoleonic closure of many religious establishments, and through the Academy of Fine Arts The following is a list of notable art ...
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Pisa
Pisa ( , or ) is a city and ''comune'' in Tuscany, central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower, the city contains more than twenty other historic churches, several medieval palaces, and bridges across the Arno. Much of the city's architecture was financed from its history as one of the Italian maritime republics. The city is also home to the University of Pisa, which has a history going back to the 12th century, the Scuola Normale Superiore di Pisa, founded by Napoleon in 1810, and its offshoot, the Sant'Anna School of Advanced Studies.Scuola Superiore Sant'Anna di Pisa
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically b ...
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Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the " Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empi ...
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Angel
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (lit ...
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Passion (Christianity)
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the ...
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Giunta Pisano
Giunta Pisano (also named Giunta da Pisa or Giunta Capitini) was an Italian painter. He is the earliest Italian painter whose name is found inscribed on an extant work. He is best known for his crucifixes. Works He is said to have exercised his art from 1202 to 1236. He may perhaps have been born towards 1180 in Pisa, and died in or soon after 1250, but other accounts give 1202 as the date of his birth, and the more probable date of 1258 or thereabouts for his death. There is some ground for thinking that his family name was Capiteno or Capitino. Giunta Pisano usually painted upon cloth stretched on wood and prepared with plaster. The inscribed work, referred to above, is also one of his earliest. It is the ''Crocefisso di San Raniero'', a crucifix, that hung for a long time in the kitchen of the convent of St Anne in Pisa. Other Pisan works of about the same date (as the one in National Museum of San Matteo, Pisa) are very barbarous, and, some of them may be also from the ha ...
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Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that ...
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1230s Paintings
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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