Burne-Jones Nativity Monument 1879
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Burne-Jones Nativity Monument 1879
The Burne-Jones Baronetcy, of Rottingdean in the County of Sussex, and of The Grange in the Parish of Fulham in the County of London, was a title in the Baronetage of the United Kingdom. It was created on 4 May 1894 for the artist and designer Edward Burne-Jones. He was closely associated with the later phase of the Pre-Raphaelite movement. He was succeeded by his eldest son, the second Baronet, who was also a painter. The title became extinct on his death in 1926. Burne-Jones baronets, of Rottingdean and of The Grange (1894) * Sir Edward Coley Burne-Jones, 1st Baronet (1833–1898) *Sir Philip Burne-Jones, 2nd Baronet Sir Philip William Burne-Jones, 2nd Baronet (1 October 1861 – 21 June 1926) was a Victorian Era British aristocrat, whose life and professional career as a painter spanned into the Edwardian. He was the first child of more famed British Pre-R ... (1861–1926) References * {{DEFAULTSORT:Burne-Jones Extinct baronetcies in the Baronetage of the United King ...
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Edward Burne-Jones Photogravure Hollyer
Edward is an English male name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortunate; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and ...
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Rottingdean
Rottingdean is a village in the city of Brighton and Hove, on the south coast of England. It borders the villages of Saltdean, Ovingdean and Woodingdean, and has a historic centre, often the subject of picture postcards. Name The name Rottingdean is normally interpreted as the ''valley of the people associated with Rōta'' (a male personal name). Rota was probably the leader of a band of Saxons who invaded the region in 450–500 AD and replaced the existing Romano-British inhabitants. The first recorded mention is ''Rotingeden'', in the Domesday Book of 1086. Other variations to be found in ancient charters include ''Ruttingedene'' (1272), ''Rottyngden'' (1315) and ''Rottendeane'' (1673). The name was contrasted unflatteringly with Goodwood (another place in Sussex) in a national 1970s advertising campaign for wood preserver. Geography Rottingdean is in a dry valley whose sides in the upper reaches are quite steep, and this valley comes right down to the English Channel ...
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County Of Sussex
Sussex ( /ˈsʌsɪks/; from the Old English ''Sūþseaxe''; lit. 'South Saxons'; 'Sussex') is an area within South East England that was historically a kingdom and, later, a county. It includes the ceremonial counties of East Sussex and West Sussex. The area borders the English Channel to the south, and the ceremonial counties of Surrey to the north, Kent to the north-east, and Hampshire to the west. Sussex contains the city of Brighton and Hove and its wider city region, as well as the South Downs National Park and the National Landscapes of the High Weald and Chichester Harbour. Its coastline is long. The Kingdom of Sussex emerged in the fifth century in the area that had previously been inhabited by the Regni tribe in the Romano-British period. In about 827, shortly after the Battle of Ellendun, Sussex was conquered by Wessex. From 860 it was ruled by the kings of Wessex, and in 927 it became part of the Kingdom of England. By the Norman period, Sussex was subdivided i ...
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Fulham
Fulham () is an area of the London Borough of Hammersmith and Fulham in West London, England, southwest of Charing Cross. It lies in a loop on the north bank of the River Thames, bordering Hammersmith, Kensington and Chelsea, London, Chelsea, with which it shares the area known as West Brompton. Over the Thames, Fulham faces Wandsworth, Putney, the London Wetland Centre in Barnes, London, Barnes in the London Borough of Richmond upon Thames. First recorded by name in 691, it was an extensive Anglo-Saxon settlement of Britain, Anglo-Saxon estate, the Fulham Palace, Manor of Fulham, and then a parish. Its domain stretched from modern-day Chiswick in the west to Chelsea, London, Chelsea in the southeast; and from Harlesden in the northwest to Kensal Green in the northeast bordered by the littoral of Counter's Creek and the Manor of Kensington. It originally included today's Hammersmith. Between 1900 and 1965, it was demarcated as the Metropolitan Borough of Fulham, before its me ...
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County Of London
The County of London was a county of England from 1889 to 1965, corresponding to the area known today as Inner London. It was created as part of the general introduction of elected county government in England, by way of the Local Government Act 1888. The Act created an Administrative counties of England, administrative County of London, which included within its territory the City of London. However, the City of London and the County of London formed separate ceremonial counties for "Ceremonial counties of England, non-administrative" purposes.Robson 1939, pp. 80–92. The local authority for the county was the London County Council (LCC), which initially performed only a limited range of functions, but gained further powers during its 76-year existence. The LCC provided very few services within the City of London, where the ancient Corporation of London, Corporation monopolised local governance. In 1900, the lower-tier Metropolis Management Act 1855#Vestries and District Board ...
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Baronetage Of The United Kingdom
Baronets are hereditary titles awarded by the Crown. The current baronetage of the United Kingdom has replaced the earlier, existing baronetages of England, Nova Scotia, Ireland and Great Britain. To be recognised as a baronet, it is necessary to prove a claim of succession. When this has been done, the name is entered on the Official Roll of the Baronetage. Persons who have not proven their claims may not be officially styled as baronets. This was ordained by Royal warrant (document), Royal Warrant in February 1910. A baronetcy is considered vacant if the previous holder has died within the previous five years and if no one has proven their succession, and is considered dormant if no one has proven their succession in more than five years after the death of the previous incumbent. All extant baronetcies, including vacant baronetcies, are listed below in order of precedence (i.e. date). All other baronetcies, including those which are extinct, dormant or forfeit, are on a separ ...
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Sir Edward Burne-Jones, 1st Baronet
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August 183317 June 1898) was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. His early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery, a new rival to the Royal Academy of Arts. These included ''The Beguiling of Merlin''. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the production of which was a revived craft during the 19th century. His designs ar ...
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Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the ...
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Sir Philip Burne-Jones, 2nd Baronet
Sir Philip William Burne-Jones, 2nd Baronet (1 October 1861 – 21 June 1926) was a Victorian Era British aristocrat, whose life and professional career as a painter spanned into the Edwardian. He was the first child of more famed British Pre-Raphaelite artist Sir Edward Burne-Jones and his wife Georgiana Macdonald, and a cousin of both author Rudyard Kipling and prime minister Stanley Baldwin. He produced more than 60 paintings, including portraits, landscapes, and poetic fantasies. Life and career He was born in London, England in 1861 and was educated at Marlborough College. He attended Oxford University for two years, but left before graduating. To appease his parents for this failure, he agreed to take lessons in painting in London. Philip studied painting seriously. His skill was great and he exhibited his work in well-known galleries in London and Paris. The Royal Academy exhibited his work eleven times between 1898 and 1918, and his work was also shown in the Paris Sal ...
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