Buddhist Chant
Tibetan illustration of veena.html" ;"title="Saraswati holding a veena">Saraswati holding a veena, the main deity of music and musicians in Mahayana Buddhism Buddhist music is music (, ) created for or inspired by Buddhism and includes numerous ritual and non-ritual musical forms.Mross, Michaela (2022). Memory, Music, Manuscripts: ''The Ritual Dynamics of Kōshiki in Japanese Sōtō Zen,'' p. 7''.'' Michaela Mross University of Hawaii Press. As a Buddhist art form, music has been used by Buddhists since the time of early Buddhism, as attested by artistic depictions in Indian sites like Sanchi. While certain early Buddhist sources contain negative attitudes to music, Mahayana sources tend to be much more positive to music, seeing it as a suitable offering to the Buddhas and as a skillful means to bring sentient beings to Buddhism. Buddhist music retains a prominent place in many Buddhist traditions, and is usually used for ceremonial and devotional purposes. Buddhist music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Foreigners At Sanchi Stupa I North Gateway
Foreigner may refer to: Music * Foreigner (band), a British-American rock band, originally formed in 1976 * ''Foreigner'' (Foreigner album), the 1977 eponymous debut album of said band * ''Foreigner'' (Cat Stevens album), 1973 * "Foreigner", a 2020 song by Pop Smoke from ''Meet the Woo 2'' Literature * Foreigner (character), a Marvel Comics villain * ''Foreigner'' series, a science fiction series by C. J. Cherryh, named after the first novel ''Foreigner'' * ''Foreigner'' (Sawyer novel), a 1994 novel in the Quintaglio Ascension Trilogy by Robert J. Sawyer * ''The Foreigner'' (novel), a 2008 novel by Francie Lin Film and theatre * ''The Foreigner'' (1921 film), an American silent film also known as ''God's Crucible'' * ''Foreigners'' (film), a 1972 Swedish film * ''The Foreigner'' (2003 film), an action film starring Steven Seagal * ''The Foreigner'' (2017 film), an action-thriller film starring Jackie Chan * ''The Foreigner'' (play), a 1984 play by Larry Shue * ''Foreig ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mantra
A mantra ( ; Pali: ''mantra'') or mantram (Devanagari: मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words (most often in an Indo-Iranian language like Sanskrit or Avestan) believed by practitioners to have religious, magical or spiritual powers. Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and a literal meaning, while others do not. ꣽ, ॐ (Aum, Om) serves as an important mantra in various Indian religions. Specifically, it is an example of a seed syllable mantra ( bijamantra). It is believed to be the first sound in Hinduism and as the sonic essence of the absolute divine reality. Longer mantras are phrases with several syllables, names and words. These phrases may have spiritual interpretations such as a name of a deity, a longing for truth, reality, light, immortality, peace, love, knowledge, and action. Examples of lo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Buddhism In Japan
Buddhism was first established in Japan in the 6th century CE. Most of the Japanese Buddhists belong to new schools of Buddhism which were established in the Kamakura period (1185-1333). During the Edo period (1603–1868), Buddhism was controlled by the Tokugawa shogunate, feudal Shogunate. The Meiji period (1868–1912) saw a strong response against Buddhism, with persecution and a forced separation between Buddhism and Shinto (''Shinbutsu bunri''). The largest sects of Japanese Buddhism are Pure Land Buddhism#Japanese Pure Land, Pure Land Buddhism with 22 million believers, followed by Nichiren Buddhism with 10 million believers, Shingon Buddhism with 5.4 million, Japanese Zen, Zen Buddhism with 5.3 million, Tendai Buddhism with 2.8 million, and only about 700,000 for the Nanto Rokushū, six old schools established in the Nara period (710-794). History Early Buddhism (5th-13th century) Arrival and initial spread of Buddhism Originating in India, Buddhism arrived in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Of Tibet
The music of Tibet ( zh, 藏族音乐) reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the profound influence of Tibetan Buddhism on the culture. The new-age 'singing bowl' music marketed in the West as 'Tibetan music' is of 1970s US origin. History Western research into the history of Tibetan music has often focused more on religious than secular musics. It has been suggested that Tibetan religious music may have been strongly influenced by West-Asian musics, including those of pre-Muslim Persia (and perhaps even of Byzantium). It has also been suggested that the landscape – and in particular the resonances of caves, with their natural percussive sounding stones - exerted a formative influence on the overtone singing found in Tibetan Buddhist chant (and plausibly also in prehistoric shamanic invocat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gunla Bajan
Gunlā Bājan () is Buddhist devotional music played by the Newars of Nepal. "Gunla" is the name of the tenth month in the Nepal Sambat calendar, which corresponds to August in the Gregorian calendar and "bajan" means "music" and "music playing group". Gunla is a sacred month for the Newar Buddhist community when they recite the Buddhist scriptures and visit places of worship playing devotional music. The practice of observing the sacred month is descended from the rains retreat dating from the Buddha's time when monks are to stay in one place and taught the Dhamma to the locals during this period. Performances Societies based on locality or caste, in which membership is hereditary, organize Gunla Bajan performances. These groups follow an annual calendar of public performances. They also conduct music lessons and hold religious festivals, hymn singing sessions and feasts. The most important activity of the year is making daily pilgrimages during Gunla to Swayambhu Svaya ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Newar Buddhism
Newar Buddhism is a form of Vajrayana Buddhism practiced by the Newar people of the Kathmandu Valley, Nepal. It has developed unique socio-religious elements, which include a non-monastic Buddhist society based on the Newar caste system and patrilineality. Its caste system has a non-celibate religious clergy caste formed of vajracharya (who perform rituals for others) and ''shakya'' (who perform rituals mostly within their own families). Other Buddhist Newar castes like the Urāy act as patrons. Urāy also patronise Tibetan Vajrayana, Theravadin, and even Japanese clerics. Although there was a vibrant regional tradition of Buddhism in the Kathmandu Valley during the first millennium, the transformation into a distinctive cultural and linguistic form of Buddhism appears to have taken place in the fifteenth century, at about the same time that similar regional forms of Indic Buddhism such as those of Kashmir and Indonesia were on the wane. Avalokiteśvara, Nepal, 16th c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Buddhist Temple
A Buddhist temple or Buddhist monastery is the place of worship for Buddhism, Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat, khurul and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddhahood, Buddha. Traditional Buddhist temples are designed to inspire inner and outer peace. Architecture Its architecture and structure varies from region to region. Usually, the temple consists not only of its buildings, but also the surrounding environment. The Buddhist temples are designed to symbolize five elements: fire, air, water, earth and void (space). India The design of temples in India was influenced by the idea of a place of worship as a representation of the universe. For Buddhist temple complexes one tall temple is often centrally located and surrounded by smaller temples and walls. This center surrounded by oceans, lesser mountains and a huge wall. A Chait ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Instrumental
An instrumental or instrumental song is music without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through Semantic change, semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duet, duo or trio (music), trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Songs Of Realization
Songs of realization, or Songs of Experience (; Devanāgarī: दोहा; Romanized Sanskrit: ''Dohā''; Oriya: ପଦ), are sung poetry forms characteristic of the tantric movement in both Vajrayana Buddhism and in Hinduism. Doha is also a specific poetic form. Various forms of these songs exist, including caryagiti (), or 'performance songs' and vajragiti (Sanskrit: ''vajragīti'', Tibetan: ''rDo-rje gan-sung'' ), or 'diamond songs', sometimes translated as vajra songs and doha (Sanskrit: ''dohā'', दोह, 'that which results from milking the cow'), also called doha songs, distinguishing them from the unsung Indian poetry form of the doha. According to Roger Jackson, caryagiti and vajragiti "differ generically from dohās because of their different context and function"; the doha being primarily spiritual aphorisms expressed in the form of rhyming couplets whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stotra
''Stotra'' (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise."Monier Williams, Monier Williams' Sanskrit-English Dictionary, Oxford University Press, Article on 'Stotra'' It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a ''shastra'' which is composed to be recited. 'Stotra' derives from 'stu' meaning 'to praise' A stotra can be a prayer, a description, or a conversation, but always with a poetic structure. It may be a simple poem expressing praise and personal devotion to a deity for example, or poems with embedded spiritual and philosophical doctrines. A common feature of most stotras other than Nama stotras is the repetition of a line at the end of every verse. For example, the last line of every verse in the Mahiṣāsura Mardinī Stotra ends in "Jaya Jaya Hē Mahiṣāsura-mardini Ramyakapardini śailasute." Many ''stotra'' hymns praise aspects of the divine, such as Devi, Shiva, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gatha (India)
''Gāthā'' is a Sanskrit term for 'song' or 'verse', especially referring to any poetic metre which is used in legends or folklores, and is not part of the Vedas but peculiar to either Epic Sanskrit or to Prakrit. The word is originally derived from the Sanskrit/Prakrit root ''gai'', which means 'to speak, sing, recite or extol', cognate to the Avestan term ''gatha''. The stanzas of the Prakrit dialects of Ardhamagadhi, Sauraseni and Pāli are known as ''gathas'' as opposed to ''shlokas'' and sutras of Sanskrit and ''dohas'' of '' Apabhramsha''. Most of the Jain and Buddhist texts written in Prakrit are composed of ''gathas'' (or verses/stanzas). Thus, ''gatha'' can mean any Prakrit and Pali verses in general,Amaresh Datta (1988) ''Encyclopaedia of Indian literature vol. 2'' Chennai: Sahitya Academy p. 1374 or specifically the arya meter of Sanskrit; versified portions of Pāli Canon ''(Tipitaka)'' of Theravāda Buddhism are also specifically called ''gathas''. In contempora ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |