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Bruce McDonald (director)
Bruce McDonald (born May 28, 1959) is a Canadian film and television director, writer, and producer. Born in Kingston, Ontario, he rose to prominence in the 1980s as part of the loosely-affiliated Toronto New Wave. McDonald has directed more than a dozen features films over the course of his three-decade-long filmmaking career. ''The Hollywood Reporter'' has called him an "iconoclastic filmmaker". Several of his films, ranging from mockumentaries to horror films, have attracted cult followings. His most notable films include '' Roadkill'' (1989), '' Highway 61'' (1991), ''Hard Core Logo'' (1996), '' Pontypool'' (2008), '' Trigger'' (2010), and '' Hellions'' (2015). ''Hard Core Logo'' has been frequently ranked amongst the greatest movies ever to come out of Canada. Early life McDonald was born in Kingston, Ontario, and later moved to Toronto, where he graduated from film school at Ryerson University. At Ryerson, he made the short films ''Merge'' (1980) and ''Let Me See...' ...
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2010 Toronto International Film Festival
The 35th annual Toronto International Film Festival, (TIFF) was held in Toronto, Ontario, Canada between September 9 and September 19, 2010. The opening night gala presented '' Score: A Hockey Musical'', a Canadian comedy-drama musical film. '' Last Night'' closed the festival on September 19. 2010 TIFF included 258 feature films, down from 264 in 2009. However, the number of short films at the 2010 festival increased to 81 (compared to 70 in 2009), making the total number of films 339, five more than in 2009. Of the feature films, TIFF claims that 112 are world premieres, 24 are international premieres (i.e. the first screening outside the film's home country), and 98 are North American premieres. (In fact, some of the so-called premieres screened at the Telluride Film Festival before TIFF.) Awards Programmes Gala Presentations *'' The Bang Bang Club'' by Steven Silver *'' Barney's Version'' by Richard J. Lewis *''A Beginner's Guide to Endings'' by Jonathan Sobol *'' Blac ...
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Norman Jewison
Norman Frederick Jewison (born July 21, 1926) is a retired Canadian film and television director, producer, and founder of the Canadian Film Centre. He has directed numerous feature films and has been nominated for the Academy Award for Best Director three times in three separate decades for '' In the Heat of the Night'' (1967), ''Fiddler on the Roof'' (1971) and '' Moonstruck'' (1987). Other highlights of his directing career include '' The Cincinnati Kid'' (1965), '' The Russians Are Coming, the Russians Are Coming'' (1966), '' The Thomas Crown Affair'' (1968), '' Jesus Christ Superstar'' (1973), '' Rollerball'' (1975), ''F.I.S.T.'' (1978), '' ...And Justice for All'' (1979), ''A Soldier's Story'' (1984), ''Agnes of God'' (1985), '' Other People's Money'' (1991), '' The Hurricane'' (1999), and '' The Statement'' (2003). Jewison has addressed social and political issues throughout his filmmaking career, often making controversial or complicated subjects accessible to mainstre ...
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San Sebastián International Film Festival
The San Sebastián International Film Festival ( SSIFF; es, Festival Internacional de San Sebastián, eu, Donostia Zinemaldia) is an annual FIAPF A category film festival held in the Spanish city of Donostia-San Sebastián in September, in the Basque Country. Since its creation in 1953 it has established itself as one of the 14 "A" category competitive festivals accredited by the FIAPF, of which it has one of the lowest budgets. It has hosted several important events of the history of cinema, such as the international premieres of ''Vertigo'', by Alfred Hitchcock (who attended the Festival) and the European premiere of '' Star Wars''. It was the first festival attended by Roman Polanski and has helped advance the professional careers of filmmakers such as Francis Ford Coppola, Bong Joon-ho and Pedro Almodóvar. José Luis Rebordinos has served as the director of the festival since 2011. History The festival was founded in 1953 with the first festival starting on Septe ...
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Brussels Film Festival (BRFF)
The Brussels Film Festival (BRFF), formerly the Brussels International Film Festival and Brussels European Film Festival, was an annual event showcasing works of European cinema, held at Le Flagey in Brussels, Belgium. It ran from 1974 at various locations until 2003, when it moved to the Flagey Building, and held its last edition in 2016. Its top prize was known as the Golden Iris. History The first Brussels Film Festival took place in January 1974, on the initiative of the Chambre Syndicale Belge de la Cinématographie and Dimitri Balachoff. From 1975 the festival was renamed the Festival International du Film de Bruxelles (Brussels International Film Festival) and was acknowledged by the Fédération Internationale des Associations de Producteurs de Films (FIAPF). In 1990 the organisation was taken over by K Com, a communications agency, and from that time it was the only film festival in Belgium supported by both Flemish- and French-speakers. Three years later, a new sect ...
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Vancouver International Film Festival
The Vancouver International Film Festival (VIFF) is an annual film festival held in Vancouver, British Columbia, Canada, for two weeks in late September and early October. The festival is operated by the Greater Vancouver International Film Festival Society, a provincially-registered non-profit and federally-registered charitable organization, which also runs the year-round programming of the Vancity Theatre and Studio Theatre at the VIFF Centre. Both in terms of admissions and number of films screened (133,000 and 324 respectively in 2016), VIFF is among the five largest film festivals in North America. The festival screens films annually from approximately 73 countries on 10 screens. The festival has three main programming platforms: East Asian film, Canadian film, and nonfiction films. Besides films from around the world, VIFF also includes talks, workshops, performances, and other special events related to cinema. History The festival was first launched in 1958; however, f ...
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Hashish
Hashish ( ar, حشيش, ()), also known as hash, "dry herb, hay" is a cannabis (drug), drug made by compressing and processing parts of the cannabis plant, typically focusing on flowering buds (female flowers) containing the most trichomes. European Monitoring Centre for Drugs and Drug Addiction, Lisbon, It is consumed by smoking, typically in a pipe, bong, vaporizer (cannabis), vaporizer or joint (cannabis), joint, or via oral ingestion. Hash has a long history of usage in countries such as Morocco, Egypt, Afghanistan, India, Nepal, Iran, Palestine and Lebanon. Hash consumption is also popular in Europe. In the United States, dried flowers or Cannabis concentrate, concentrates are more popular, though hash has seen a rise in popularity following changes in law. Like many recreational drugs, multiple synonyms and alternative names for hash exist, and vary greatly depending on the country and native language. Hash is a cannabis concentrate product composed of compressed or puri ...
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List Of Directorial Debuts
This is a list of film directorial debuts in chronological order. The films and dates referred to are a director's first commercial cinematic release. Many film makers have directed works which were not commercially released, for example early works by Orson Welles such as his filming of his stage production of ''Twelfth Night'' in 1933 or his experimental short film '' The Hearts of Age'' in 1934. Often these early works were not intended for commercial release either by intent, such as film school projects or inability to find distribution. Subsequently, many directors learnt their trade in the medium of television as it became popular in the 1940s and 1950s. Notable directors who did their first directorial work in this medium include Robert Altman, Norman Jewison, Sidney Lumet, and Alfonso Cuarón. As commercial television advertising became more cinematic in the 1960s and 1970s, many directors' early work was in this medium, including directors such as Alan Parker and Ridle ...
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Amnon Buchbinder
Amnon Buchbinder (June 17, 1958 - November 30, 2019) was an American-born Canadian screenwriter and film director,Patricia Robertson"Film stories feed the soul" ''Yukon News'', March 4, 2006. most noted for his feature films '' The Fishing Trip'' and '' Whole New Thing''.Bill Rankin, "Believable characters keep Whole New Thing from getting old". ''Edmonton Journal'', October 4, 2005. Born in Missouri, he moved to Canada with his family in childhood, before studying film at the California Institute of the Arts. He was based in Vancouver in the early 1980s, where he was a board member of the Pacific Cinematheque and a programmer for the Vancouver International Film Festival. He made a number of short films, most notably 1983's ''Oroboros'', before studying directing at the Canadian Film Centre. He joined the faculty of York University as a professor of screenwriting in the film department in 1995, and eventually became chair of the department.
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Peter Mettler
Peter Mettler (born September 7, 1958) is a Swiss-Canadian film director and cinematographer. He is best known for his unique, intuitive approach to documentary, evinced by such films as '' Picture of Light'' (1994), '' Gambling, Gods and LSD'' (2002), and '' The End of Time'' (2012). "His peripatetic lens is ever gravitating toward outsiders in search of ecstatic states," writes José Teodoro in ''Brick'', "strange spectacles that defy straightforward documentation, and sacred places that promise some metaphysical deliverance. There are precedents for his methodologies—the films of Chris Marker and Werner Herzog come to mind—but Mettler’s gifts as an open and unobtrusive interviewer and his capacity to discover shared sensibilities between people of vastly diverse cultures and creeds feels singular." Mettler has worked as a cinematographer on films by Atom Egoyan, Patricia Rozema, Bruce McDonald, and Jennifer Baichwal, and has collaborated with numerous other artists, inc ...
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Ron Mann
Ronald Mann (born June 13, 1958), credited professionally as Ron Mann, is a Canadian documentary film director. His work includes the films ''Imagine the Sound'' (1981); '' Comic Book Confidential'' (1988); ''Grass'' (1999) and '' Go Further'' (2003), both of which feature Woody Harrelson; ''In the Wake of the Flood'' (2010), which features author Margaret Atwood; and '' Altman'' (2014), about the life and career of film director Robert Altman. Mann has served as mentor to and worked with many filmmakers from the Toronto New Wave of the 1980s, including Atom Egoyan, Bruce McDonald, Jeremy Podeswa, and Peter Mettler. Career 1970s–1980s A graduate of the University of Toronto, Mann began making films at a young age, creating Super 8mm films in the 1970s. Mann began making short films while in high school and studied briefly at Vermont's Bennington College before receiving a B.A. in film from the University of Toronto. His 1973 student film, ''The Strip'', document ...
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Atom Egoyan
Atom Egoyan (; hy, Աթոմ Եղոյեան, translit=Atom Yeghoyan; born July 19, 1960) is a Canadian filmmaker. He was part of a loosely-affiliated group of filmmakers to emerge in the 1980s from Toronto known as the Toronto New Wave. Egoyan made his career breakthrough with ''Exotica'' (1994), a film set primarily in and around the fictional Exotica strip club. Egoyan's most critically acclaimed film is the drama '' The Sweet Hereafter'' (1997), for which he received two Academy Award nominations, and his biggest commercial success is the erotic thriller ''Chloe'' (2009). He is considered by local film critic Geoff Pevere to be one of the greatest filmmakers of his generation. Egoyan's work often explores themes of alienation and isolation, featuring characters whose interactions are mediated through technology, bureaucracy, or other power structures. Egoyan's films often follow non-linear plot structures, in which events are placed out of sequence in order to elicit specif ...
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Camera Operator
A camera operator, or depending on the context cameraman or camerawoman, is a professional operator of a film camera or video camera as part of a film crew. The term "cameraman" does not imply that a male is performing the task. In filmmaking, the cinematographer or director of photography (DP or DoP) is sometimes called lighting cameraman or first cameraman. The DP may operate the camera themselves, or enlist the aid of a camera operator or second cameraman to operate it or set the controls. The first assistant cameraman (1st AC), also known as a focus puller, is responsible for maintenance of the camera, such as clearing dirt from the film gate and adjusting the follow focus. A second assistant cameraman (2nd AC), also known as a clapper loader, might be employed to load film, slate scenes, or maintain the camera report (a log of scenes, takes, rolls, photographic filters used, and other production data). A camera operator in a video production may be known by title ...
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