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Broadway-Blues-Ballads
''Broadway-Blues-Ballads'' is an album by the singer/pianist/songwriter Nina Simone, released in 1964. Track listing # "Don't Let Me Be Misunderstood" (Bennie Benjamin, Gloria Caldwell, Sol Marcus) - 2:48 # "Night Song" (Lee Adams, Charles Strouse) - 3:06 # "The Laziest Gal in Town" (Cole Porter) - 2:19 # " Something Wonderful" (Oscar Hammerstein II, Richard Rodgers) - 2:46 # "Don't Take All Night" (Bennie Benjamin, Sol Marcus) - 2:54 # "Nobody" (Alex Rogers, Bert Williams) - 4:18 # "I Am Blessed" (Bennie Benjamin, Sol Marcus) - 2:57 # "Of This I'm Sure" (Bennie Benjamin, Sol Marcus) - 2:37 # " See-Line Woman" ( raditionalAmerican folk, George Bass, Nina Simone) - 2:38 # "Our Love (Will See Us Through)" (Bennie Benjamin, Sol Marcus) - 3:01 # "How Can I?" (Bennie Benjamin, Sol Marcus) - 2:05 # "The Last Rose of Summer" (Thomas Moore, Richard Alfred Milliken, Nina Simone) - 3:08 * on some CD releases the single "A Monster" is added as a bonus track. (Bennie Benjamin, Sol Marcus) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Something Wonderful (song)
"Something Wonderful" is a show tune from the 1951 Rodgers and Hammerstein musical ''The King and I''. The song was introduced in the Broadway production by Dorothy Sarnoff in the role of Lady Thiang, the King's head wife. In the 1956 film adaptation "Something Wonderful" was sung by Terry Saunders in the role of Lady Thiang: Saunders was the understudy for Sarnoff in the Broadway production and, in 1952, had taken over the role when Sarnoff departed. "Something Wonderful" is sung by Lady Thiang to Anna Leonowens to persuade her to accept the King for what he is, despite his faults. In a sense, these lyrics have echoes of the song "What's the Use of Wond'rin'" from the Rodgers and Hammerstein musical ''Carousel'', which also deals with the issue of women standing by their husbands despite all their faults. Musically, the heavy chords that punctuate the accompaniment bear some pre-echoes of the song "Climb Ev'ry Mountain" from ''The Sound of Music''. This is notable because both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nina Simone In Concert
''Nina Simone in Concert'' is an album by the jazz singer Nina Simone. It is her first album for the record label Philips, composed of three live recordings made at Carnegie Hall, New York City, in March and April 1964. Simone recorded '' Nina Simone at Carnegie Hall'' in 1963 for Colpix. This album marked the beginning of Simone's explicitly Civil Rights oriented music and she incorporated civil rights messaging into her performances. Included on the album are unambiguous political songs such as "Mississippi Goddamn", released as a single at the time. However, songs such as "Old Jim Crow", "Go Limp", and "Pirate Jenny" contributed to the political and civil rights messaging in a more covert or metaphorical way. The album was rated as the 94th best album of the 1960s by '' Pitchfork''. Background * Simone recorded " I Loves You, Porgy", "Plain Gold Ring", and " Don't Smoke in Bed" on her debut album '' Little Girl Blue'' (1958). * " Pirate Jenny" was from '' The Threepenny O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nina Simone
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone (), was an American singer, songwriter, pianist, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. The sixth of eight children born from a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission,Liz Garbus, 2015 documentary film, '' What Happened, Miss Simone?'' which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree. To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to "Nina Simone" to disguise hers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Let Me Be Misunderstood
"Don't Let Me Be Misunderstood" is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for the American singer-songwriter and pianist Nina Simone, who recorded the first version in 1964. "Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by The Animals, which was a blues rock version; and a 1977 by the disco group Santa Esmeralda, which was a four-on-the-floor rearrangement. A 1986 cover by new wave musician Elvis Costello found success in Britain and Ireland. Nina Simone original Composer and arranger Horace Ott came up with the melody and chorus lyrics after a temporary falling out with his girlfriend (and wife-to-be), Gloria Caldwell. Hilton Valentine"Stories" Hiltonvalentine.com, April 28, 2001. Retrieved 6 September 2007. Ott then brought it to writing partners Bennie Benjamin and Sol Marcus to complete. However, when it came time for songwriting credits, rules of the tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobody (1905 Song)
"Nobody" is a popular song with music by Bert Williams and lyrics by Alex Rogers, published in 1905. The song was first publicly performed in February 1906, in the Broadway production ''Abyssinia''. The show, which included live camels, premièred at the Majestic Theater and continued the string of hits for the vaudeville team of Williams and Walker. "Nobody" became Bert Williams' signature theme, and the song that he is best remembered for today. It is a doleful and ironic composition, replete with his dry observational wit, and is complemented by Williams' intimate, half-spoken singing style. Williams became so identified with the song that he was obliged to sing it in almost every appearance for the rest of his life. He considered its success both blessing and curse: "Before I got through with 'Nobody', I could have wished that both the author of the words and the assembler of the tune had been strangled or drowned... 'Nobody' was a particularly hard song to replace." "N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Put A Spell On You (album)
''I Put a Spell on You'' is a studio album by American jazz singer, songwriter, and pianist Nina Simone. Recorded in 1964 and 1965 in New York City, it was released by Philips Records in 1965. It peaked at number 99 on the ''Billboard'' 200 chart and number 9 on the UK Albums Chart. The title track "I Put a Spell on You" peaked at number 23 on the Hot R&B/Hip-Hop Songs chart and number 28 on the UK Singles Chart. The album was re-issued in November 2020 by Verve and Universal Music Enterprises as part of their "audiophile-grade" Acoustic Sounds series. Critical reception AllMusic reviewer Richie Unterberger gave the album 3 stars out of 5, calling it "One of her most pop-oriented albums, but also one of her best and most consistent." He added, "There are really fine tunes and interpretations, on which Simone gives an edge to the potentially fey pop songs, taking a sudden (but not uncharacteristic) break for a straight jazz instrumental with 'Blues on Purpose.'" In 2017, NPR p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Mooney
Hal Mooney, born Harold Mooney (February 4, 1911 – March 23, 1995), was an American composer and arranger. Early life and career Hal Mooney was born in Brooklyn, New York. As a young man, Mooney was a professional pianist. He attended Brooklyn and St. John's Law Schools. After studying music under New York University professor Orville Mayhood and then under the influential Joseph Schillinger, he was invited to join the arrangers' roster for the popular Hal Kemp Orchestra, alongside John Scott Trotter (who was about to leave the band) and Lou Busch. Mooney then moved to the Jimmy Dorsey Orchestra, but World War II was breaking out and soon he was called up by the United States Army. Hollywood On his return from the war, Mooney became a freelance arranger in Hollywood and started to make a name for himself, providing charts for top vocalists such as Bing Crosby, Frank Sinatra, Judy Garland, Peggy Lee, Kay Starr, and Billy Eckstine. His well-known arrangement of Kay Starr's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
See-Line Woman
"Sea Lion Woman" (also "Sealion Woman", "Sea-Line Woman", "See heLyin' Woman", "She Lyin' Woman", "See-Line Woman", or "C-Line Woman") is a traditional African American folk song originally used as a children's playground song. History The song was first recorded by folklore researcher Herbert Halpert on May 13, 1939. Halpert was compiling a series of field recordings for the Library of Congress in Byhalia, MS, when he ran across Walter Shipp, a minister, and his wife Mary, a choir director of a local church. Halpert recorded Shipp's daughters, Katherine and Christine, singing a spare version of "Sea Lion Woman" that defined the basic rhymes and rhythm of the song. The exact origins of the song are unknown but it is believed to have originated in the southern United States. According to Tom Schnabel of KCRW, he was told that Nina Simone's "See-line Woman" was a 19th-century seaport song about sailors coming into port (e.g. Charleston or New Orleans) and prostitutes waiting for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Rose Of Summer
"The Last Rose of Summer" is a poem by the Irish poet Thomas Moore. He wrote it in 1805, while staying at Jenkinstown Castle in County Kilkenny, Ireland, where he was said to have been inspired by a specimen of Rosa 'Old Blush'. The poem is set to a traditional tune called "Aisling an Óigfhear", or "The Young Man's Dream", which was transcribed by Edward Bunting in 1792, based on a performance by harper Denis Hempson (Donnchadh Ó hAmhsaigh) at the Belfast Harp Festival. The poem and the tune together were published in December 1813 in volume 5 of Thomas Moore's ''A Selection of Irish Melodies''. The original piano accompaniment was written by John Andrew Stevenson, several other arrangements followed in the 19th and 20th centuries. Poem Musical settings Classical The following is an incomplete selection of "theme and variations" created during the 19th and 20th centuries. *Ludwig van Beethoven used "The Last Rose of Summer" twice: **as no. 6 "Sad and Luckless was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bert Williams
Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being the first Black man to have the leading role in a film: ''Darktown Jubilee'' in 1914. He was by far the best-selling Black recording artist before 1920. In 1918, the '' New York Dramatic Mirror'' called Williams "one of the great comedians of the world." Williams was a key figure in the development of African-American entertainment. In an age when racial inequality and stereotyping were commonplace, he became the first black person to take a lead role on the Broadway stage, and did much to push back racial barriers during his three-decade-long career. Fellow vaudevillian W. C. Fields, who appeared in productions with Williams, described him as "the funniest man I ever saw—and the saddest man I ever knew." Early life Williams was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, '' Kiss Me, Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Moore
Thomas Moore (28 May 1779 – 25 February 1852) was an Irish writer, poet, and lyricist celebrated for his ''Irish Melodies''. Their setting of English-language verse to old Irish tunes marked the transition in popular Irish culture from Irish language, Irish to English. Politically, Moore was recognised in England as a press, or "Squib (writing), squib", writer for the aristocratic Whigs (British political party), Whigs; in Ireland he was accounted a Catholic patriot. Married to a Protestant actress and hailed as "Anacreon Moore" after the classical Greek composer of drinking songs and erotic verse, Moore did not profess religious piety. Yet in the controversies that surrounded Catholic Emancipation, Moore was seen to defend the tradition of the Roman Catholic Church in Ireland, Church in Ireland against both evangelising Protestants and uncompromising lay Catholics. Longer prose works reveal more radical sympathies. The ''Life and Death of Lord Edward Fitzgerald'' depicts the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
