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British New Wave
The British New Wave is a style of films released in Great Britain between 1959 and 1963. The label is a translation of ''Nouvelle Vague'', the French term first applied to the films of François Truffaut, and Jean-Luc Godard among others. Stylistic characteristics The British New Wave was characterised by many of the same stylistic and thematic conventions as the French New Wave. Usually in black and white, these films had a spontaneous quality, often shot in a pseudo-documentary (or ''cinéma vérité'') style on real locations and with real people rather than extras, apparently capturing life as it happens. There is considerable overlap between the New Wave and the '' angry young men'', those artists in British theatre and film such as playwright John Osborne and director Tony Richardson, who challenged the social ''status quo''. Their work drew attention to the reality of life for the working classes, especially in the North of England, often characterised as "It's grim up no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a music genre that encompasses pop music, pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of Punk subculture, punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s. The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy, the musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (journal)
''Sequence'' was a short-lived but influential British film journal founded in 1947 by Lindsay Anderson, Peter Ericsson, Gavin Lambert and Karel Reisz. Anderson had returned to Oxford after his time with the army Intelligence Corps in Delhi. Ericsson was at New College, Oxford and had been a senior codebreaker in the Testery section at Bletchley Park during World War II.Eavesdropping on Adolph Hitler: Deciphering the daily messages in the Tunny cipher, 2013 by Ian Mayo-Smith He was International Secretary of the British Labour Party 1955–1958.The CIA, the British Left and the Cold War: Calling the Tune? 2013 By Hugh Wilford Lambert was a schoolfriend of Anderson from Cheltenham College who had dropped out of English at Magdalen College on discovering that he would have to study Middle English under C. S. Lewis, while Reisz was a chemistry graduate from Emmanuel College, Cambridge who later said "I met Lindsay Anderson on a Green Line bus. I was going to the British Film Instit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Sporting Life
''This Sporting Life'' is a 1963 British kitchen sink realism, kitchen sink drama (film and television), drama film directed by Lindsay Anderson. Based on the This Sporting Life (novel), 1960 novel of the same name by David Storey, which won the 1960 Macmillan Fiction Award, it recounts the story of a rugby league footballer in Wakefield, a mining city in Yorkshire, whose romantic life is not as successful as his sporting life. Storey, a former professional rugby league footballer, also wrote the screenplay. The film stars Richard Harris, Rachel Roberts (actress), Rachel Roberts, William Hartnell, and Alan Badel. It was Harris's first starring role, and won him the Best Actor Award (Cannes Film Festival), Best Actor Award at the 1963 Cannes Film Festival. He was also nominated for the Academy Award for Best Actor, Academy Award for Best Actor in a Leading Role, and the BAFTA Award for Best Actor in a Leading Role. For her work in the film, Roberts won her second BAFTA Award for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Grierson
John Grierson (26 April 1898 – 19 February 1972) was a Scottish documentary maker, often considered the father of British and Canadian documentary film. In 1926, Grierson coined the term "documentary" in a review of Robert J. Flaherty's '' Moana''. Ann Curthoys, Marilyn Lakebr>Connected worlds: history in transnational perspective, Volume 2004p.151. Australian National University Press In 1939, Grierson established the all-time Canadian film institutional production and distribution company The National Film Board of Canada controlled by the Government of Canada. Early life Grierson was born in the old schoolhouse in Deanston, near Doune, Scotland, to schoolmaster Robert Morrison Grierson from Boddam, near Peterhead, and Jane Anthony, a teacher from Ayrshire. His mother, a suffragette and ardent Labour Party activist, often took the chair at Tom Johnston's election meetings. The family moved to Cambusbarron, Stirling, in 1900, when the children were still young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Of Britain
Ford Motor Company Limited,The Ford 'companies' or corporate entities referred to in this article are: * Ford Motor Company, Dearborn, Michigan, USA, incorporated 16 June 1903 * Ford Motor Company Limited, incorporated 7 December 1928. Current (July 2023) registered office at Arterial Road, Laindon, Essex, England, SS15 6EE , manufacturer and seller of motor vehicles and parts * Ford Motor Company (England) Limited, incorporated in 1909, ''purchased by Ford Motor Company Limited December 1928'' * Henry Ford and Son, Dearborn, Michigan, November 1915, incorporated 8 October 1917 * Henry Ford and Son Limited, Cork incorporated 17 April 1917, ''purchased by Ford Motor Company Limited December'' 1928 Holding company for Ford's European and Egyptian businesses and in addition Lincoln Cars Limited, London, and Henry Ford and Son, Cork: * Société d'Investissements Ford, Luxembourg, was liquidated during 1939 and its assets transferred to: * Ford Investment Company Limited, Guernsey, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Cinema Movement
Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s. The term referred to an absence of propagandised intent or deliberate box office appeal. Co-founded by Lindsay Anderson (but he later disdained the 'movement' tag) with Karel Reisz, Tony Richardson and Lorenza Mazzetti, the movement began with a programme of three short films at the National Film Theatre, London on 5 February 1956. The programme was such a success that five more programmes appeared under the ‘Free Cinema’ banner before the founders decided to end the series. The last event was held in March 1959. Three of the screenings consisted of work from overseas filmmakers. Background Together with Gavin Lambert, Anderson and Reisz had previously founded the short-lived but influential journal ''Sequence'', of which Anderson later wrote 'No Film Can Be Too Personal'. So ran the initial pronouncement in the first Free Cinema manifesto. It could equally well have been the motto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Momma Don't Allow
''Momma Don't Allow'' is a 1956 short British documentary film co-directed by Karel Reisz and Tony Richardson, and filmed by Walter Lassally. Produced by the British Film Institute Experimental Film Fund, it was first shown in February 1956 as part of the first Free Cinema programme at the National Film Theatre. The film depicts a performance of The Chris Barber Jazz Band (with Ottilie Patterson) at The Fishmonger's Arms, a traditional jazz club in Wood Green, North London North London is the northern part of London, England, north of the River Thames and the City of London. It extends from Clerkenwell and Finsbury, on the edge of the City of London financial district, to Greater London's boundary with Hertfordshi .... It features extensive footage of skip jiving by the audience on the club's dance floor. References External links *BFI's "screenonline" on ''Momma Don't Allow'' 1956 films 1956 short documentary films Cultural history of the United Kingdom Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden
Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane. The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Day Except Christmas
''Every Day Except Christmas'' is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, which at that point was still located in central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look at Britain" series. It was filmed by Walter Lassally. ''Every Day'' and other short, mostly documentary films made within two or three years, reflected the concept of Free Cinema, films which were "free" in the sense that they were made outside the traditional structure of filmmaking. The film received a BAFTA nomination for Best Documentary; and won the Grand Prix at the Venice Festival of Shorts and Documentaries. Synopsis Opening with a title card dedicating the film to about seven or eight of the drivers/loaders and market workers whom we'll meet as the film progresses, Anderson establishes the rituals of the daily routine; the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Film Theatre
BFI Southbank (from 1951 to 2007, known as the National Film Theatre) is the leading repertory cinema in the United Kingdom, specialising in seasons of classic, independent and non-English language films. It is operated by the British Film Institute. ''Forbes'' called its largest cinema, NFT1, "one of the crown jewels of the London film scene". History The National Film Theatre was initially opened in a temporary building (the Telecinema) at the Festival of Britain in 1951 and moved to its present location in 1957, replacing the Thameside restaurant on the site. It opened for the first BFI London Film Festival on 16 October 1957. Later, the Southbank Centre expanded its buildings to meet the National Film Theatre from the south, while the National Theatre occupies the area to the northeast. A second screen was added on 21 September 1970. In 1988, a new building was constructed for the Museum of the Moving Image between the National Film Theatre and Belvedere Road. Designed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Statesman
''The New Statesman'' (known from 1931 to 1964 as the ''New Statesman and Nation'') is a British political and cultural news magazine published in London. Founded as a weekly review of politics and literature on 12 April 1913, it was at first connected with Sidney Webb, Sidney and Beatrice Webb and other leading members of the socialist Fabian Society, such as George Bernard Shaw, who was a founding director. The longest-serving editor was Kingsley Martin (1930–1960), and the most recent editor was Jason Cowley (journalist), Jason Cowley, who assumed the post in 2008 and left in 2024. Today, the magazine is a print–digital hybrid. According to its present self-description, it has a modern Liberalism in the United Kingdom, liberal and Independent progressive, progressive political position. Jason Cowley (journalist), Jason Cowley, the magazine's editor, has described the ''New Statesman'' as a publication "of the left, for the left" but also as "a political and literary magaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sight And Sound
''Sight and Sound'' (formerly written ''Sight & Sound'') is a monthly film magazine published by the British Film Institute (BFI). Since 1952, it has conducted the well-known decennial ''Sight and Sound'' Poll of the Greatest Films of All Time. History and content ''Sight and Sound'' was first published in Spring 1932 as "A quarterly review of modern aids to learning published under the auspices of the British Institute of Adult Education". In 1934, management of the magazine was handed to the nascent British Film Institute (BFI), which still publishes the magazine today. ''Sight and Sound'' was published quarterly for most of its history until the early 1990s, apart from a brief run as a monthly publication in the early 1950s, but in 1991 it merged with another BFI publication, the ''Monthly Film Bulletin'', and started to appear monthly. In 1949, Gavin Lambert, co-founder of film journal ''Sequence (journal), Sequence'', was hired as the editor, and also brought with him ''S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
