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Briseida
Briseis (; , ), also known as Hippodameia (, ), is a significant character in the ''Iliad''. Her role as a status symbol is at the heart of the dispute between Achilles and Agamemnon that initiates the plot of Homer's epic. She was married to Mynes, a son of the King of Lyrnessus, until the Achaeans sacked her city and she was given to Achilles shortly before the events of the poem. Being forced to give Briseis to Agamemnon, Achilles refused to reenter the battle. Description Briseis receives the same minimal physical description as most other minor characters in the ''Iliad''. She is described with the standard metrical epithets that the poet uses to describe a great beauty, though her appearance is left entirely up to the audience's imagination. Her beauty is compared to that of the goddesses. Briseis was imagined about two millennia later by the Byzantine poet John Tzetzes as: Meanwhile, in the account of Dares the Phrygian (probably the 5th century AD), Briseis was ...
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Roman De Troie
(''The Romance of Troy'') by Benoît de Sainte-Maure, probably written between 1155 and 1160,Roberto Antonelli "The Birth of Criseyde - An Exemplary Triangle: 'Classical' Troilus and the Question of Love at the Anglo-Norman Court" in Boitani, P. (ed) ''The European Tragedy of Troilus'' (Oxford: Clarendon Press) 1989 pp.21-48. is a 30,000-line epic poem, a medieval retelling of the theme of the Trojan War. It inspired a body of literature in the genre called the , loosely assembled by the poet Jean Bodel as the Matter of Rome. The Trojan subject itself, for which de Sainte-Maure provided an impetus, is referred to as the Matter of Troy. influenced the works of many in the West, including Chaucer and Shakespeare. In the East it was translated into Greek as ''The War of Troy'' (), by far the longest medieval Greek romance. Of medieval works on this subject, only Guido delle Colonne's ''Historia destructionis Troiae'' was adapted as frequently. Benoît's sources for the narrativ ...
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Briseis Phoinix Louvre G152
Briseis (; , ), also known as Hippodameia (, ), is a significant character in the ''Iliad''. Her role as a status symbol is at the heart of the dispute between Achilles and Agamemnon that initiates the plot of Homer's epic. She was married to Mynes (mythology), Mynes, a son of the King of Lyrnessus, until the Achaeans (Homer), Achaeans sacked her city and she was given to Achilles shortly before the events of the poem. Being forced to give Briseis to Agamemnon, Achilles refused to reenter the battle. Description Briseis receives the same minimal physical description as most other minor characters in the ''Iliad''. She is described with the standard metrical epithets that the poet uses to describe a great beauty, though her appearance is left entirely up to the audience's imagination. Her beauty is compared to that of the goddesses. Briseis was imagined about two millennia later by the Byzantine poet John Tzetzes as: Meanwhile, in the account of Dares Phrygius, Dares the Phr ...
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Azalais D'Altier
Azalais or Azalaïs d'Altier was an early-13th-century trobairitz. She was from Altier in the Gévaudan. She has sometimes been confused with Almucs de Castelnau. Azalais wrote "Tanz salutz e tantas amors", the only '' salut d'amor'' by a woman. It comprises 101 verses of rhyming couplets. Its purpose was to reconcile two lovers, and it was addressed to a woman, possibly Clara d'Anduza. Its similarity in tone to Clara's '' canso'' "En greu esmay et en greu pessamen" gives the impression that it may have been written in response. Azalais was well known in troubadour circles, for Uc de Saint-Circ addressed his "Anc mais non vi temps ni sazo" to her in its '' tornada''. Nonetheless, the great troubadour ignored her when composing the '' vidas''. Azalais herself was a woman of learning, and she must have been familiar with the Matter of Rome through the ''Roman de Troie'' of Benoît de Sainte-Maure, which she references in her ''salut'': There is today a street named "Rue Azalais ...
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Wall Painting - Briseis Taken Away From Achilles - Pompeii (VI 8 5) - Napoli MAN 9105 - 03 (Briseis Cropped)
A wall is a structure and a surface that defines an area; carries a load; provides security, shelter, or soundproofing; or serves a decorative purpose. There are various types of walls, including border barriers between countries, brick walls, defensive walls in fortifications, and retaining walls that hold back dirt, stone, water, or noise. Walls can also be found in buildings, where they support roofs, floors, and ceilings, enclose spaces, and provide shelter and security. The construction of walls can be categorized into framed walls and mass-walls. Framed walls transfer the load to the foundation through posts, columns, or studs and typically consist of structural elements, insulation, and finish elements. Mass-walls are made of solid materials such as masonry, concrete, adobe, or rammed earth. Walls may also house utilities like electrical wiring or plumbing and must conform to local building and fire codes. Walls have historically served defensive purposes, with the ...
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Romance (heroic Literature)
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieval'' ...
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John Malalas
John Malalas (; ;  – 578) was a Byzantine chronicler from Antioch in Asia Minor. Life Of Syrian descent, Malalas was a native speaker of Syriac who learned how to write in Greek later in his life. The name ''Malalas'' probably derived from the Syriac word 'rhetor, orator'; it is first applied to him by John of Damascus. The alternative form ''Malelas'' is later, first appearing in Constantine VII. Malalas was educated in Antioch, and probably was a jurist there, but moved to Constantinople at some point in Justinian I's reign (perhaps after the sack of Antioch by the Sasanian Empire in 540); all we know of his travels from his own hand are visits to Thessalonica and Paneas. Writing He wrote a ''Chronographia'' () in 18 books, the beginning and the end of which are lost. In its present state it begins with the mythical history of Egypt and ends with the expedition to Roman Africa under the tribune Marcianus, Justinian's nephew, in 563 (his editor Thurn believi ...
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Helen Of Troy
Helen (), also known as Helen of Troy, or Helen of Sparta, and in Latin as Helena, was a figure in Greek mythology said to have been the most beautiful woman in the world. She was believed to have been the daughter of Zeus and Leda (mythology), Leda or Nemesis, and the sister of Clytemnestra, Castor and Pollux, Castor, Pollux, Philonoe, Phoebe (mythology), Phoebe and Timandra (mythology), Timandra. She was married first to King Menelaus of Sparta "who became by her the father of Hermione (mythology), Hermione, and, according to others, of Nicostratus (mythology), Nicostratus also." Her subsequent marriage to Paris (mythology), Paris of Troy was the most immediate cause of the Trojan War. Elements of her putative biography come from classical authors such as Aristophanes, Cicero, Euripides, and Homer (in both the ''Iliad'' and the ''Odyssey''). Her story reappears in Book II of Virgil's ''Aeneid''. In her youth, she was abducted by Theseus. A competition between her suitors ...
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Menelaus
In Greek mythology, Menelaus (; ) was a Greek king of Mycenaean (pre- Dorian) Sparta. According to the ''Iliad'', the Trojan war began as a result of Menelaus's wife, Helen, fleeing to Troy with the Trojan prince Paris. Menelaus was a central figure in the Trojan War, leading the Spartan contingent of the Greek army, under his elder brother Agamemnon, king of Mycenae. Prominent in both the ''Iliad'' and ''Odyssey'', Menelaus was also popular in Greek vase painting and Greek tragedy, the latter more as a hero of the Trojan War than as a member of the doomed House of Atreus. Description In the account of Dares the Phrygian, Menelaus was described as "of moderate stature, auburn-haired, and handsome. He had a pleasing personality." Family Menelaus was a descendant of Pelops son of Tantalus. He was the younger brother of Agamemnon, and the husband of Helen of Troy. According to the usual version of the story, followed by the ''Iliad'' and ''Odyssey'' of Homer, Agamemno ...
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Phoenix (son Of Amyntor)
In Greek mythology, Phoenix (Ancient Greek: Φοῖνιξ ''Phoinix'', gen. Φοίνικος ''Phoinikos'') was the son of king Amyntor. Because of a dispute with his father, Phoenix fled to Phthia, where he became king of the Dolopians, and tutor of the young Achilles, whom he accompanied to the Trojan War. After Achilles had in anger withdrawn from the war, Phoenix tried to persuade Achilles to return. Phoenix appears as a character in the ''Iliad'', where Homer has him tell his story. He is also mentioned several times in the Epic Cycle. There were several lost 5th-century BC tragedies titled ''Phoenix'', which presumably told his story, and he appeared as a character in several others. Mentions of Phoenix occur in Pindar, the ''Palatine Anthology'', Lycophron, Ovid and Hyginus, and a brief account of his story is given by the mythographer Apollodorus. Phoenix also appears in many works of ancient art from as early as the 6th century BC. Mythology Phoenix was the son of ...
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Ajax The Great
Ajax () or Aias (; , ''Aíantos''; Archaic Greek alphabets, archaic ) is a Greek mythology, Greek mythological Greek hero cult, hero, the son of King Telamon and Periboea, and the half-brother of Teucer. He plays an important role in the Trojan War, and is portrayed as a towering figure and a warrior of great courage in Homer's ''Iliad'' and in the Epic Cycle, a series of epic poems about the Trojan War, being second only to Achilles among Greek heroes of the war. He is also referred to as "Telamonian Ajax" (, in Etruscan language, Etruscan recorded as ''Aivas Tlamunus''), "Greater Ajax", or "Ajax the Great", which distinguishes him from Ajax, son of Oileus, also known as Ajax the Lesser. Family Ajax is the son of Telamon. Telamon was the son of Aeacus and grandson of Zeus, and his first wife Periboea. By Telamon, he is also the elder Sibling, half-brother of Teucer. Through his uncle Peleus (Telamon's brother), he is the cousin of Achilles. The etymology of his given name ...
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Odysseus
In Greek mythology, Greek and Roman mythology, Odysseus ( ; , ), also known by the Latin variant Ulysses ( , ; ), is a legendary Greeks, Greek king of Homeric Ithaca, Ithaca and the hero of Homer's Epic poetry, epic poem, the ''Odyssey''. Odysseus also plays a key role in Homer's ''Iliad'' and other works in that same epic cycle. As the son of Laertes (father of Odysseus), Laërtes and Anticlea, husband of Penelope, and father of Telemachus, Acusilaus, and Telegonus (son of Odysseus), Telegonus, Odysseus is renowned for his intellectual brilliance, guile, and versatility (''polytropos''), and he is thus known by the epithet Odysseus the Cunning (). He is most famous for his ''nostos'', or "homecoming", which took him ten eventful years after the decade-long Trojan War. Name, etymology, and epithets The form ''Odys(s)eus'' is used starting in the epic period and through the classical period, but various other forms are also found. In vase inscriptions, there are the varian ...
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Oltos ARV 54 4 Achilles And Briseis (03)
Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin (Antikensammlung F 2264) and a cup in Tarquinia (Museo Nazionale Tarquiniese RC 6848), are signed by him as painter. Overview Oltos is thought to have begun his career in the workshop of the potter Nikosthenes. Initially, he mainly painted bilingual vases or bowls with interior black-figure and exterior red-figure decoration. His black-figure style was influenced by Psiax and the Antimenes Painter. No pure black-figure works by Oltos are yet known. His tondos usually depict a single figure. They are often full of tension, frequently with differential directions of gaze and movement. Later, he exclusively painted red-figure, influenced especially by the Andokides Painter as well as several members of the Pioneer Group, especially his former pupil Euphronios. His drawing style was spacious and elegant, but never reached the depth ...
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