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Brakhage
James Stanley Brakhage ( ; January 14, 1933 – March 9, 2003) was an American experimental filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry and visual phenomena, Brakhage sought to reveal the universal, in particular exploring themes of birth, mortality, sexuality,Senses of Cinema: Stan Brakhage and innocence. His films are for the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmography Of Stan Brakhage
Over the course of more than five decades, the American experimental filmmaker Stan Brakhage produced a large body of work. All films in the filmography are assumed to be silent, in color, and are meant to be shown at 24 frames per second, unless otherwise noted. The Brakhage films, comprising his edited originals, intermediate elements, and other original material, are housed at the Academy of Motion Picture Arts and Sciences Film Archive, where a long-term project is underway to preserve and restore his entire film output. Fifty-six of these films are available on DVD (as two separate volumes) and Blu-ray from the Criterion Collection. __TOC__ 1950s Notes * During the late 1950s, Brakhage worked on several industrial films, many of them for the city of Pittsburgh. 1960s Industrial films and other works In the early 1960s, Brakhage directed several industrial and educational films, including two for the state of Colorado. He also directed commercials for Rural Electric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dog Star Man
''Dog Star Man'' is a series of short experimental films, all directed by Stan Brakhage, featuring Jane Wodening. It was released in installments between 1961 and 1964 and comprises a prelude and four parts. In 1992, ''Dog Star Man'' was included in its entirety in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress. being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. Described as a "cosmological epic" and "creation myth" (particularly the ''Prelude''), ''Dog Star Man'' illustrates the odyssey of a bearded woodsman (Brakhage) climbing through a snow-covered mountain with his dog to chop down a tree. While doing so, he witnesses various mystical visions with various recurring imagery such as a woman, child, nature, and the cosmos while making his ascent. The five short films all form one larger film, and they are almost always shown together as one film. In 1965, Brakhage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Window Water Baby Moving
''Window Water Baby Moving'' is an experimental short film by Stan Brakhage, filmed in November 1958 and released in 1959. The film documents the birth of the director's first child, his daughter Myrrena, by his then-wife Jane Brakhage, later known as Jane Wodening. Production Stan Brakhage's wife, Jane, had insisted that Brakhage be present at the birth of their daughter; however, Brakhage felt he would faint if he weren't focused on filming the event.MacDonald, Scott (2005) ''A critical cinema: interviews with independent filmmakers,'' p64-66 The hospital initially gave permission for filming, but this was later reneged. Instead, Brakhage transferred the birth to their home, hiring a nurse and some expensive emergency equipment. Jane was originally "very, very shy" about being filmed, but eventually relented after Brakhage made "a big dramatic scene and said 'All right, let's forget it!'" Most of the film was photographed by Brakhage himself, but Jane occasionally took the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mothlight
''Mothlight'' is an experimental short film by Stan Brakhage, released in 1963. The film was created without the use of a camera. Description ''Mothlight'' is a silent "collage film" that incorporates "real world elements."Elder, R. Bruce (1998) ''The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein, and Charles Olson, Wilfrid Laurier,'' Univ. Press, p389 Brakhage produced the film without the use of a camera,James, David E. (2002) ''Imagine nation: the American counterculture of the 1960s and '70s,'' Routledge, p285 using what he then described as "a whole new film ''technique''."MacDonald, Scott (2001) ''The garden in the machine: a field guide to independent films about place,'' University of California Press, p69 Brakhage collected moth wings, flower petals, and blades of grass, and pressed them between two strips of 16mm splicing tape. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interim (film)
''Interim'' is a 1953 American short film drama directed by Stan Brakhage. It was the first film directed by Stan Brakhage, whose expansive filmography has made him an influential figure in experimental film. Plot The film contains no dialogue, starring only a man and a woman, who meet as if by chance and walk into the countryside together where they stop and kiss. They then return to town before parting again. Production The film was shot in black-and-white 16 mm film. Around the time of production, Brakhage was heavily influenced by Italian neorealism. This was his first of many collaborations on film with composer and childhood friend James Tenney, who wrote the piano score for the film at the age of eighteen. In a foreword A foreword is a (usually short) piece of writing, sometimes placed at the beginning of a book or other piece of literature. Typically written by someone other than the primary author of the work, it often tells of some interaction between th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that does not apply standard cinematic conventions, instead adopting Non-narrative film, non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Jordan
Lawrence Jordan (born 1934) is an American independent filmmaker who is most widely known for his animated collage films. He was a founding member of the Canyon Cinema Cooperative and the Camera Obscura Film Society, and was also a music video director. Biography Jordan was born in 1934 in Denver, Colorado. He attended South High School with Stan Brakhage. He attended Harvard University from 1951 to 1953, where he was active in the film society. Jordan moved to Central City, where he put on plays with friends from high school. Both he and Brakhage began making films during this period, with Jordan appearing in Brakhage's '' Unglassed Windows Cast a Terrible Reflection'' and ''Desistfilm'' and Brakhage appearing in Jordan's ''The One Romantic Venture of Edward'' and ''Trumpit''. While the two were in New York, Jordan met artist Joseph Cornell at his show at the Stable Gallery. He described Cornell's work as "like an anchor" for him, aligning with his own "sensibility of delicate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drawn On Film Animation
Drawn-on-film animation, also known as direct animation or animation without camera, is an animation technique where footage is produced by creating the images directly on film stock, as opposed to any other form of animation where the images or objects are photographed frame by frame with an animation camera. History The first and best known practitioners of drawn-on-film animation include Len Lye, Norman McLaren, Stan Brakhage, then later artists including Steven Woloshen, Richard R. Reeves, Scott Fitzpatrick and Baerbel Neubauer, who produced numerous animated films using these methods. Their work covers the whole span between narrative and totally abstract animation. Other filmmakers in the 1960s expanded the idea and subjected the film stock to increasingly radical methods, up to the point where the film was destroyed in the process projection. Some artists made this destruction a statement, others went back one step and copied the original work film strip to get a projec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collage Film
Collage film is a style of film created by juxtaposing Found footage (appropriation), found footage from disparate sources (archival footage, excerpts from other films, newsreels, home movies, etc.). The term has also been applied to the physical collaging of materials onto film stock. Surrealist roots The surrealist movement played a critical role in the creation of the collage film form. In 1936, the United States, American artist Joseph Cornell produced one of the earliest collage films with his reassembly of ''East of Borneo'' (1931), combined with pieces of other films, into a new work he titled ''Rose Hobart (film), Rose Hobart'' after the leading actress.Rony, Fatimah Tobing. The Quick and the Dead: Surrealism and the Found Ethnographic Footage Films of Bontoc Eulogy and Mother Dao: The Turtlelike. Camera Obscura. January 2003, Vol. 18 Issue 52 When Salvador Dalí saw the film, he was famously enraged, believing Cornell had stolen the idea from his thoughts. Predecessors inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Tenney
James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception. Biography James Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, John Cage, Harry Partch, and Edgard Varèse. He also studied acoustics, information theory and tape music composition under Lejaren Hiller. In 1961, Te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South High School (Denver, Colorado)
South High School is a historical public high school in the Washington Park, Denver, Washington Park neighborhood on the south side of Denver, Colorado, United States. It is part of Denver Public Schools, and is one of four original high schools in Denver. The other three are East High School (Denver, Colorado), East, North High School (Denver, Colorado), North, and West High School (Denver, Colorado), West. History In 1893, high school classes were established in two rooms of the Grant school (now Grant Middle School). By 1907, an addition was required because of overcrowding. In January 1925, there were 800 students in the senior high school section and more space was desperately needed. A bond issue was voted into effect in October 1925, and funds for a new school were raised. The cost of construction was $1,252,000 ($ in dollars ) and the building was intended to last a century. Denver South officially separated from Grant in fall 1926. South High School was one of 16 sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
