Brahmashirastra
The Brahmashirastra (Sanskrit: ब्रह्मशिरास्त्र, romanized: ''Brahmaśirāstra'') or Brahmashira Namaka Astra is the most destructive weapon, or Astra, described in the ancient Indian texts, capable of ending the existence of gods or devas. Thought to be superior to the Brahmastra, the Brahmashirastra causes chain reactions of massive explosions and waves to annihilate any desired entity of the universe or even the universe itself. The weapon manifests with the four heads of Brahma as its tip. Agnivesha, Drona, Ashwatthama and Arjuna possessed the knowledge to invoke this weapon. This weapon can be invoked into any object, even to a blade of grass. In the ''Mahabharata'', it is explained that when this weapon is invoked, "It blazes up with terrible flames within a huge sphere of fire. Numerous peals of thunder to be heard, fissures start on earth, rivers become dry, thousands of meteors fell, and all living creatures became terrified with great dread. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ashwatthama
Ashvatthama (, , also spelt as Ashwatthama and Ashvatthaman) is a character in the ancient Hindu epic ''Mahabharata''. He is the son of Drona, the royal preceptor to the Kuru princes—the Pandavas and the Kauravas. Ashvatthama is a close companion of Duryodhana, the leader of the Kauravas, and receives military training alongside the Kuru princes under the tutelage of his father. Favoured by his father, Ashvatthama is entrusted with the knowledge of several celestial weapons, including the Narayanastra and the Brahmashirastra. During the Kurukshetra War between the Pandavas and the Kauravas, he fights on the side of the Kauravas and emerges as one of the three surviving warriors from their faction by the war’s conclusion. On the night following the eighteenth day of battle, after the war has formally concluded, Ashvatthama launches a night raid on the Pandava camp. He kills Dhrishtadyumnathe commander-in-chief of the Pandava army, who beheaded Drona during the warand ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arjuna
Arjuna (, , Help:IPA/Sanskrit, [ɐɾd͡ʒun̪ə]) is one of the central characters of the ancient Hindu epic ''Mahabharata''. He is the third of the five Pandava brothers, and is widely regarded as the most important and renowned among them. He is the son of Indra, the king of the Deva (Hinduism), gods, and Kunti, wife of King Pandu of Kuru kingdom, Kuru dynasty—making him a Demigod, divine-born hero. Arjuna is famed for his extraordinary prowess in archery and mastery over Astra (weapon), celestial weapons. Throughout the epic, Arjuna sustains a close friendship with his maternal cousin, Krishna, who serves as his spiritual guide. Arjuna is celebrated for numerous heroic exploits throughout the epic. From childhood, he emerges as an excellent pupil, studying under the warrior-sage Drona. In his youth, Arjuna wins the hand of Draupadi, the princess of the Pañcāla, Panchalas, by excelling in a formidable archery competition. Soon after, he goes on a journey during a period ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Astra (weapon)
An () is a supernatural weapon in Hindu epics. It is presided over by a specific deity and imbued with spiritual and occult powers. The term came to denote any weapon that was released from the hand (such as an arrow), compared to holding it (such as a sword). The bearer of an ''astra'' is an ''astradhari'' (). History Astras are supernatural weapons invoked using ''mantras''. In battle, a warrior would use a mantra to convert any weapon (usually an arrow) into a divine weapon. Astras comprise four classes of weapons. The origin of Astras is elaborated in the ''Ahirbudhnya Samhita'', a dialogue between Sage Narada and Shiva. When Narada asks Shiva about the origin of Astras, the god recounts a story: Eons ago, before the universe was created, Vishnu assumed many forms for his own amusement. Eventually, he assumed the form of Brahma and created the universe. In order to protect the universe from wicked beings of his own creation, Vishnu created the Sudarshana Chakra. However, only ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brahmastra
The () is a celestial weapon (''astra'') created and owned by the god Brahma along with its more powerful variant, the ''Brahmashirastra. The later is considered as the most destructive, powerful, and irresistible weapon mentioned in all of Hinduism. Only a handful of gods and warrior-heros, namely Parasurama, Parashurama, Rama, Meghnada, Meghanada, Bhisma, Bhishma, Drona, Karna, Ashwatthama, Arjuna, and Lakshmana, were said to have possessed the knowledge to invoke this weapon. Description It is termed as a fiery weapon that creates a fierce fireball, blazing up with terrible flames and countless horrendous thunder flashes. When discharged, all nature including trees, oceans, and animals tremble. The sky surrounds with flame, glaciers melt, and mountains shatter with copious noise all around. When used, the Brahmastra which is person-centric can destroy a powerful enemy if they do not possess an alternate counter weapon. If it is Brahmashirā astra, it causes collateral ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hindu Units Of Time
Hindu units of time are described in Hindu texts ranging from microseconds to trillions of years, including cycles of cosmic time that repeat general events in Hindu cosmology. Time ( ) is described as eternal. Various fragments of time are described in the Vedas, ''Manusmriti'', ''Bhagavata Purana'', '' Vishnu Purana'', ''Mahabharata'', '' Surya Siddhanta'' etc. Sidereal metrics Sidereal astrology maintains the alignment between signs and constellations via corrective systems of Hindu (Vedic)-origin known as ayanamsas (Sanskrit: '''ayana''' "movement" + '''aṃśa "component"), to allow for the observed precession of equinoxes, whereas tropical astrology ignores precession. This has caused the two systems, which were aligned around 2,000 years ago, to drift apart over the centuries. Ayanamsa systems used in Hindu astrology (also known as Vedic astrology) include the Lahiriayanamsa and the Raman ayanamsa. The Fagan-Bradley ayanamsa is an example of an ayanamsa system used ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vyūha
Vyūha (Sanskrit: व्यूह) means - 'to arrange troops in a battle array (formation)', 'to arrange, put or place in order, to dispose, separate, divide, alter, transpose, disarrange, resolve (vowels syllables etc.)'. Its root is व्यः which means - a 'cover' or 'veil'. This word also refers to emanation and to the manifest power of Lord Vishnu. It has different meanings depending on the doctrine of the treatise and the context, such as revealing of the knowledge of Vedas, and the war formations of Mahabharata. Vyūha in Hinduism Vyūha in the Upanishads In the Upanishads the word ''vyūha'' occurs once, in śloka 16 of the Isha Upanishad: :पूषन्नेकर्षे यम सूर्य प्राजापत्य व्यूह रश्मिन्समूह , :तेजो यत्ते रूपं कल्याणतमं तत्ते पश्यामि योऽसावसौ पुरुषः सोऽहमस्मि , , ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Puranas
Puranas (Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on "Puranas", , page 915) are a vast genre of Indian literature that include a wide range of topics, especially legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in Languages of India, other Indian languages,John Cort (1993), "An Overview of the Jaina Puranas" in ''Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts,'' (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu deities such as Vishnu, Shiva, Brahma, and Mahadevi, Devi. The Puranic genre of literat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics of Hinduism known as the ''Itihasas'', the other being the ''Mahabharata''. The epic narrates the life of Rama, the seventh ''avatar'' of the Hindu deity Vishnu, who is a prince of Ayodhya (Ramayana), Ayodhya in the kingdom of Kosala. The epic follows Exile of Lord Rama, his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya (Ramayana), Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration. Scholarly estimates for the earliest stage ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Indian Epic Poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called ''Kavya'' (or ''Kāvya''; Sanskrit: काव्य, IAST: ''kāvyá''). The ''Ramayana'' and the '' Mahabharata'', which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. List of longest epics Hindi epics In modern Hindi literature, '' Kamayani'' by Jaishankar Prasad has attained the status of an epic. The narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha Brahmana. It is a story of the great flood and the central characters of the epic poem are Manu (a male) and Shraddha (a female). Manu is representative of the human psyche and Shradha represents love. Another female character is Ida, who represents rationality. Some critics surmise that the three lead characters o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Trillion
''Trillion'' is a number with two distinct definitions: *1,000,000,000,000, i.e. one million 1,000,000, million, or (ten to the twelfth Exponentiation, power), as defined on the long and short scales, short scale. This is now the meaning in both American and British English. *Orders of magnitude (numbers)#1018, 1,000,000,000,000,000,000, i.e. (ten to the eighteenth power), as defined on the long and short scales, long scale. This is one million times larger than the short scale trillion. This is the historical meaning in English and the current use in many non-English-speaking countries where ''trillion'' and ''billion'' (ten to the twelfth power) maintain their long scale definitions. Usage Originally, the United Kingdom used the long scale trillion. However, since 1974, official UK statistics have used the short scale. Since the 1950s, the short scale has been increasingly used in technical writing and journalism, although the long scale definition still has some limited u ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan languages# ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |