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Boomshot
Boomshot or Boom Shot may refer to: Music *" Boom Shot", 1942 song composed by Glenn Miller and Billy May *"Boom Shot", 1987 song by Cutty Ranks *''Boom Shot'', 1991 album by Gregory Isaacs Other uses *"Boomshots" (magazine segment), a column in the magazine ''Vibe'' (magazine) *a filmmaking technique using a boom arm, also called a crane shot In filmmaking and video production, a crane shot is a shot taken by a camera on a moving crane or jib. Filmmaker D. W. Griffith created the first crane for his 1916 epic film ''Intolerance'', with famed special effects pioneer Eiji Tsuburaya ...
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Boom Shot
Boom Shot is a 1942 song composed by Glenn Miller and Billy May for the 20th Century Fox movie '' Orchestra Wives'' starring George Montgomery and Ann Rutherford. Billy May is credited as his first wife, Arletta May, because he had signed an exclusive composer's contract with Charlie Barnet that prohibited him from writing anything for Miller under his own name. The song was published by Mutual Music Society in the U.S. and by Chappell and Company in the UK. Though uncredited on the film soundtrack, "Boom Shot" appears in the movie ''Orchestra Wives'' twice, first as a 78 by Gene Morrison and His Orchestra on the Wurlitzer jukebox in the soda shop, then during the outdoor concert scene featuring Harry Morgan and Ann Rutherford dancing. Glenn Miller as Gene Morrison is shown conducting his orchestra on the bandstand. The title comes from the wide-angle, mobile camera shot used to film the scene, known as a boom shot. The arrangement is by George Williams. Recordings "Boom ...
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Vibe (magazine)
''Vibe'' is an American music and entertainment magazine founded by producers David Salzman and Quincy Jones. The publication predominantly features R&B and hip hop music artists, actors and other entertainers. After shutting down production in the summer of 2009, it was purchased by the private equity investment fund InterMedia Partners, then issued bi-monthly with double covers and a larger online presence. The magazine's target demographic is predominantly young, urban followers of hip hop culture. In 2014, the magazine discontinued its print version. The magazine features a broader range of interests than its closest competitors ''The Source (magazine), The Source'' and ''XXL (magazine), XXL'', which focus more narrowly on rap music, or the rock- and pop-centric ''Rolling Stone'' and ''Spin (magazine), Spin''. The May 1998 ''Vibe'' article "Racer X" by Ken Li is credited as the basis for the 2001 film ''The Fast and the Furious (2001 film), The Fast and the Furious'' and th ...
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Cutty Ranks
Philip Thomas (born 12 February 1965), better known as Cutty Ranks, is a Jamaican dancehall singer. Biography Thomas was born in Clarendon Parish, Jamaica, Clarendon Parish, Jamaica in 1965. He began his career as a reggae artist at the age of eleven with local sound systems, going on to work with the Gemini Sound Products, Gemini Sound system (Jamaican), sound system, before moving on to work with Tony Rebel's Rebel Tone and Papa Roots, and later working with Stereo Mars, Arrows and Metro Media. He joined Killamanjaro where he worked alongside Early B, Super Cat, Puddy Roots, and Little Twitch, and then Sturmars where he worked with Josey Wales (singer), Josey Wales, Nicodemus (musician), Nicodemus, Super Cat, U Brown and Yami Bolo. His first job on leaving school was as a butcher. During the eighties, Ranks moved on to the Arrows sound system and his 1986 debut single "Gunman Lyrics" was recorded for Winston Riley's Techniques label. He also recorded such tracks as "Out of Ha ...
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Gregory Isaacs
Gregory Anthony Isaacs OD (15 July 1951 – 25 October 2010)Thompson, p. 127. was a Jamaican reggae musician. Milo Miles, writing in ''The New York Times'', described Isaacs as "the most exquisite vocalist in reggae".Miles, Milo (1992),RECORDINGS VIEW; Gregory Isaacs, the Ruler of Reggae" ''The New York Times'', 2 February 1992.Kiviat, Steve (1996),Gregory Isaacs, ''Washington City Paper'', 6 – 12 December 1996 (Vol. 16, No. 49). Early career In his teenage years, Isaacs became a veteran of the talent contests that regularly took place in Jamaica. In 1968, he made his recording debut as Winston Sinclair, with the single "Another Heartache", recorded for producer Byron Lee. The single sold poorly and Isaacs went on to team up with Errol Dunkley to start the African Museum record label and shop, and soon had a hit with "My Only Lover", credited as the first lovers' rock record ever made. He recorded for other producers to finance further African Museum recordings, having a ...
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