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Book Of Good Love
''The Book of Good Love'' (), considered to be one of the masterpieces of Spanish poetry, is a pseudo-biographical account of romantic adventures by Juan Ruiz, the Archpriest of Hita, the earliest version of which dates from 1330; the author completed it with revisions and expansions in 1343. The work is considered as the best piece in the medieval genre known as mester de clerecía. ''The Book'' begins with prayers and a guide as to how to read the work, followed by stories each containing a moral and often comical tale. The book contains a heterogeneous collection of various materials united around an alleged autobiographical narrative of the love affairs of the author, who is represented by the episodic character of Don Melón de la Huerta in part of the book. In the book, all layers of late medieval Spanish society are represented through their lovers. Fables and apologues are interspersed throughout the course of the main argument that constitute a collection of exempl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Ruiz
Juan Ruiz (), known as the Archpriest of Hita (''Arcipreste de Hita''), was a medieval Castilian poet. He is best known for his ribald, earthy poem, ''El'' ''Libro de buen amor'' ('' The Book of Good Love''). Biography Origins He was born in Alcalá de Henares. Little is known about him today, save that he was a cleric and probably studied in Toledo. Though his birth name is known to be Juan Ruiz, he is widely referred to by his title of "archpriest of Hita." Imprisonment According to his own book, he was imprisoned for years, thought to be between 1337 and 1350, as punishment for some of his deeds (if the poem is any guide, they were quite inconsistent with his position as priest). However, the poem has long been considered as pseudo-autobiography and the verses that mention his imprisonment appear at the end of the book and are generally thought to have been added after the fact. One of his poems states that he was imprisoned on the order of Gil Albornoz, the Archbisho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goliards
The goliards were a group of generally young clergy in Europe who wrote satirical Latin poetry in the 12th and 13th centuries of the Middle Ages. They were chiefly clerics who served at or had studied at the universities of France, Germany, Spain, Italy, and England, who protested against the growing contradictions within the church through song, poetry and performance. Disaffected and not called to the religious life, they often presented such protests within a structured setting associated with carnival, such as the Feast of Fools, or church liturgy. Etymology The derivation of the word is uncertain. It may come from the Latin ''gula,'' gluttony. It may also originate from a mythical "Bishop Golias", a medieval Latin form of the name Goliath, the giant who fought David, later King David, in the Bible—thus suggestive of the monstrous nature of the goliard or, notes historian Christopher de Hamel, as "those people beyond the edge of society". Another source may be ''gailliard,'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planh
A genre of the troubadours, the or (; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady."Elisabeth Schulze-Busacker, "Topoi", in F. R. P. Akehurst and Judith M. Davis, eds., ''A Handbook of the Troubadours'' (Berkeley: University of California Press, 1995), pp. 421–440. Its main elements are expression of grief, praise of the deceased (eulogy) and prayer for his or her soul.Patricia Harris Stäblein, "New Views on an Old Problem: The Dynamics of Death in the ", ''Romance Philology'' 35, 1 (1981): 223–234. It is descended from the medieval Latin .William D. Paden, "Planh/Complainte", in W. W. Kibler and G. A. Zinn, eds., ''Medieval France: An Encyclopedia'' (New York: Garland, 1995), pp. 1400–1401. The is similar to the in that both were typically contrafacta. They made use of existing melodies, often imitating the original song even down to the rhymes. The most famous of all, however, Gaucelm Faidit's lament on the death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lent
Lent (, 'Fortieth') is the solemn Christianity, Christian religious moveable feast#Lent, observance in the liturgical year in preparation for Easter. It echoes the 40 days Jesus spent fasting in the desert and enduring Temptation of Christ, temptation by Satan, according to the Gospels of Gospel of Matthew, Matthew, Gospel of Mark, Mark and Gospel of Luke, Luke, before beginning his Ministry of Jesus, public ministry. Lent is usually observed in the Catholic Church, Catholic, Lutheranism, Lutheran, Moravian Church, Moravian, Anglican Communion, Anglican, United and uniting churches, United Protestant and Eastern Orthodoxy, Orthodox Christian traditions, among others. A number of Anabaptism, Anabaptist, Baptists, Baptist, Methodism, Methodist, Calvinism, Reformed (including certain Continental Reformed Protestantism, Continental Reformed, Presbyterianism, Presbyterian and Congregational church, Congregationalist churches), and Nondenominational Christianity, nondenominational Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnival
Carnival (known as Shrovetide in certain localities) is a festive season that occurs at the close of the Christian pre-Lenten period, consisting of Quinquagesima or Shrove Sunday, Shrove Monday, and Shrove Tuesday or Mardi Gras. Carnival typically involves public party, celebrations, including events such as parades, public street party, street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ars Amatoria
The (''The Art of Love'') is an instructional elegy series in three books by the ancient Roman poet Ovid. It was written in 2 AD. Content Book one of was written to show a man how to find a woman. In book two, Ovid shows how to keep her. These two books contain sections which cover such topics as 'not forgetting her birthday', 'letting her miss you - but not for long' and 'not asking about her age'. The third book, written two years after the first books were published, gives women advice on how to win and keep the love of a man ("I have just armed the Greeks against the Amazons; now, Penthesilea, it remains for me to arm thee against the Greeks..."). Sample themes of this book include: 'making up, but in private', 'being wary of false lovers' and 'trying young and older lovers'. The standard situations of finding love are presented in an entertaining way. Ovid includes details from Greek mythology, everyday Roman life and general human experience. The is composed in elegia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamphilus De Amore
''Pamphilus de amore'' (or, simply, ''Pamphilus'' or ''Pamfilus'') is a 780-line, 12th-century Latin comedic play, probably composed in France, but possibly Spain.Vincente Cristóbal, "Ovid in Medieval Spain", in ''Ovid in the Middle Ages'', ed. James G. Clark, Frank T. Coulson and Kathryn L. McKinley (Cambridge: Cambridge University Press, 2011), pp. 231–256 (p. 241). It was "one of the most influential and important of the many pseudo-Ovidian productions concerning the 'arts of Love'" in medieval Europe,Thomas Jay Garbaty, "Pamphilus, de Amore: An Introduction and Translation", ''The Chaucer Review'', 2 (1967), pp, 108–134 (p. 108 ff. and "the most famous and influential of the medieval Elegiac comedy, elegiac comedies, especially in Spain". The protagonists are Pamphilus and Galatea, with Pamphilus seeking to woo her through a procuress (as with the procuress in Book 1.8 of Ovid's '' Amores''). Style The play was one of the works that many boys learning Latin in the Middl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Vetula
''De vetula'' ("On the Old Woman") is a long 13th-century elegiac comedy written in Latin. It is pseudepigraphically signed "Ovidius", and in its time was attributed to the classical Latin poet Ovid. It consists of three books of hexameters, and was quoted by Roger Bacon. In its slight plot, the aging Ovid is duped by a go-between, and renounces love affairs. Its interest to modern readers lies in the discursive padding of the story. Attribution Its actual author, "Pseudo-Ovidius" to scholars, has been thought to be Richard de Fournival, but this is not universally accepted. The attribution to Ovid was reinforced by an implausible claim that the poem had been found in his tomb. The poem presents him as a Christian convert. The authorship of Ovid was questioned by the fifteenth-century humanist Angelo Decembrio; in fact Petrarch had already denied that Ovid could be the poet.J. W. Binns, ''Ovid'' (1973), p. 203. There was a translation or paraphrase of the 1370s into French as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudo-Ovid
Pseudo-Ovid or Pseudo-Ovidius is the name conventionally used to designate any author of a work falsely attributed to the Latin poet Ovid (43 BC – AD 17/18). The term first appears in the second edition of the ''Lexicon Latinae Linguae Antibarbarum Quadripartitum'' of Johann Friedrich Nolte in 1744. The collective term for such texts is Pseudo-Ovidiana, which may be defined simply as "works not authored by Ovid that circulated under his name". An English translation of the collective Pseudo-Ovidiana was published as part of the Dumbarton Oaks Medieval Library in 2020 under the title ''Appendix Ovidiana'', by analogy with the ''Appendix Vergiliana''. Classification There are several types of pseudo-Ovidian text. Some texts were intentionally written in Ovid's name as literary forgeries. In other instances, anonymous texts attracted an attribution to Ovid. Many of these convincingly imitate Ovid, but the motivations and expectations of their actual authors are largely unknown. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elegiac Comedy
Elegiac comedy was a genre of medieval Latin literature—or drama—represented by about twenty texts written in the 12th and 13th centuries in the liberal arts schools of west central France (roughly the Loire Valley). Though commonly identified in manuscripts as ''comoedia'', modern scholars often reject their status as comedy. Unlike Classical comedy, they were written in elegiac couplets. Denying their true comedic nature, Edmond Faral called them Latin ''fabliaux'', after the later Old French '' -4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''fabliaux'', and Ian Thomson labelled them Latin comic tales. Other scholars have invented terms like verse tales, rhymed monologues, epic comedies, and Horatian comedies to describe them.Roy (1974), 258 n. 2 The Latin "comedies", the dramatic nature of which varies greatly, may have been the direct ancestors of the ''fabliaux'' but more likely merely s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satire, satirical or irony, ironic imitation. Often its subject is an Originality, original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or Counterculture of the 1960s, 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, parody music, music, Theatre, theater, television and film, animation, and Video game, gaming. The writer and critic John Gross observes in his ''Oxford Book of Parodies'', that parody seems to flourish on te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
