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Bonus Feature
DVD-Video is a consumer video format used to store digital video on DVDs. DVD-Video was the dominant consumer home video format in most of the world in the 2000s. As of 2024, it competes with the high-definition Blu-ray Disc, while both receive competition as delivery methods by streaming services such as Netflix and Disney+. Discs using the DVD-Video specification require a DVD drive and an MPEG-2 decoder (e.g., a DVD player, or a computer DVD drive with a software DVD player). Commercial DVD movies are encoded using a combination of MPEG-2 compressed video and audio of varying formats (often multi-channel formats as described below). Typically, the data rate for DVD movies ranges from 3 to 9.5 Mbit/s, and the bit rate is usually adaptive. DVD-Video was first available in Japan on October 19, 1996 (with major releases beginning December 20, 1996), followed by a release on March 24, 1997, in the United States. The DVD-Video specification was created by the DVD Forum and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Disc
An optical disc is a flat, usuallyNon-circular optical discs exist for fashion purposes; see shaped compact disc. disc-shaped object that stores information in the form of physical variations on its surface that can be read with the aid of a beam of light. Optical discs can be reflective, where the light source and detector are on the same side of the disc, or transmissive, where light shines through the disc to be detected on the other side. Optical discs can store analog information (e.g. LaserDisc), digital information (e.g. DVD), or store on the same disc (e.g. CD Video). Their main uses are the distribution of media and data, and long-term archival. Design and technology The encoding material sits atop a thicker substrate (usually polycarbonate) that makes up the bulk of the disc and forms a dust defocusing layer. The encoding pattern follows a continuous, spiral path covering the entire disc surface and extending from the innermost track to the outermost track ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Diet Library
The is the national library of Japan and among the largest libraries in the world. It was established in 1948 for the purpose of assisting members of the in researching matters of public policy. The library is similar in purpose and scope to the United States Library of Congress. The National Diet Library (NDL) consists of two main facilities in Tokyo and Kyoto, and several other branch libraries throughout Japan. History The National Diet Library is the successor of three separate libraries: the library of the House of Peers, the library of the House of Representatives, both of which were established at the creation of Japan's Imperial Diet in 1890; and the Imperial Library, which had been established in 1872 under the jurisdiction of the Ministry of Education. The Diet's power in pre-war Japan was limited, and its need for information was "correspondingly small." The original Diet libraries "never developed either the collections or the services which might have made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-1 (Sony)
D-1 or 4:2:2 Component Digital is an SMPTE digital recording video standard, introduced in 1986 through efforts by SMPTE engineering committees. It started as a Sony and Bosch – BTS product and was the first major professional digital video format. SMPTE standardized the format within ITU-R 601 (orig. CCIR-601), also known as Rec. 601, which was derived from SMPTE 125M and EBU 3246-E standards. Format D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette). The uncompressed component video used enormous bandwidth for its time: 167 Mbit/sec (bit rate). One of the first D-1 VTRs, the Sony DVR-1000, required a separa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SECAM
SECAM, also written SÉCAM (, ''Séquentiel de couleur à mémoire'', French for ''sequential colour memory''), is an analog color television system that was used in France, Russia and some other countries or territories of Europe and Africa. It was one of three major analog color television standards, the others being PAL and NTSC. Like PAL, a SECAM picture is also made up of 625 interlaced lines and is displayed at a rate of 25 frames per second (except SECAM-M). However, due to the way SECAM processes color information, it is not compatible with the PAL video format standard. SECAM video is composite video; the luminance (luma, monochrome image) and chrominance (chroma, color applied to the monochrome image) are transmitted together as one signal. All the countries using SECAM have either converted to DVB, Digital Video Broadcasting (DVB), the new pan-European standard for digital television, or are currently in the Digital television transition, process of conversion. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
625 Lines
625-line (or CCIR 625/50) is a late 1940s European analog standard-definition television resolution standard. It consists of a 625-line raster, with 576 lines carrying the visible image at 25 interlaced frames per second. It was eventually adopted by countries using 50 Hz utility frequency as regular TV broadcasts resumed after World War II. With the introduction of color television in the 1960s, it became associated with the PAL and SECAM analog color systems. A similar 525-line system was adopted by countries using 60 Hz utility frequency (like the US). Other systems, like 375-line, 405-line, 441-line, 455-line and 819-line existed, but became outdated or had limited adoption. The modern standard-definition digital video resolution 576i is equivalent and can be used to digitize an analogue 625-line TV signal, or to generate a 625-line compatible analog signal. History At the CCIR Stockholm Conference in July 1948 a first 625-line system with an 8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
576i
576i is a standard-definition television, standard-definition digital video mode, originally used for Digitization, digitizing 625 lines, 625 line Analog television, analogue television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the legacy colour encoding systems, it is often referred to as PAL#PAL region, PAL, PAL/SECAM or SECAM when compared to its 60 Hz (typically, see PAL-M) NTSC-colour-encoded counterpart, 480i. The ''576'' identifies a vertical resolution of 576 lines, and the ''i'' identifies it as an Interlaced video, interlaced resolution. The Refresh rate, field rate, which is 50 Hertz, Hz, is sometimes included when identifying the video mode, i.e. 576i50; another notation, endorsed by both the International Telecommunication Union in Rec. 601, BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 576i/25. Operation In analogue television, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Scan
Progressive scanning (alternatively referred to as noninterlaced scanning) is a format of displaying, storing, or transmitting moving images in which all the lines of each frame are drawn in sequence. This is in contrast to interlaced video used in traditional analog television systems where only the odd lines, then the even lines of each frame (each image called a video field) are drawn alternately, so that only half the number of actual image frames are used to produce video. The system was originally known as "sequential scanning" when it was used in the Baird 240 line television transmissions from Alexandra Palace, United Kingdom in 1936. It was also used in Baird's experimental transmissions using 30 lines in the 1920s.Burns, R.W. ''John Logie Baird, Television Pioneer'', Herts: The Institution of Electrical Engineers, 2000. 316. Progressive scanning became universally used in computer screens beginning in the early 21st century. Interline twitter This rough animatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interlaced Video
Interlaced video (also known as interlaced scan) is a technique for doubling the perceived frame rate of a video display without consuming extra Bandwidth (signal processing), bandwidth. The interlaced signal contains two field (video), fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker (screen), flicker by taking advantage of the characteristics of the human visual system. This effectively doubles the time resolution (also called ''temporal resolution'') as compared to non-interlaced footage (for frame rates equal to field rates). Interlaced signals require a display that is natively capable of showing the individual fields in a sequential order. cathode-ray tube, CRT displays and ALiS plasma displays are made for displaying interlaced signals. Interlaced scan refers to one of two common methods for "painting" a video image on an electronic display screen (the other being progressive video, progressive scan) by sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frame Rate
Frame rate, most commonly expressed in frame/s, or FPS, is typically the frequency (rate) at which consecutive images (Film frame, frames) are captured or displayed. This definition applies to film and video cameras, computer animation, and motion capture systems. In these contexts, frame rate may be used interchangeably with and refresh rate, which are expressed in hertz. Additionally, in the context of computer graphics performance, FPS is the rate at which a system, particularly a GPU, is able to generate frames, and refresh rate is the frequency at which a display shows completed frames. In electronic camera specifications frame rate refers to the maximum possible rate frames could be captured, but in practice, other settings (such as exposure time) may reduce the actual frequency to a lower number than the frame rate. Human vision The temporal sensitivity and resolution of human vision varies depending on the type and characteristics of visual stimulus, and it differs betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audioholics
Audioholics is an audio/video (A/V) and home theater technology review site and Internet forum. The website publishes detailed technical reviews of commercial audio, video and other electronics equipment. Product of the Year Awards is Audioholics' awards program, highlighting staff picks for the best products reviewed each year. Winners are chosen each December and are announced in the annual Product of the Year Awards feature on the site. History Audioholics was founded by Gene DellaSala in 1999. DellaSala says the website was born after being frustrated with dishonest hardware specifications from certain manufacturers. Gene takes more of a "real world" approach to audio/video (A/V) performance reviews, with an emphasis on educating consumers. In the decade since 1999, Audioholics.com grew from an A/V hobby website to the world's most trafficked home theater audio and video website, with over 1.2 million monthly readers. Audioholics also maintains the largest and most engaged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chroma Subsampling
Chroma subsampling is the practice of encoding images by implementing less resolution for Chrominance, chroma information than for luma (video), luma information, taking advantage of the human visual system's lower acuity for color differences than for luminance. It is used in many video and still image encoding schemesboth analog and digitalincluding in JPEG encoding. Rationale Digital signals are often compressed to reduce file size and save transmission time. Since the human visual system is much more sensitive to variations in brightness than color, a video system can be optimized by devoting more bandwidth to the luma (video), luma component (usually denoted Y'), than to the color difference components Cb and Cr. In compressed images, for example, the 4:2:2 Y'CbCr scheme requires two-thirds the bandwidth of non-subsampled "4:4:4" R'G'B'. This reduction results in almost no visual difference as perceived by the viewer. How subsampling works The Visual perception, human vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
YCbCr
YCbCr, Y′CbCr, also written as YCBCR or Y′CBCR, is a family of color spaces used as a part of the color image pipeline in digital video and digital photography, photography systems. Like YPbPr, YPBPR, it is based on RGB primaries; the two are generally equivalent, but YCBCR is intended for digital video, while YPBPR is designed for use in Analogue electronics, analog systems. Y′ is the Luma (video), luma component, and CB and CR are the B-Y, blue-difference and R-Y, red-difference chrominance, chroma components. Luma Y′ (with Prime (symbol), prime) is distinguished from relative luminance, luminance Y, meaning that light intensity is nonlinearly encoded based on gamma corrected RGB primaries. Y′CbCr color spaces are defined by a mathematical coordinate transformation from an associated RGB primaries and white point. If the underlying RGB color spaces, RGB color space is absolute, the Y′CbCr color space is an absolute color space as well; conversely, if the RGB spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
