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Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero (Spanish Dance)
Bolero is a Spanish dance in 3/4 time popular in the late 18th and early 19th centuries. It originated from the seguidilla sometime between 1750 and 1772, and it became very popular in Madrid, La Mancha, Andalusia and Murcia in the 1780s. Bolero was performed as a solo or partner dance with a moderately slow tempo, accompanied by guitar and castanets, and with lyrics in the form of the seguidilla. Sebastián Cerezo was credited by as one of the earliest and best dancers of the genre. According to Zamácola y Ocerín, Cerezo danced slowly and his particular way of dancing marked the definitive transition from seguidilla to bolero (from ''voleo'', cf. ''vuelo'', "flight"). This original slow way of dancing was promoted by Murcian dancer Requejo around 1800 in response to the faster style of bolero dancing that had become popular over the years. The dance became obsolete in the mid-19th century, but survived in an academic tradition known as the escuela bolera, which influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Guillot
Olga Guillot (October 9, 1923 – July 12, 2010) was a Cuban singer who was known as the "Queen of Bolero". She was a native of Santiago de Cuba. Biography Daughter of Catalan-Jewish immigrants who moved to Cuba, her father was a tailor and her mother was a seamstress. Olga Guillot was born in Santiago de Cuba, and her family moved to Havana when she was five years old. As a teenager, she and her sister, Ana Luisa, performed as the "Duo Hermanitas Guillot." It wasn't until 1945 that her talent as a bolero singer was discovered, when Facundo Rivero, an influential man in the Cuban music scene of the era, heard her sing for the first time and helped her make her professional singing debut at a famous Havana night club. Soon after, Guillot met Miguelito Valdés, who took her to New York City, where Guillot was able to record her first album with the Decca label. She gained recognition in the United States with her version in Spanish of "Stormy Weather" in 1946. Guillot traveled t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elena Burke
Elena Burke (born Romana Elena Burgues Gonzalez on February 28, 1928, in Havana, Cuba – June 9, 2002 in Havana, Cuba) was a revered and popular Cuban singer of boleros and romantic ballads. Biography She started her career by working in radio in the 1940s but also began to work with smaller groups and appearing in nightclubs accompanied at the piano by Dámaso Pérez Prado. In 1948 she accompanied the Cuban dancers known as "Las Mulatas de Fuego" (The Mulatas of Fire) to Mexico City, where she performed in the movie ''Salón México'', directed by Indio Fernández. In 1952, pianist and arranger Aida Diestro organized the vocal quartet called Cuarteto d'Aida. The original members were Elena Burke, Moraima Secada, Omara Portuondo and Haydée Portuondo. After she got some attention, she went solo. By the time of the Cuban Revolution she was a top solo artist performing in elegant cabarets in Havana. Her voice seemed to become stronger with age, as her subtle yet sophisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Panchos
Originally, Trio Los Panchos were a '' trío romántico'' formed in New York City in 1944 by Alfredo Gil, Chucho Navarro, and the Puerto Rican Hernando Avilés. The trio became one of the leading exporters of the bolero and the romantic ballad in Latin America. The group sold hundreds of millions of records since its creation in the mid 1940s, some of their best known songs being their interpretations of classic folk songs such as " Besame Mucho", " Sabor a Mí", "Sin Ti", " Solamente Una Vez", "Contigo", " Quizas, Quizas, Quizas", "Contigo Aprendi", " Aquellos Ojos Verdes", " Cuando vuelva a tu lado", " Se te olvida", " El Reloj", " Noche de Ronda", "Rayito de Luna". Los Panchos are regarded as one of the top musical trios of all time and one of the most influential Latin American artists of all time. They sold out concerts around the globe for over 70 years and have appeared in more than 50 films. A characteristic instrument of Los Panchos and other Mexican ''tríos rom� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canción
''Canción'' ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate.Orovio, Helio 2004. ''Cuban music from A to Z''. p42 Its roots lie in Spanish popular song forms, including tiranas, Polo (flamenco palo), polos and Bolero (Spanish dance), boleros; also in Italian light operetta, French romance (music), romanza, and the slow waltz. Initially, even when written by the creole population of Cuba, who opposed the ruling hierarchy, the music retained its European style of "intricate melodies, and dark, enigmatic and elaborate lyrics". Later, in the latter part of the nineteenth century, the canción came under the influence of the trovador movement. This resulted in the lyrical expression of the feelings and aspirations of the population. The accompaniment of the guitar followed naturally, and the canción gradually fused with other forms of Cuban (and therefore Latin American) music such as the bolero.Leon, Argeliers 1964. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trova
''Trova'' is a style of Music of Cuba, Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as ''trovadores'' who travelled around Cuba's Oriente Province, Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. According to nueva trova musician Noel Nicola, Cuban trovadors sang original songs or songs written by contemporaries, accompanied themselves on guitar, and aimed to feature music that had a poetic sensibility. This definition fits best the singers of boleros, and less well the Afrocubans singing funky Son (music), sones (El Guayabero) or even guaguancós and abakuá (Chicho Ibáñez). It rules out, perhaps unfairly, singers who accompanied themselves on the piano. ''Trova'' musicians have played an important part in the evolution of Cuban popular music. Collectively, they have been prolific as composers, and have provided a start for many later musicians whose career lay in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copla (music)
The ''copla'', ''copla andaluza'' ("Andalusian ''copla''"), ''canción andaluza'', ''canción española'', ''tonadilla'' or ''canción folklórica'' is a form of Spain, Spanish popular song, deriving from the copla (meter), poetic form of the same name. Although the genre has a long heritage, it flourished in the 1930s and 1940s, and is epitomized by songwriters :es:Antonio Quintero, Antonio Quintero, :es:Rafael de León, Rafael de León and Manuel Quiroga (composer), Manuel Quiroga. One of the first singers of ''coplas'' was Raquel Meller. Initially she sang ''cuplé'', which later evolved in Andalusian and Spanish song into the ''copla'' as it is known today. Other well-known singers of ''coplas'' are Imperio Argentina, :es:Manolo Corrales, Manolo Corrales, :es:Estrellita Castro, Estrellita Castro, Concha Piquer, :es:Miguel de Molina, Miguel de Molina, Lola Flores, :es:Marifé de Triana, Marifé de Triana, Juanita Reina, Manolo Escobar, Juanito Valderrama, Sara Montiel and Antonio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a stringed musical instrument that is usually fretted (with Fretless guitar, some exceptions) and typically has six or Twelve-string guitar, twelve strings. It is usually held flat against the player's body and played by strumming or Plucked string instrument, plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either Acoustics, acoustically, by means of a resonant hollow chamber on the guitar, or Amplified music, amplified by an electronic Pickup (music technology), pickup and an guitar amplifier, amplifier. The guitar is classified as a chordophone, meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood, with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the Gitanos, gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Region of Murcia, Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani people, Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and ballroom dance, dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga (music), conga and Cuban rumba, rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music (genre), Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor Talking Machine Company, Victor, be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filin (music)
Filin () was a Cuban, but US–influenced, popular song fashion of the late 1940s to the early 1960s. The word is derived from ''feeling'', and is sometimes spelled ''filin'' or even ''el filin''. It describes a style of ''post-microphone jazz-influenced romantic song'' (~crooning). The Cuban roots of filin were in the bolero and the canción. It was related to the trova: in fact, filin was sometimes regarded as a renewal or reinvigoration, of the old trova. Some Cuban quartets, such as Cuarteto d'Aida and Los Zafiros, modelled themselves on U.S. close and open harmony, close-harmony groups. Others were singers who had heard Ella Fitzgerald, Sarah Vaughan and Nat King Cole. Filin singers included César Portillo de la Luz, José Antonio Méndez, who spent a decade in Mexico from 1949 to 1959, Frank Domínguez, the blind pianist Frank Emilio Flynn, and the great singers of boleros Elena Burke and the still-performing Omara Portuondo, who both came from the Cuarteto d'Aida. A h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
