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Bodegón De Recipientes (Zurbarán)
The term ''bodega'' in Spanish can mean "pantry", "tavern", or "wine cellar". In general usage, the derivative term ''bodegón'' is an augmentative that refers to a large ''bodega'', usually in a derogatory fashion. In Spanish art, a ''bodegón'' is a neutral term for a still life painting depicting pantry items, such as victuals, game, and drink, often arranged on a simple stone slab, and also a painting with one or more figures, but with significant still life elements, typically set in a kitchen or tavern. It also refers to low-life or everyday objects, which can be painted with flowers, fruits, or other objects to display the painter's mastery.Johnson, Paul. ''Art: A New History'', Weidenfeld & Nicolson, 2003, p. 353. History Beginning in the Baroque period, bodegónes became popular in Spain in the second quarter of the 17th century. The tradition of still life painting appears to have started and was far more popular in the contemporary Flemish and Dutch artists (Belgium a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitchen Scene - 1610-25
A kitchen is a room or part of a room used for cooking and food preparation in a dwelling or in a commercial establishment. A modern middle-class residential kitchen is typically equipped with a stove, a sink with hot and cold running water, a refrigerator, and worktops and kitchen cabinets arranged according to a modular design. Many households have a microwave oven, a dishwasher, and other electric appliances. The main functions of a kitchen are to store, prepare and cook food (and to complete related tasks such as dishwashing). The room or area may also be used for dining (or small meals such as breakfast), entertaining and laundry. The design and construction of kitchens is a huge market all over the world. Commercial kitchens are found in restaurants, cafeterias, hotels, hospitals, educational and workplace facilities, army barracks, and similar establishments. These kitchens are generally larger and equipped with bigger and more heavy-duty equipment than a residential kit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LCCN
The Library of Congress Control Number (LCCN) is a serially based system of numbering cataloged records in the Library of Congress, in the United States. It is not related to the contents of any book, and should not be confused with Library of Congress Classification (LCC). History The LCCN numbering system has been in use since 1898, at which time the acronym LCCN originally stood for Library of Congress Card Number. It has also been called the Library of Congress Catalog Card Number, among other names. The Library of Congress prepared cards of bibliographic information for their library catalog and would sell duplicate sets of the cards to other libraries for use in their catalogs. This is known as centralized cataloging. Each set of cards was given a serial number to help identify it. Although most of the bibliographic information is now electronically created, stored, and shared with other libraries, there is still a need to identify each unique record, and the LCCN conti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Ponce
Antonio Ponce (c. 1608, Valladolid – November/December 1677, Madrid) was a Spanish baroque art, Baroque painter who specialized in still-lifes and Garland, garlands. Biography He was the son of a servant in the household of Juan de Zúñiga, 1st Duke of Peñaranda."Pintores Vallisoletanos Olvidados: El bodegonista Antonio Ponce (1608-1677)" @ ''Arte en Valladolid'' When he was only one month old (presumably following the Duke's death), his family moved to Madrid. In 1624, when his father died, he became an apprentice in the workshop of Juan van der Hamen, who may have been related. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prado Museum
The Museo del Prado ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy. The collection currently comprises around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures, in addition to many ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco De Zurbarán
Francisco de Zurbarán ( , ; baptized 7 November 1598 – 27 August 1664) was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled. He was the father of the painter Juan de Zurbarán. Biography Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on 7 November of that year. His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez. In childhood he set about imitating objects with charcoal. In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known. Zurbarán's first marriage, in 1617, was to María Paet who was nine years older. María died in 1624 after the birth of their third child. In 1625 he married again to wealthy widow Beatriz de Morales. On 17 January 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnus Dei (Zurbarán)
''Agnus Dei'' (Latin for ''Lamb of God'') is an oil painting completed between 1635 and 1640 by the Spanish Baroque artist Francisco de Zurbarán. It is housed in the Prado Museum in Madrid, Spain. The Lamb of God is an allusion to Christ's title as recorded in John's Gospel (John 1:29), where John the Baptist describes Jesus as "The Lamb of God who takes away the sin of the World". Frame versions Agnus Dei GMG Foundation Switzerland Dated and signed in 1631. It is the first of Zurbarán's dated works on this subject. With dimensions of 84 × 116 cm (centimeters). This oil is perhaps one of the least studied. Nothing seems to be known of its origin. In the registered catalog it is identified with the number 39. Agnus Dei Plandiura Dated and signed in 1632, the Agnus Dei Plandiura, also known as the Ram with its legs tied, is an oil painting of 60 × 83 cm (centimeters), and one of the best versions, is currently in Barcelona in the Salvadó Plandiura collection. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamb Of God
Lamb of God (; , ) is a Names and titles of Jesus in the New Testament, title for Jesus that appears in the Gospel of John. It appears at wikisource:Bible (American Standard)/John#1:29, John 1:29, where John the Baptist sees Jesus and exclaims, "Behold the Lamb of God who Salvation in Christianity, takes away the Sin#Christianity, sin of the world." It appears again in wikisource:Bible (American Standard)/John#1:36, John 1:36. Christian doctrine holds that a God the Son, divine Jesus chose to suffer crucifixion of Jesus, crucifixion at Calvary to save the world from its sins. He was given up by God the Father, divine Father, as an "agent and servant of God in Christianity, God" in carrying away the sins of the world. In Christian theology the ''Lamb of God'' is viewed as both foundational and integral to the message of Christianity. A lion-like lamb that rises to deliver victory after being slain appears several times in the Book of Revelation. It is also referred to in Pauline w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Painting
Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much rarer in Protestant art than that of Roman Catholicism and Eastern Orthodoxy. Christianity makes far wider use of images than related religions, in which figurative representations are forbidden, such as Islam and Judaism. However, there are some that have promoted aniconism in Christianity, and there have been periods of iconoclasm within Christianity. History Beginnings Early Christian art survives from dates near the origins of Christianity, although many early Christians associated figurative art with pagan religion, and were suspicious or host ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-third ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Van Der Hamen
Juan van der Hamen y (Gómez de) León (baptized 8 April 1596 – 28 March 1631) was a Spanish painter, a master of still life paintings, also called bodegón, bodegones. Prolific and versatile, he painted allegories, landscapes, and large-scale works for churches and convents. Today he is remembered mostly for his still lifes, a genre he popularized in 1620s Madrid. Life Juan van der Hamen was baptism, baptized on 8 April 1596 in Madrid and was probably born there just days before that date. His father was Jan van der Hamen, a Flemish people, Flemish courtier, who had moved from Brussels to Madrid as an archero in the King's noble guard before 1586. According to 18th-century sources, he was also a painter, but there is no evidence for this. Juan van der Hamen's mother was Dorotea Witman Gómez de León, a half-Flemish woman of noble Toledo, Spain, Toledan ancestry. Van der Hamen and his two brothers Pedro and Lorenzo, both of whom were writers, emphasized their Spanish root ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alejandro De Loarte
Alejandro de Loarte (c.1590/1600 – 12 December 1626) was a Spanish painter active during the late Renaissance and early Baroque periods. He specialized in still-lifes. Life and work There is very little biographical information available and most of the dates in his life are approximations. We do know that his father, a painter named Jerónimo de Loarte, was probably his first teacher and survived him. At his death, he was in charge of a prestigious studio in Madrid and, just before his death in Toledo, Spain, Toledo, named the artist Pedro Orrente as his executor. His religious paintings varied in quality; some were even copies. His style is closely related to that of Luis Tristán, and the influence of Orrente is obvious. A large canvas of "Saint Bernard with his Monks", in the convent of the Basilica of San Francisco el Grande, Madrid, Basilica of San Francisco el Grande, once believed to be the work of Francisco Pacheco, has been reattributed to him. Still-lifes form th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish National Gallery
The National (formerly the Scottish National Gallery) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The National is run by National Galleries Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the National is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the National. History The origins of Scotland's national collection lie with the Royal Institution for the Encouragement of the Fine Arts in Scotland, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
