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Blue Train (album)
''Blue Train'' is a studio album by the jazz saxophonist and composer John Coltrane. It was released through Blue Note Records in January 1958, and is Coltrane's only session as leader for the label. It was recorded at the studio of the recording engineer Rudy Van Gelder on September 15, 1957. Coltrane wrote four of the record's five tracks. His playing exhibits early elements of the signature style for which he later became known. The album attained a gold sales certification by the Recording Industry Association of America in 2001. Background The album was recorded in the midst of Coltrane's residency at the Five Spot as a member of the Thelonious Monk quartet. The personnel include Coltrane's Miles Davis bandmates, Paul Chambers on bass and Philly Joe Jones on drums, both of whom had worked before with pianist Kenny Drew. Both trumpeter Lee Morgan and trombonist Curtis Fuller were up-and-coming jazz musicians, and both were members of Art Blakey's Jazz Messengers in due c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, after graduating from high school Coltrane moved to Philadelphia, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a Pulitzer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Train (composition)
"Blue Train" is a 1958 jazz standard composed by John Coltrane. It is the lead track on the album of the same name. Rather than having either a major or minor quality, it contains both by using an E79 chord, utilizing both the major and minor 3rd. Personnel *John Coltrane- Tenor saxophone *Lee Morgan- Trumpet *Curtis Fuller- Trombone *Kenny Drew- Piano *Paul Chambers- Standup Bass *Philly Joe Jones- Drums The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one Acoustic membrane, membrane, c ... References 1950s jazz standards 1958 songs Compositions by John Coltrane Jazz compositions in E-flat minor Real Book Song {{1950s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Old Fashioned
"I'm Old Fashioned" is a 1942 song composed by Jerome Kern, with lyrics written by Johnny Mercer. It was written for the film ''You Were Never Lovelier'' (1942), where it was introduced by Nan Wynn who dubbed for Rita Hayworth as part of a song and dance routine with Fred Astaire. The musical director of the film was Leigh Harline and that and the other romantic dance sequences were orchestrated by Conrad Salinger while he was freelancing. Background According to John Mueller: "Constructed sparsely in a kind of theme and variations form (ABA'A") it is particularly notable for the appealing way the strains link up – especially for the poised and dramatic transitions between the A' and A" strains". Mercer recalled working with the older Kern, and how Kern reacted to the lyrics for "I'm Old Fashioned":We hit it off right away. I was in such awe of him, I think he must have sensed that. He was very kind to me, treated me more like a son than a collaborator. And when he thought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Standard
Traditional pop (also known as vocal pop or pre-rock and roll pop) is Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term "standard" can be applied to any popular song that has become very widely known within mainstream culture and recorded by many artists. AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music". Origins Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed The Jazz Messengers, a group which he led for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the Jazz Messengers "the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Fuller
Curtis DuBois Fuller (December 15, 1932May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings. Early life Fuller was born in Detroit on December 15, 1932. Throughout his life, his birthdate was reported differently because he had added two years to his age at 17, in part to gain work. His father had emigrated from Jamaica and worked in a Ford factory, but died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when Curtis was nine. He spent several years in an orphanage run by Jesuits. Fuller developed a passion for jazz after one of the nuns took him to see Illinois Jacquet and his band, with J. J. Johnson on trombone. Fuller attended a public school in his hometown, along with Paul Chambers, Donald Byrd, Tommy Flanagan, Thad Jones, and Milt Jackson. After attempting the violin, and with the saxophone (his next choice) being unavailable, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s and a cornerstone of the Blue Note Records, Blue Note label, Morgan came to prominence in his late teens, recording with bandleaders like John Coltrane, Curtis Fuller, Dizzy Gillespie, Hank Mobley and Wayne Shorter, and playing in Art Blakey's The Jazz Messengers, Jazz Messengers. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. Morgan's solo recordings often alternated between conventional hard bop sessions and more adventurous post-bop and Avant-garde jazz, avant-garde experiments, many of which did not see release during his lifetime. His composition "The Sidewinder (song), The Sidewinder", on the The Sidewinder, album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964. After a second stint in Blakey's band, Morgan continued to work prolifically as both a leade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Drew
Kenneth Sidney "Kenny" Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist. Biography Drew was born on August 28, 1928, in New York City, United States, and he received piano lessons from the age of five. Feather, Leonard, & Ira Gitler (2007). ''The Biographical Encyclopedia of Jazz'', Oxford University Press. He attended the High School of Music & Art in Manhattan. His first recording, in 1950, was with trumpeter Howard McGhee, and over the next two years Drew worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others. After a brief period with his own trio in California, Drew returned to New York, playing with Dinah Washington, Johnny Griffin, Buddy Rich, and several others over the following few years. He led many recording sessions throughout the 1950s, and appears on John Coltrane's 1958 album '' Blue Train''. Drew was one of the American jazz musicians who settled in Europe around this period: he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philly Joe Jones
Joseph Rudolph "Philly Joe" Jones (July 15, 1923 – August 30, 1985) was an American Jazz drumming, jazz drummer. Biography Early career As a child, Jones appeared as a featured tap dancer on ''The Kiddie Show'' on the Philadelphia radio station WIP-FM, WIP. He was in the US Army during World War II. In 1947 he became the house drummer at Café Society in New York City, where he played with the leading bebop players of the day, including Tadd Dameron. From 1955 to 1958, Jones toured and recorded with the Miles Davis Quintet – a band that became known as "the Quintet" (along with Red Garland on piano, John Coltrane on sax, and Paul Chambers on bass). Davis acknowledged that Jones was his favorite drummer, and stated in his autobiography that he would always listen for Jones in other drummers. From 1958, Jones worked as a leader, but continued to work as a sideman with other musicians, including Bill Evans and Hank Mobley. Evans, like Davis, also openly stated that Jones was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Chambers
Paul Laurence Dunbar Chambers Jr. (April 22, 1935 – January 4, 1969) was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and more than 100 as a sideman, especially as the anchor of trumpeter Miles Davis's " first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68). Biography Born in Pittsburgh, Pennsylvania, on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos, he was brought up in Detroit, Michigan, following the death of his mother. He began playing music with several of his schoolmates on the baritone horn. Later he took up the tuba. "I got along pretty well, but it's quite a job to carry it around in those long parades, and I didn't like the instrument that much". Bass playing Chambers switched to the double bass arou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
