Blue Ballads
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Blue Ballads
''Blue Ballads'' is an album by saxophonist Archie Shepp and his quartet which was recorded in New York City in 1995 and released on the Venus Records, Venus label.Discogs:Blue Ballads: Archie Shepp Quartet
accessed October 14, 2018


Reception

The AllMusic review by arwulf arwulf called it and its counterparts ''Black Ballads'', and ''True Ballads'' "intimate studies in shared introspection...[that] document Shepp's astute exploration of the ballad form during the 1990s...Once again and in all the best ways, Shepp shines in parallel with his contemporary Pharoah Sanders. Both are skilled balladeers as well as free spirits who simply cannot be bottled or pigeonholed".


Track listing

# "Little Girl Blue (song), Little Girl Blue" ...
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Archie Shepp
Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before narrowing his focus to tenor saxophone. He occasionally plays soprano saxophone as well. He studied drama at Goddard College from 1955 to 1959. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, ''Archie Shepp - Bill Dixon Quartet'', was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane's admiration for Shepp led to recordings for Impulse! Records, the first of which was '' Four for Trane'' ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobile ...
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Idris Muhammad
Idris Muhammad ( ar, إدريس محمد; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu. Biography Born Leo Morris in New Orleans, Idris Muhammad grew up in the city's 13th Ward in a home next door to a dry cleaner’s shop. He later would claim the sound of the shop’s steam presser influenced his hi-hat technique. Growing up, he spent time with fellow New Orleanians The Neville Brothers. Also interested in other instruments, he showed early talent as a percussionist, playing in a Mardi Gras parade at age 9. Muhammad asked Paul Barbarin to teach him to read music but Barbarin, who thought he was already so talented, declined. At the age of 14, Muhammad began his professional career by performing with The Hawketts on their iconic rec ...
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John Hicks (jazz Pianist)
John Josephus Hicks Jr. (December 21, 1941 – May 10, 2006) was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300."Artist of the Month: John Hicks"
. wicn.org. Retrieved November 20, 2016.
After early experiences backing blues musicians, Hicks moved to New York in 1963. He was part of 's band for two years, accompanied vocalist from 1965 to 1967, before joining

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George Mraz
George Mraz (born Jiří Mráz; 9 September 1944 – 16 September 2021) was a Czech-born American jazz bassist and alto saxophonist. He was a member of Oscar Peterson's group, and worked with Pepper Adams, Stan Getz, Michel Petrucciani, Stephane Grappelli, Tommy Flanagan, Jimmy Raney, Chet Baker, Joe Henderson, John Abercrombie, John Scofield, and Richie Beirach, among others. During the 1970s, he was a member of the New York Jazz Quartet and The Thad Jones/Mel Lewis Orchestra, and in the 1980s a member of Quest. He also appeared with Joe Lovano, Hank Jones and Paul Motian on Lovano's records '' I'm All For You'' and '' Joyous Encounter''. Discography As leader/co-leader * 1977: ''Alone Together'' with Masaru Imada ( Three Blind Mice) * 1992: ''Catching Up'' * 1995: ''Jazz'' with Richie Beirach, Billy Hart, Larry Willis, Rich Perry * 1995: ''My Foolish Heart'' with Richie Beirach, Billy Hart * 1997: ''Bottom Lines'' with Cyrus Chestnut, Al Foster, Rich Perry * ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 188 ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ...
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Howard Dietz
Howard Dietz (September 8, 1896 – July 30, 1983) was an American publicist, lyricist, and librettist, best remembered for his songwriting collaboration with Arthur Schwartz. Biography Dietz was born in New York City. He attended Columbia College and then studied journalism at Columbia University. He also served as publicist/director of advertising for Goldwyn Pictures and later MGM and is often credited with creating Leo the Lion, its lion mascot, and choosing their slogan ''Ars Gratia Artis''. In 1942, he was made MGM's Vice President in Charge of Publicity. He held that position until his retirement in 1957. He began a long association with composer Arthur Schwartz, when they teamed up for the Broadway revue '' The Little Show'' in 1929. They would continue to work on and off over the next 30 or so years. Dietz served in the US Navy in World War I and became editor of their magazine, ''Navy Life''. During World War II, he assisted the U.S. Treasury Department with th ...
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Arthur Schwartz
Arthur Schwartz (November 25, 1900 – September 3, 1984) was an American composer and film producer, widely noted for his songwriting collaborations with Howard Dietz. Biography Early life Schwartz was born in Brooklyn, New York City, on November 25, 1900. He taught himself to play the harmonica and piano as a child, and began playing for silent films at age 14. He earned a B.A. in English at New York University and an M.A. in Architecture at Columbia. Forced by his father, an attorney, to study law, Schwartz graduated from NYU Law School with a Doctorate in Jurisprudence and was admitted to the bar in 1924. Career While studying law, he supported himself by teaching English in the New York school system. He also worked on songwriting concurrently with his studies and published his first song ("Baltimore, Md., You're the Only Doctor for Me", with lyrics by Eli Dawson) by 1923. Acquaintances such as Lorenz Hart and George Gershwin encouraged him to stick with composing. He ...
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Alone Together (1932 Song)
"Alone Together" is a song composed by Arthur Schwartz with lyrics by Howard Dietz. It was introduced in the Broadway musical '' Flying Colors'' in 1932 by Jean Sargent. The song soon became a hit, with Leo Reisman and His Orchestra's 1932 recording (vocal by Frank Luther) being the first to reach the charts. It has become a jazz standard. The first jazz musician to record the song was Artie Shaw in 1939. Other versions * Pepper Adams - ''Conjuration: Fat Tuesday's Session'' (1957) * Chet Baker - Chet (Chet Baker album), Chet (1959) * Tony Bennett - recorded on February 28, 1960 for his album ''Alone Together (Tony Bennett album), Alone Together'' (1960). * Pat Boone - for his album ''The Touch of Your Lips (Pat Boone album), The Touch of Your Lips'' (1964). * Ray Charles and Betty Carter – ''Ray Charles and Betty Carter'' (1961) * Vic Damone - for his album ''This Game of Love'' (1959). * Miles Davis – ''Blue Moods'' (1955) * Paul Desmond with Jim Hall – ''Take Ten'' (196 ...
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Ralph Rainger
Ralph Rainger ( Reichenthal; October 7, 1901 – October 23, 1942) was an American composer of popular music principally for films. Biography Born Ralph Reichenthal in New York City, United States, Rainger initially embarked on a legal career, having obtained his law degree at Brown University in 1926. He had, however, studied piano from a young age and attended the Institute of Musical Art in New York. Public performances include radio broadcasts from New York and WOR (New Jersey) as early as 1922. These were as soloist, accompanist to singers, and as duo-pianist with Adam Carroll or "Edgar Fairchild" (the name Milton Suskind used for commercial work).“Round the Radio Circuit.” New York Telegram and Evening Mail, 2 July 1924. He also prepared piano rolls between 1922 and 1928 for Ampico, Standard, and DeLuxe. Some of these used the "Reichenthal" surname, others the "Rainger" name he was gradually adopting commercially. Other early musical activities include arranging for ...
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Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film '' The Big Broadcast of 1938'', and with Jule Styne on " Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yours ...
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