Bitu (god)
Bitu or Bidu (formerly read Neti or Nedu) was a minor Mesopotamian god who served as the doorkeeper of the underworld. His name is Akkadian in origin, but he is present in Sumerian sources as well. Name The spellings Bitu and Bidu are both used in modern scholarship. The name of the gatekeeper of the underworld was written in Sumerian as dNE.TI. In older sources, it was read as Neti. The reading Bidu has been established by Antoine Cavigneaux and Farouk al-Rawi in 1982 based on the parallel with the syllabic spelling Bitu (''bi-tu''). Multiple other syllabic spellings are attested, including ''bí-ti'', ''bí-du8'', ''bí-duḫ'' and ''bi-ṭu-ḫi''. Michael P. Streck suggests that the forms with ''du8'' should be understood as a learned spelling based on the meaning of this cuneiform sign, "to loosen," and on the Sumerian word for a gatekeeper, ''ì-du8''. The name is however derived from the imperative form of Akkadian ''petû'', "open." Based on this etymology Dina Katz a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ancient Mesopotamian Underworld
The ancient Mesopotamian underworld (known in Sumerian as ''Kur'', ''Irkalla'', ''Kukku'', ''Arali'', or ''Kigal'', and in Akkadian as ''Erṣetu''), was the lowermost part of the ancient near eastern cosmos, roughly parallel to the region known as Tartarus from early Greek cosmology. It was described as a dark, dreary cavern located deep below the ground, where inhabitants were believed to continue "a transpositional version of life on earth". The only food or drink was dry dust, but family members of the deceased would pour sacred mineral libations from the earth for them to drink. In the Sumerian underworld, it was initially believed that there was no final judgement of the deceased and the dead were neither punished nor rewarded for their deeds in life. The ruler of the underworld was the goddess Ereshkigal, who lived in the palace Ganzir, sometimes used as a name for the underworld itself. Her husband was either Gugalanna, the "canal-inspector of Anu", or, especially ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gilgamesh
Gilgamesh (, ; ; originally ) was a hero in ancient Mesopotamian mythology and the protagonist of the ''Epic of Gilgamesh'', an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken place sometime in the beginning of the Early Dynastic Period, 2900–2350 BC, though he became a major figure in Sumerian legend during the Third Dynasty of Ur (). Tales of Gilgamesh's legendary exploits are narrated in five surviving Sumerian poems. The earliest of these is likely "Gilgamesh, Enkidu, and the Netherworld", in which Gilgamesh comes to the aid of the goddess Inanna and drives away the creatures infesting her ''huluppu'' tree. She gives him two unknown objects, a ''mikku'' and a ''pikku'', which he loses. After Enkidu's death, his shade tells Gilgamesh about the bleak conditions in the Underworld. The poem '' Gilgamesh and Aga'' de ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Underworld Gods
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that the entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. People with high social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be take ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mesopotamian Gods
Deities in ancient Mesopotamia were almost exclusively Anthropomorphism, anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the "Paresthesia, physical creeping of the flesh". Both the Sumerian language, Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Electronic Text Corpus Of Sumerian Literature
The Electronic Text Corpus of Sumerian Literature (ETCSL) is an online digital library of texts and translations of Sumerian language, Sumerian literature that was created by a now-completed project based at the Oriental Institute, Oxford, Oriental Institute of the University of Oxford. This project's website contains "Sumerian text, English prose translation and bibliographical information" for "over 400 literary works composed in the Sumerian language in ancient Mesopotamia (modern Iraq) during the late third and early second millennia BCE." It is both browsable and searchable and includes transliterations, composite texts, a bibliography of Sumerian literature and a guide to spelling conventions for proper nouns and literary forms. The purpose of the project was to make Sumerian literature accessible to those wishing to read or study it, and make it known to a wider public. The project was founded by Jeremy Black (assyriologist), Jeremy Black in 1997 and is based at the Orient ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Underworld Vision Of An Assyrian Prince
''Underworld Vision of an Assyrian Prince'' is a Neo-Assyrian text dated to the 7th century BCE. Called the "first tour of hell", it describes a vivid journey to the Underworld taken by Kumma, the Assyrian prince and protagonist of the story. The Underworld Vision is recorded on a single tablet (VAT 10057) excavated from Assur. It is rooted in older Mesopotamian underworld myths such as ''The Epic of Gilgamesh'', although it is also similar to other texts such as ''Ludlul bēl nēmeqi'', and contains Egyptian influences. It has been noted that the story has no parallel in Assyrian texts, and is considered innovative with its use of the " Göttertypentext" format. It has also been suggested that the ''Underworld Vision'' influenced later Jewish literature. Identity of Kumma There has been attempts to connect Kumma to a real Assyrian king. Ashurbanipal was proposed by Wolfram von Soden, and the scribe mentioned at the end of the text was speculated to be Arad-Gula, a scholar acti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nergal
Nergal ( Sumerian: d''KIŠ.UNU'' or ; ; Aramaic: ܢܸܪܓܲܠ; ) was a Mesopotamian god worshiped through all periods of Mesopotamian history, from Early Dynastic to Neo-Babylonian times, with a few attestations indicating that his cult survived into the period of Achaemenid domination. He was primarily associated with war, death, and disease, and has been described as the "god of inflicted death". He reigned over Kur, the Mesopotamian underworld, depending on the myth either on behalf of his parents Enlil and Ninlil, or in later periods as a result of his marriage with the goddess Ereshkigal. Originally either Mammitum, a goddess possibly connected to frost, or Laṣ, sometimes assumed to be a minor medicine goddess, were regarded as his wife, though other traditions existed, too. His primary cult center was Kutha, located in the north of historical Babylonia. His main temple bore the ceremonial name E-Meslam and he was also known by the name Meslamtaea, "he who comes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ereshkigal
In Mesopotamian mythology, Ereshkigal (Sumerian language, Sumerian: 𒀭𒊩𒌆𒆠𒃲 [EREŠ.KI.GAL]), lit. "Queen of the Great Earth") was the goddess of Kur, the land of the dead or underworld in Sumerian religion, Sumerian mythology. In later myths, she was said to rule Irkalla alongside her husband Nergal. Sometimes her name is given as Irkalla, similar to the way the name Hades was used in Greek mythology for both the underworld and its ruler, and sometimes it is given as Ninkigal, lit. "Lady of the Great Earth”. Ereshkigal was only one of multiple deities regarded as rulers of the underworld in Mesopotamia. The main temple dedicated to her was located in Kutha, a city originally associated with Nergal, and her cult had a very limited scope. No personal names with "Ereshkigal" as a theophoric element are known. In the ancient Sumerian poem ''Inanna#Descent into the underworld, Inanna's Descent to the Underworld'', Ereshkigal is described as Inanna's older sister. How ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Inanna
Inanna is the List of Mesopotamian deities, ancient Mesopotamian goddess of war, love, and fertility. She is also associated with political power, divine law, sensuality, and procreation. Originally worshipped in Sumer, she was known by the Akkadian Empire, Akkadians, Babylonian religion, Babylonians, and Assyrians as Ishtar. Her primary title is Queen of Heaven (antiquity), "the Queen of Heaven". She was the patron goddess of the Eanna temple at the city of Uruk, her early main religious center. In archaic Uruk, she was worshipped in three forms: morning Inanna (Inana-UD/hud), evening Inanna (Inanna sig), and princely Inanna (Inanna NUN), the former two reflecting the phases of her associated planet Venus. Her most prominent symbols include the Lion of Babylon, lion and the Star of Ishtar, eight-pointed star. Her husband is the god Dumuzid (later known as Tammuz), and her (attendant) is the goddess Ninshubur, later conflated with the male deities Ilabrat and Papsukkal. Inanna ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ningishzida
Ningishzida ( Sumerian: DNIN.G̃IŠ.ZID.DA, possible meaning "Lord f theGood Tree") was a Mesopotamian deity of vegetation, the underworld and sometimes war. He was commonly associated with snakes. Like Dumuzi, he was believed to spend a part of the year in the land of the dead. He also shared many of his functions with his father Ninazu. In myths he usually appears in an underworld setting, though in the myth of Adapa he is instead described as one of the doorkeepers of the sky god Anu. Name Thorkild Jacobsen proposed that the Sumerian name ''Ningishzida'' can be explained as "lord of the good tree." This translation is still accepted by other Assyriologists today. Various syllabic spellings are known, including '' dNi-gi-si-da'', ''dNin-nigi-si-da'', ''dNin-ki-zi-da'' and ''dNin-gi-iz-zi-da''. While " nin" can be translated as "lady" in some contexts, it was grammatically neutral in Sumerian and can be found in the names of many deities, both male (Ningishzida, Ninaz ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Namtar
Namtar () was a figure in ancient Mesopotamian religion who, depending on the context, could be regarded both as a minor god and as a demon of disease. He is best attested as the sukkal (attendant deity) of Ereshkigal, the goddess of the underworld. Like her, he was not the object of active worship, though references to it are made in literary texts, and additionally some incantations entrust him with keeping various other malevolent forces in the underworld. Character and functions Namtar's name means "fate" in Sumerian. It can be differentiated from the ordinary word "fate" in Sumerian texts due to being preceded by the dingir sign, so-called divine determinative, used to identify the names of deities. The same name was used in Akkadian, written as ''dnam-ta-ru''. Jacob Klein notes that true to his name, Namtar was most likely understood as the personification of unavoidable fate, implicitly understood as death. Aicha Rahmouni compares the role of Namtar in Mesopotamian beliefs ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mesopotamian God
Deities in ancient Mesopotamia were almost exclusively Anthropomorphism, anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the "Paresthesia, physical creeping of the flesh". Both the Sumerian language, Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |