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Birth Of Mani
''The Birth of Mani'' is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". This picture is now in the collection of Japan Kyushu National Museum. The drawing technique and artistic style are similar to "'' Mani's Community Established''" and " Mani's Parents", "The Birth of Mani" and " Manichean Universe Map". " It was originally part of a large-scale Manichean silk painting, but now the silk painting has been lost, leaving only the birth picture. Description According to the research of the Hungarian Asian religious art historian Zsuzsanna Gulácsi , this painting mainly presents three themes: glory, incarnation , and birth celebration. The top of the center of the picture depicts ten Ji Letian in brightly colored costumes, driving two colorful auspicious clouds from the sky. Their position i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dazaifu, Fukuoka
is a city located in Fukuoka Prefecture, Japan, part of the greater Fukuoka metropolitan area.Nussbaum, Louis-Frédéric. (2005). "Dazaifu" in . Nearby cities include Ōnojō and Chikushino. Although mostly mountainous, it does have arable land used for paddy fields and market gardening. As of October 2018, the city has an estimated population of 72,231 with 29,355 households and a population density of 2,440 persons per km². The total area is 29.58 km². The city was officially founded on April 1, 1982, although it has been important historically for more than a thousand years. It was an administrative capital of Fukuoka at around 663 CE. History Dazaifu was the imperial office governing Kyūshū (corresponding to Tagajō in Tōhoku) after it was moved from present-day Fukuoka City in 663. According to the Taiho Code of 701, an attempt by the Yamato state to exert further control over its territories, Dazaifu was given two principal administrative functions: to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotus Position
Lotus position or Padmasana ( sa, पद्मासन, translit=padmāsana) is a cross-legged sitting meditation pose from ancient India, in which each foot is placed on the opposite thigh. It is an ancient asana in yoga, predating hatha yoga, and is widely used for meditation in Hindu, Tantra, Jain, and Buddhist traditions. Variations include easy pose (Sukhasana), half lotus, bound lotus, and psychic union pose. Advanced variations of several other asanas including yoga headstand have the legs in lotus or half lotus. The pose can be uncomfortable for people not used to sitting on the floor, and attempts to force the legs into position can injure the knees. Shiva, the meditating ascetic God of Hinduism, Gautama Buddha, the founder of Buddhism, and the Tirthankaras in Jainism have been depicted in the lotus position, especially in statues. The pose is emblematic both of Buddhist meditation and of yoga, and as such has found a place in Western culture as a symbol of heal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Episodes From Mani's Missionary Work
''Episodes from Mani's Missionary Work'' is a Manichean silk color painting drawn in the coastal area of southern China during the yuan to ming period. It is now in a private Japanese collection. The whole picture can be roughly divided into five scenes, depicting the missionary process of a Manichean elector. According to Hungary Asian religious art historian Zsuzsanna Gulácsi, this priest is probably the founder of Manichaeism Mani himself. This painting was originally part of a large-scale Manichean silk painting. The drawing technique and artistic style are similar to "'' Mani's Community Established''" and " Mani's Parents", " The Birth of Mani" and " Manichean Universe Map". In Japanese it is called with Mani's Community Established being called Description Like the other two Manichaean works "''Sermon on Mani's Teaching of Salvation''" and "'' Mani's Community Established''" this picture also depicts several scenes, but it is different from the former and the lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sermon On Mani's Teaching Of Salvation
''Sermon on Mani's Teaching of Salvation'' ( zh, t=冥王聖幀, l=Sacred Scroll of the King of the Underworld) is a Yuan dynasty silk hanging scroll, measuring 142 × 59 centimetres and dating from the 13th century, with didactic themes: a multi-scenic narrative that depicts Mani's Teachings about the Salvation combines a sermon subscene with the depictions of soteriological teaching in the rest of the painting. The painting was regarded as a depiction of the six realms of saṃsāra by Japanese Buddhists, therefore it was called "Painting of the Six Paths of Rebirth" ( ja, 六道図). After being studied by scholars like , , Zsuzsanna Gulácsi and Jorinde Ebert, they concluded that the painting is a Manichaean work of art. It was probably produced by a 13th-century painter from Ningbo, a city in southern China, and is kept today in the Museum of Japanese Art Yamato Bunkakan in Nara, Nara. Description The painting is divided into five scenes, with titles given by Zsuzsann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvation Theory
Soteriology (; el, σωτηρία ' "salvation" from σωτήρ ' "savior, preserver" and λόγος ' "study" or "word") is the study of religious doctrines of salvation. Salvation theory occupies a place of special significance in many religions. In the academic field of religious studies, soteriology is understood by scholars as representing a key theme in a number of different religions and is often studied in a comparative context; that is, comparing various ideas about what salvation is and how it is obtained. Buddhism Buddhism is devoted primarily to liberation from '' Duḥkha'' or suffering by breaking free of '' samsara'', the cycle of compulsory rebirth, by attaining nirvana. Many types of Buddhism, Theravada, Mahayana and Vajrayana (or Tantric), emphasize an individual's meditation and subsequent liberation from ''samsara'', which is to become enlightened. However, the Pure Land traditions of Mahayana Buddhism generally focus on the saving nature of the Celestial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manichaean Painting Of The Buddha Jesus
The ''Manichaean Painting of the Buddha Jesus'' ( zh, t=夷數佛幀, w=I2-shu4 fo2-chên1, p=Yí shù fó zhēn; ), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan. It measures 153.5 cm in height, 58.7 cm in width, dates from the 12th to 13th centuries, and depicts a solitary nimbate figure on a dark-brown medieval Chinese silk. According to the Hungarian historian Zsuzsanna Gulácsi, this painting is one of the six documented Chinese Manichaean hanging scrolls from Zhejiang province from the early 12th century, which titled (lit. "Silk Painting of the Buddha rophetJesus").) is the Chinese translation of the name ''Jesus'' by the Manichaeans. Description The painting depicts a monumental, solitary figure, with glittering lines of gold and various colours. The upper half is occupied by a cloaked deity seated in lotus position and hands held close to one another in front of the chest. He is holdin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon Of Mani
''Icon of Mani'' ( ja, マニ像; Icon of Mani) is a silk painting hanging scroll from the Yuan or Ming period, from the coastal area of southern China, depicting Mani. The portrait of the founder Mani has been completely Sinicized. Discovery process The black and white photo of this painting was originally published in the 1937 Japanese Oriental Art Periodical "Guo Hua", but did not give the location of the collection and other relevant information. According to the research of Hungarian Asian religious art historian Zsuzsanna Gulácsi, the painting has similar features to the Mani statue depicted in the "Sermon on Mani's Teaching of Salvation". It should be an icon used by Manichae in southern China for religious worship. Originally it was not possible to verify the source, so it is generally believed that it was lost during World War II. However, the documentary linguistics professor Yoshida of Kyoto University discovered the original work of "Icon of Mani" at the Fujita Muse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collection Of Chinese Manichaean Hanging Scrolls
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard-bearer
A standard-bearer, also known as a flag-bearer is a person (soldier or civilian) who bears an emblem known as a standard or military colours, i.e. either a type of flag or an inflexible but mobile image, which is used (and often honoured) as a formal, visual symbol of a state, prince, military unit, etc. This can either be an occasional duty, often seen as an honour (especially on parade), or a permanent charge (also on the battlefield); the second type has even led in certain cases to this task being reflected in official rank titles such as Ensign, Cornet and Fähnrich. Role of the standard-bearer In the context of the Olympic Games, a flagbearer is the athlete who carries the flag of their country during the opening and closing ceremonies. While at present a purely ceremonial function, as far back as Roman warfare and medieval warfare the standard-bearer had an important role on the battlefield. The standard-bearer acted as an indicator of where the position of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Treasures (Taoism)
The Three Treasures or Three Jewels () are basic virtues in Taoism. Although the ''Tao Te Ching'' originally used ''sanbao'' to mean "compassion", "frugality", and "humility", the term was later used to translate the Three Jewels (Buddha, Dharma, and Sangha) in Chinese Buddhism, and to mean the Three Treasures ( jing, qi, and shen) in Traditional Chinese Medicine. Tao Te Ching ''Sanbao'' "three treasures" first occurs in ''Tao Te Ching'' chapter 67, which Lin Yutang says contains Laozi's "most beautiful teachings": Every one under heaven says that our Way is greatly like folly. But it is just because it is great, that it seems like folly. As for things that do not seem like folly — well, there can be no question about ''their'' smallness! Here are my three treasures. Guard and keep them! The first is pity; the second, frugality; the third, refusal to be 'foremost of all things under heaven'. For only he that pities is truly able to be brave; Only he that is frugal is ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aureola
An aureola or aureole (diminutive of Latin ''aurea'', "golden") is the radiance of luminous cloud which, in paintings of sacred personages, surrounds the whole figure. In Romance languages, the noun Aureola is usually more related to the disc of light surrounding the head of sacred figures and that in English is called Halo or Nimbus. In art In the earliest periods of Christian art it was confined to the figures of the persons of the Christian Godhead, but it was afterwards extended to the Virgin Mary and to several of the saints. The aureola, when enveloping the whole body, generally appears oval or elliptical in form, but occasionally depicted as circular, vesica piscis, or quatrefoil. When it appears merely as a luminous disk round the head, it is called specifically a ''halo'' or ''nimbus'', while the combination of nimbus and aureole is called a '' glory''. The strict distinction between nimbus and aureole is not commonly maintained, and the latter term is most freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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