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Biraha Bahar
Biraha Bahar ( IAST: Birahā Bahār) is the first play written by Bhikhari Thakur. It is a musical play written in Biraha genre as a mystic Dialogue between a Washerwoman (Dhobin) and Washerman ( Dhobi). This play gives the message that cleaning is not only limited to washermen instead it is there in every profession. Just like a washerman cleans clothes, a Koiri The Koeri (spelt as Koiry or Koiri) and also referred to as Kushwaha and Maurya in several parts of North India are an Indian non-elite caste, found largely in Bihar and Uttar Pradesh, whose traditional occupation was agriculture. According ... washes vegetables, farmer's job cleans his field, in the same way a human's job is to clean his soul because god resides in cleanliness. References {{Reflist Indian poets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhikhari Thakur
Bhikari Thakur (18 December 1887 – 10 July 1971) was an Indian Bhojpuri language poet, playwright, lyricist, actor, folk dancer, folk singer and social activist. He is widely regarded as one of the greatest writer in Bhojpuri language and most popular folk writer of Purvanchal and Bihar. He is often called the "Shakespeare of Bhojpuri" and "Rai Bahadur". His works consist of more than a dozen plays, Monologues, Poems, Bhajans which appeared in print as nearly three dozen books. His noteworthy works are Bidesiya, Gabarghichor, Beti Bechwa and Bhai Birodh, Gabarghichor is often compared with Bertolt Brecht's play '' The Caucasian Chalk Circle''. He is also known as the father of the naach folk theatre tradition. He is also credited as the first person to cast male actors in female roles. Thakur was born and raised in Kutubpur village of Saran, in his adolescence he married Matuna from whom he had only one son: Shilanath Thakur. In the early 1900s, he started his career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Theatre art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biraha
Biraha (sometimes known as Birha) is an ethnic Bhojpuri folk genre of Ahir communities in Uttar Pradesh, Bihar, and Jharkhand in India. Its place in folk songs is as important as that of ''Dwipadi'' in Sanskrit, ''Gatha'' in Prakrit and ''Barwai'' in Hindi. It is composed of two episodes. When one side says their point, the other side answers in the same verse. There is no limit to the number of quantities. The volume varies with the tune of the song. It indicates the intense longing of the spouse and the pain of love or feeling of separation from him. ''Separation is a king, a body that does not know separation, it is a living corpse.'' Outside India, this genre can be found in the former colonies of where Indian indentured laborers from Uttar Pradesh, Bihar, and Jharkhand emigrated to, such as Fiji, Guyana, Mauritius, South Africa, Suriname, and Trinidad and Tobago. History Khari Birha The modern Biraha has evolved nearly 150 years ago, from its older form which is called '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washerwoman
A washerwoman or laundress is a woman who takes in laundry. Both terms are now old-fashioned; equivalent work nowadays is done by a laundry worker in large commercial premises, or a laundrette (laundromat) attendant. Description As evidenced by the character of Nausicaa in the Odyssey, in the social conventions depicted by Homer and evidently taken for granted in Greek society of the time, there was nothing unusual or demeaning in a princess and her handmaidens personally washing laundry. However, in later times this was mostly considered as the work of women of low social status. The Magdalene asylums chose laundering as a suitable occupation for the "fallen women" they accommodated. In between these two extremes, the various sub-divisions of laundry workers in 19th-century France (''blanchisseuse'', ''lavandière'', ''laveuse'', ''buandière'', ''repasseuse'', etc.) were respected for their trade. A festival in their honour was held at the end of winter (''Mi-Careme'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhobi
Dhobi known in some places as Dhoba or Rajaka, Madivala is a group of community in India and the greater Indian subcontinent whose traditional occupations are washing and ironing, Cultivator, agricultural workers. They are a large community, distributed across northern, central, western and eastern India; as well as in Bangladesh, Pakistan, Nepal, and Sri Lanka. A majority of the community associate themselves with Hinduism. Many religiously follow Sant Gadge ( Gadge Maharaj), whose ''jayanti'' (birth anniversary) they celebrate every 23 February. The word ''dhobi'' is derived from the Hindi word ''dhona'', which means 'to wash'. As such, Dhobi communities in many areas today come under the status of Schedule Caste in many status, while Other Backward Class in other states and region. In 2017, Supreme Court of India noted calling people ''dhobi'' was offensive. Origins In mythology There is a tradition that they are descendants of the mythological hero Virabhadra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koiri
The Koeri (spelt as Koiry or Koiri) and also referred to as Kushwaha and Maurya in several parts of North India are an Indian non-elite caste, found largely in Bihar and Uttar Pradesh, whose traditional occupation was agriculture. According to Arvind Narayan Das they were horticulturist rather than agriculturists. Additionally, many of the Koeris of Uttar Pradesh have taken to the occupation of weaving along with members of the Mallah caste and produce cloth for local use. Koeris have attempted Sanskritisation— as part of social resurgence. During the British rule in India, Koeris were described as "agriculturalists" along with Kurmis and other cultivating castes. The Colonial Era writers had also praised them for being quiet, industrious and skilled cultivators. Before the land reforms, Koeris had been mostly poor peasants but after the new policies of the Indian government including the land ceiling laws and communist pressure in the 1970s, upper caste landlords res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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