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Bilahari
Bilahari is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāgam (derived scale) from the 29th ''melakarta'' scale ''Sankarabharanam''. It is a ''janya'' scale, as it does not have all the seven ''swaras'' (musical notes) in the ascending scale. It is a combination of the pentatonic scale ''Mohanam'' and the ''sampurna raga'' scale ''Sankarabharanam''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Structure and Lakshana ''Bilahari'' is an asymmetric rāgam that does not contain ''madhyamam'' or ''nishādham'' in the ascending scale. It is an ''audava-sampurna'' rāgam (or ''owdava'' rāgam, meaning pentatonic ascending scale).''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its ' structure (ascending and descending scale) is as follows: * : they are used in every song * : The notes used in this scale are ''shadjam, chathusruthi rishabham, antara gandhara, panchama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mysore Vasudevacharya
Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telugu and Sanskrit. Some of his most popular kritis include Brochevarevarura in Khamas raga, ''Devadideva'' in Sunadavinodini, ''Mamavatu Sri Saraswati'' in Hindolam, ''Shankari Ninne'' in Pantuvarali, ''Bhajare Re Manasa'' in Abheri and ''Ra Ra Rajeevalochana Rama'' in Mohanam. He presided over Madras Music Academy's annual conference in 1935, when the Sangeetha Kalanidhi award did not exist. But everybody who presided over the annual conference in the 1930s was later conferred the award. He was a recipient of the civilian honour of the Padma Bhushan. He is credited with two writings in Kannada, one of them an autobiography called ''Nenapugalu'' (memories) and ''Na Kanda Kalavidaru'' (the musicians I have met) in which he wrote the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohanam Scale
Mohanam is a raga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale). It is usually described as a ''janya'' rāga of Harikamboji (28th Melakartha Raga). However, alternate opinions suggest that ''Mechakalyani'' or even ''Sankarabharanam (raga), Shankarabharanam'' may be a more appropriate classification based on the lakshana of the raga. The equivalent of ''Mohanam'' in Hindustani music is ''Raga Bhopali, Bhoop''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or ''Bhopali''''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is one of the most common pentatonic scales across the world and is very popular in East Asian and Southeast Asian music, including China and Japan. Structure and Lakshana ''Mohanam'' is a symmetric rāga that does not contain ''madhyamam'' and ''nishādham''. It is a symmetric pentatonic scale (''audava-au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swarajati
Swarajati is a form in Carnatic music, which is helpful before learning a ''varnam''. It has '' pallavi'', sometimes an '' anupallavi'', and at least one '' charanam''. The themes of ''swarajathis'' are usually either ''bhakti'', love or courage. It is a composition which usually has a pleasing melody and are suitable for singing in early lessons, musical concerts and dance concerts. The most popular and the oldest known Swarajathi is in Huseni raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ..., ''E Mayaladira'' in Telugu by Melattur Venkatarama Sastry. Swarajatis have been composed in numerous raagas - Bilahari, Hamsadhwani, Kalyani, Janjuti, Kamas, etc. References {{reflist Carnatic music terminology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 '' melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending '' arohana'' and descending '' avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the ascending and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patnam Subramania Iyer
Patnam Subramania Iyer (1845 – July 31, 1902) was a composer and singer of Carnatic music. Subramaniya Iyer followed the traditions of the great composer Tyagaraja. He has left behind almost one hundred compositions. Subramaniya Iyer was born in Thiruvaiyaru in Thanjavur district of present-day Tamil Nadu. His family had a long history of musical involvement – his father Bharatam Vaidyanatha Iyer was adept at both music and Sastra and his grandfather Panchanada Sastri was the court musician in the court of Serfoji Maharaja of Thanjavur. Subramaniya Iyer learned music from his uncle, Melattur Ganapati Sastri, and later under Manambuchavadi Venkatasubbayyar who was a disciple of Tyagaraja himself. Subramaniya Iyer spent a long time in Chennapatnam (Chennai). This gave Subramaniya Iyer the prefix to his name. Many of his students such as Mysore Vasudevachar, Poochi Srinivasa Iyengar, Bhairavi Kempegowda and Tiger Varadachariar became famous composers and vocalists. His ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dheerasankarabharanam
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th '' Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Māṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to '' Bilaval'' in the Hindustani music system. The Western equivalent is the major scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th Rāga in the 5th ''Chakra Bā� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohanam
Mohanam is a raga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale). It is usually described as a ''janya'' rāga of Harikamboji (28th Melakartha Raga). However, alternate opinions suggest that ''Mechakalyani'' or even ''Sankarabharanam (raga), Shankarabharanam'' may be a more appropriate classification based on the lakshana of the raga. The equivalent of ''Mohanam'' in Hindustani music is ''Raga Bhopali, Bhoop''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or ''Bhopali''''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is one of the most common pentatonic scales across the world and is very popular in East Asian and Southeast Asian music, including China and Japan. Structure and Lakshana ''Mohanam'' is a symmetric rāga that does not contain ''madhyamam'' and ''nishādham''. It is a symmetric pentatonic scale (''audava-au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi
Modern Standard Hindi (, ), commonly referred to as Hindi, is the Standard language, standardised variety of the Hindustani language written in the Devanagari script. It is an official language of India, official language of the Government of India, alongside English language, English, and is the ''lingua franca'' of North India. Hindi is considered a Sanskritisation (linguistics), Sanskritised Register (sociolinguistics), register of Hindustani. Hindustani itself developed from Old Hindi and was spoken in Delhi and neighbouring areas. It incorporated a significant number of Persian language, Persian loanwords. Hindi is an Languages with official status in India, official language in twelve states (Bihar, Gujarat , Mizoram , Maharashtra ,Chhattisgarh, Haryana, Himachal Pradesh, Jharkhand, Madhya Pradesh, Rajasthan, Uttar Pradesh, Uttarakhand), and six Union territory, union territories (Andaman and Nicobar Islands, Delhi, Chandigarh, Dadra and Nagar Haveli and Daman and Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narayana Teertha
Narayana Teertha (c. 1650 – 1745 CE) was a Hindu saint and composer, known to be a devotee of the deity Krishna. Biography Narayana Teertha was born in South India in the region covered by the present-day Andhra Pradesh. He lived in Kaza, Guntur district near Mangalagiri. He belonged to Tallavarjula family. His birth name was Govinda Sastrulu. They eventually moved to Thanjavur, Tamil Nadu. While there is significant dissention as to his exact time, historians place him between 1610 and 1745 AD. An extensive research done with the help of archives preserved in Saraswati Mahal Library has helped place the time closer to 1650 AD – 1745 AD, and he reportedly lived a long life. He mastered music at a very early age and studied ''Puranas'', ''Srimad Bhagavatam'' and other Sanskrit works. He renounced family at a very early age and took on a life of a religious devotion. He went to Varanasi to spread his philosophy. Teertha was very well versed in Music and, Natya Shastra, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambujam Krishna
Ambujam Krishna (1917–1989) was a composer of Carnatic Kritis. She has composed more than 600 kritis in various Carnatic ragas. Personal life Ambujam Krishna is the daughter of K. V. Ranga Iyengar, an advocate of Madurai. She had her music training under Karaikudi Ganesan and Ganesha Bhagavathar. She married T. S. Krishna who was an industrialist and son of T. V. Sundaram Iyengar. She graduated in Home Science from the Delhi University. Industrialist Suresh Krishna is her son. Musical journey Ambujam Krishna has written kritis in various languages such as Sanskrit, Kannada, Tamil and Telugu. She has also written songs with more than one language in the same song. It is called Manipravalam in Tamil. Her works have been published in two volumes under the title ''Geetamala''. Her lyrics have been set to music by various masters such as Sri Semmangudi Srinivasa Iyer, V. V. Sadagopan, S. Ramanathan, T. N. Seshagopalan, and others. She was a senior office bearer of Sri S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabindranath Tagore
Rabindranath Thakur (; anglicised as Rabindranath Tagore ; 7 May 1861 – 7 August 1941) was a Bengalis, Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer, and painter of the Bengal Renaissance. He reshaped Bengali literature and Music of Bengal, music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. He was the author of the "profoundly sensitive, fresh and beautiful" poetry of ''Gitanjali.'' In 1913, Tagore became the first non-European to win a Nobel Prize in any category, and also the first lyricist to win the 1913 Nobel Prize in Literature, Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; where his elegant prose and magical poetry were widely popular in the Indian subcontinent. He was a fellow of the Royal Asiatic Society of Great Britain and Ireland, Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by the sobri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
