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Big Band Specials
''Big Band Specials'' is a 1962 album by June Christy, with tracks arranged by Bill Holman, Shorty Rogers and husband Bob Cooper. Track listing # “You Came a Long Way from St. Louis” (John Benson Brooks, Bob Russell) - 2:16 # “Swingin’ On Nothin’” (Sy Oliver, Billy Moore) - 2:23 # “Is You Is Or Is You Ain't My Baby” (Billy Austin, Louis Jordan) - 2:46 # “ Prelude to a Kiss” (Duke Ellington, Irving Mills, Irving Gordon) - 3:54 # “Skyliner” (Charlie Barnet as Dale Bannett) - 3:01 # “A Night in Tunisia” (Dizzy Gillespie, Jon Hendricks) - 2:50 # “ It Don’t Mean a Thing” (Duke Ellington, Irving Mills) - 1:43 # “Frenesi” (Alberto Dominguez, Ray Charles, Bob Russell) - 2:20 # “Stompin' at the Savoy” (Edgar Sampson, Chick Webb, Benny Goodman, Andy Razaf) - 2:30 # “Goodbye” (Gordon Jenkins) - 3:04 # “Time Was (Duerme)” (Miguel Prado, Gabriel Luna, Bob Russell) - 2:54 # “Until (The Mole)” ( LeRoy Holmes, Harry James, Hal David) - 2:4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
June Christy
June Christy (born Shirley Luster; November 20, 1925 – June 21, 1990) was an American singer, known for her work in the cool jazz genre and for her silky smooth vocals. Her success as a singer began with The Stan Kenton Orchestra. She pursued a solo career from 1954 and is best known for her debut album '' Something Cool''. After her death, she was hailed as "one of the finest and most neglected singers of her time." Biography Early life Shirley Luster was born in Springfield, Illinois, United States. She moved with her parents Steve and Marie (née Crain) Luster to Decatur, Illinois, when she was three years old. She began to sing with the Decatur-based Bill Oetzel Orchestra at thirteen. While attending Decatur High School she appeared with Oetzel and his society band, the Ben Bradley Band, and Bill Madden's Band. Her first work outside of Decatur was with the Dick Cisne Orchestra of nearby Champaign, IL, performing as far away as Texas and Louisiana. After high school she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude To A Kiss (song)
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills. Background and composition This composition is in Duke Ellington's record of 1938 in the key of A-flat major but makes extensive use of the secondary dominant chords, secondary ii–V–I progressions, diatonic circle of fifths, and evaded cadences. The song is extremely chromatic and complex, employing sophisticated mathematics that were rare at this time in jazz: Ellington's rising semitones (G-G#-A-A#-B) at the end of the bridge mirror the opening of both A sections (B-A#-A-G#-G). By the late 1930s, swing was at the height of its popularity. Using his fame and artistic freedom, Ellington became more ambitious and experimental, writing "Prelude to a Kiss", which abandoned the Tin Pan Alley style hooks and dance tempo for melodic lines and harmonies found more often in classical music. He recorded this piece as an instrumental in August 1938 before returning to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader. Early life Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The ''Encyclopædia Britannica'' and Allmusic indicate 1905, and this seems to be supported by census information. Other publications claim other years. During Webb's lifetime, a December 1937 ''DownBeat'' magazine article, "The Rise of a Crippled Genius", stated he was born in 1909, which is the year that appears on his grave marker. In 1939, ''The New York Times'' stated that Webb was born in 1907, the year also suggested in ''Rhythm on Record'' by Hilton Schleman. Webb was one of four children; the other three were sisters (Bessie, Mabel, and Ethel). His sister Mabel married Wilbur Porter around 1928. When an infant, Webb fell down some stairsteps in his family's home, crushing several vertebrae and requiring surgery, from which he never ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Sampson
Edgar Melvin Sampson (October 31, 1907 – January 16, 1973), nicknamed "The Lamb", was an American jazz composer, arranger, saxophonist, and violinist. Born in New York City, he began playing violin aged six and picked up the saxophone in high school. He worked as an arranger and composer for many jazz bands in the 1930s and 1940s. He composed two well-known jazz standards: "Stompin' at the Savoy", and "Don't Be That Way". Life and career Born in New York City, Sampson began his professional career in 1924 with a violin piano duo with Joe Colman. Through the rest of the 1920s and early 1930s, Sampson played with many bands, including those of Charlie "Fess" Johnson, Duke Ellington, Rex Stewart and Fletcher Henderson. In 1934, Sampson joined the Chick Webb band. It during his period with Webb that Sampson created his most enduring work as a composer, writing "Stompin' at the Savoy" and "Don't Be That Way". He left the Webb band in 1936 with a reputation as a composer and arra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stompin' At The Savoy
"Stompin' at the Savoy" is a 1933 jazz standard composed by Edgar Sampson. It is named after the famed Harlem nightspot the Savoy Ballroom in New York City. History and composition Although the song is often credited to Benny Goodman, Chick Webb, Edgar Sampson, and Andy Razaf, it was written and arranged by Sampson, Rex Stewart's alto saxophonist. Sampson wrote the song when he was with Stewart's orchestra at the Empire Ballroom in 1933. It was used as the band's theme song until the band broke up, after which Sampson joined Chick Webb's band, taking the song with him. Webb’s recording rose to number ten on the charts in 1934. Famously, on Webb's 1934 version (Columbia 2926) the tenor saxophone hits a wrong note after the introduction, however, Columbia did not cut another take. Two years later, the piece charted with versions by Ozzie Nelson and Benny Goodman. Both Webb and Benny Goodman recorded it as an instrumental, Goodman's being the bigger hit. Goodman first recorded Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Charles
Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential musicians in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians, he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. Charles pioneered the soul music genre during the 1950s by combining elements of blues, jazz, rhythm and blues, and Gospel music, gospel into his music during his time with Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two ''Modern Sounds'' albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company. Charles' 1960s hit "Georgia on My Mind" was the first of his three career No. 1 hits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frenesi
"Frenesí" (Spanish for 'frenzy') is a 1939 musical piece composed by Alberto Domínguez Borrás for the marimba. It was first recorded as a single by the Mexican singer and actor Ramón Armengod, and went on to become a jazz standard since recorded by hundreds of musicians. Artie Shaw recording A hit version recorded by Artie Shaw and His Orchestra (with an arrangement by William Grant Still) reached number one on the ''Billboard'' pop chart on December 21, 1940, staying for 13 weeks, and was inducted into the Grammy Hall of Fame in 1982. Cover versions Other performers who have recorded the song include: *Julie London * Les Brown *Dave Brubeck on his 1967 album, '' Bravo! Brubeck!'' *Betty Carter *Gerry Mulligan *June Christy *Natalie Cole *Ray Charles *Bing Crosby *Tommy Dorsey *Victor Feldman *The Four Freshmen *Eydie Gormé *Woody Herman In popular culture *World War II flying ace Major (later Brigadier General) Thomas L. Hayes named his P-51 ''Frenesi'' after t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Don't Mean A Thing (If It Ain't Got That Swing)
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Bubber Miley, first published by Irving Mills. It is now accepted as a jazz standard, and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". In 2008, Ellington's 1932 recording of the song was inducted into the Grammy Hall of Fame Award, Grammy Hall of Fame. Background The music was composed and arranged by Ellington in August 1931 during intermissions at the Lincoln Tavern in Chicago; the lyrics were contributed by Irving Mills. According to Ellington, the song's title was the credo of trumpeter Bubber Miley, who was dying of tuberculosis at the time; Miley died the year the song was released. The song was first recorded by Ellington and his orchestra for Brunswick Records on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the solos. In later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Hendricks
John Carl Hendricks (September 16, 1921 – November 22, 2017), known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while ''Time'' dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been". Early years Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings moved many times, following their father's assignments as an AME pastor, before settling permanently in Toledo. The house was often full of visiting jazz musicians, for whom Jon's mother provided meals. Hendricks began his si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy Eldridge but adding layers of Harmony, harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote: "Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by American trumpeter Dizzy Gillespie in 1942. He wrote it while he was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Background Gillespie called the tune "Interlude" and said "some genius decided to call it 'A Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album '' A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Barnet
Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader. His major recordings were "Nagasaki", "Skyliner", "Cherokee", "The Wrong Idea", "Scotch and Soda", "In a Mizz", and "Southland Shuffle". Early life Barnet was born in New York City, the son of Charline (Daly) and Willard Barnet. His parents divorced when he was two, and he was raised by his mother and her grandparents. His grandfather was Charles Frederick Daly, a vice-president for the New York Central Railroad, banker, and businessman. Barnet attended boarding schools, both in the New York and Chicago areas. He learned to play piano and saxophone as a child. He often left school to listen to music and to try to gain work as a musician. Although his family wanted him to become a lawyer, he chose to be a musician instead. Career By sixteen, Barnet had played on tours with Jean Goldkette's satellite band and was in New York, where he joined Frank Winegar's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
