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Biagio Rebecca
Biagio Rebecca (1731–1808) was an Italian artist, active mainly as a decorative painter in England. Life Rebecca was born at Osimo, near Ancona, in the Marches, and served his apprenticeship in Rome. In England he became known for neoclassical scenes from mythology, often working on decorative schemes in collaboration with Robert Adam, for example at Harewood House and at Kedleston Hall. He also decorated Heaton Hall in Prestwich, near Bury, Lancashire and frescoed a ceiling at the Marine Pavilion at Brighton. With Angelica Kauffman, he painted the old lecture room at Somerset House, then home of the Royal Academy. He also designed a set of stained glass windows in the chapel at New College, Oxford. He was employed to do some painting at Audley End House by Sir John Griffin. In late 1772 Ann White, a servant at the house, gave birth to his illegitimate son, John Biagio Rebecca. Rebecca acknowledged that he was the father, and agreed to deposit £100 with Griffin for ...
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Decorative Painter
A house painter and decorator is a tradesperson responsible for the painting and decorating of buildings, and is also known as a decorator, or house painter.''The Modern Painter and Decorator'' volume 1 1921 Caxton The purpose of painting is to improve the appearance of a building and to protect it from damage by water, corrosion, insects and mould. House painting can also be a form of artistic and/or cultural expression such as Ndebele house painting. History of the trade in England In England, little is known of the trade and its structures before the late 13th century, at which point guilds began to form, amongst them the Painters Company and the Stainers Company. These two guilds eventually merged with the consent of the Lord Mayor of the City of London in 1502, forming the Worshipful Company of Painter-Stainers. The guild standardised the craft and acted as a protector of the trade secrets. In 1599, the guild asked Parliament for protection, which was eventually grante ...
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Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the fine arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Before this, several artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decade ...
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Sheep
Sheep (: sheep) or domestic sheep (''Ovis aries'') are a domesticated, ruminant mammal typically kept as livestock. Although the term ''sheep'' can apply to other species in the genus '' Ovis'', in everyday usage it almost always refers to domesticated sheep. Like all ruminants, sheep are members of the order Artiodactyla, the even-toed ungulates. Numbering a little over one billion, domestic sheep are also the most numerous species of sheep. An adult female is referred to as a ''ewe'' ( ), an intact male as a ''ram'', occasionally a ''tup'', a castrated male as a ''wether'', and a young sheep as a ''lamb''. Sheep are most likely descended from the wild mouflon of Europe and Asia, with Iran being a geographic envelope of the domestication center. One of the earliest animals to be domesticated for agricultural purposes, sheep are raised for fleeces, meat ( lamb, hogget or mutton), and milk. A sheep's wool is the most widely used animal fiber, and is usually harvested by ...
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Griffin
The griffin, griffon, or gryphon (; Classical Latin: ''gryps'' or ''grypus''; Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a -4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ...: ''griffon'') is a legendary creature with the body, tail, and Hindlimb">back legs of a lion, and the head and wings of an eagle">lion.html" ;"title="Hindlimb">back legs of a lion">Hindlimb">back legs of a lion, and the head and wings of an eagle with its talons on the front legs. Overview Because the lion was traditionally considered the king of the beasts and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. ...
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Amphitrite
In ancient Greek mythology, Amphitrite (; ) was the goddess of the sea, the queen of the sea, and her consort is Poseidon. She was a daughter of Nereus and Doris (or Oceanus and Tethys).Roman, L., & Roman, M. (2010). Under the influence of the Olympian pantheon, she became the consort of Poseidon and was later used as a symbolic representation of the sea. Her Roman counterpart is Salacia, a comparatively minor figure, and the goddess of saltwater. Family According to Hesiod's '' Theogony'', Amphitrite was one of the 50 Nereid daughters of Nereus and Doris. The mythographer Apollodorus, however, lists her among both the Nereids, as well as the Oceanids, the daughters of Oceanus and Tethys. Amphitrite's offspring included seals and dolphins. She also bred sea monsters and her great waves crashed against the rocks, putting sailors at risk. Poseidon and Amphitrite had a son, Triton, who was a merman, and a daughter, Rhodos (if this Rhodos was not actually father ...
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Neptune (mythology)
Neptune ( ) is the god of freshwater and the sea in the Roman religion. He is the counterpart of the Greek god Poseidon.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the Greek-inspired tradition, he is a brother of Jupiter and Pluto, with whom he presides over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife. Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea; his festival, '' Neptunalia'', took place on July 23, during the peak of summer when water was scarcest. Like Poseidon, he was also worshipped by the Romans as a god of horses, ''Neptunus equestris,'' who was also a patron of horse-racing. Worship The theology of Neptune is limited by his close identification with the Greek god Poseidon, one of many members of the Greek pantheon whose theol ...
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Siren (mythology)
In Greek mythology, sirens () are female humanlike beings with alluring voices; they appear in a scene in the ''Odyssey'' in which Odysseus saves his crew's lives. Roman poets place them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks. Sirens continued to be used as a symbol of the dangerous temptation embodied by women regularly throughout Christian art of the medieval era. "Siren" can also be used as a slang term for a woman considered both very attractive and dangerous. Nomenclature The etymology of the name is contested. Robert S. P. Beekes has suggested a Pre-Greek origin. Others connect the name to σειρά (''seirá'', "rope, cord") and εἴρω (''eírō'', "to tie, join, faste ...
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Caryatid
A caryatid ( ; ; ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or atlantid or telamon is a male version of a caryatid, ''i.e.'', a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that certain female figures represented the punishment of the women of Caryae, a town near Sparta in Laconia, who were cond ...
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Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ...
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Grotesque (architecture)
In architecture, a grotesque () is a fantastic or mythical figure carved from stone and fixed to the walls or roof of a building. A chimera () is a type of grotesque depicting a mythical combination of multiple animals (sometimes including humans). Grotesque are often called gargoyles, although the term gargoyle refers to figures carved specifically to drain water away from the sides of buildings. In the Middle Ages, the term ''babewyn'' was used to refer to both gargoyles and chimerae. This word is derived from the Italian word , which means "baboon". Grotesques often depict whimsical, mythical creatures in dramatic or humorous ways. They have historically been a key element of architecture in many periods including the Renaissance and Medieval periods and have stylistically developed in conjunction with these times. Although grotesques typically depict a wide range of subjects, they are often hybrids of different mythical, human, and animalistic features. Many scholars descr ...
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Parapet
A parapet is a barrier that is an upward extension of a wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of the wall, sometimes with a coping at the top and corbel below. *Embattled parapets may be panelled, but are pierced, if not ...
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Gilding
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or ''vermeil'') objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt (partial gilt) objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas. Gilding gives an object a gold appearance at a fraction of the cost of creating a solid gold object. In addition, a solid gold piece would often be too soft or to ...
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