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Better Angels (album)
''Better Angels'' is an album by jazz guitarist Peter Bernstein. It was recorded in 2024 and released later that year by Smoke Sessions Records. Background Bernstein and pianist Brad Mehldau had recorded together several times previously. Bernstein was contacted by Smoke Sessions Records around three weeks before the recording, proposing to record him with Mehldau and drummer Al Foster. They added bassist Vicente Archer, who had played on Foster's previous Smoke Sessions recording. Music and recording The album was recorded on April 1, 2024, at Studio A, Power Station, New York City. The material is a mix of standards and originals. There were no rehearsals. "No Problem" is a Latin jazz composition by Duke Jordan. As the record label intended to release an LP version of the album, Bernstein decided to record two solo tracks – one to end each side of the LP. Release and reception ''Better Angels'' was released by Smoke Sessions Records on September 27, 2024. The ''Jazzwise'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Bernstein (guitarist)
Peter Andrew Bernstein (born September 3, 1967) is an American jazz guitarist. Biography Born in New York City on September 3, 1967, Bernstein began playing piano when he was eight but switched to guitar when he was thirteen, learning the instrument primarily by ear. He studied jazz at Rutgers University with Ted Dunbar, and Kenny Barron. While a student at the New School in New York City, he met guitarist Jim Hall, who offered him a job performing at the JVC Jazz Festival in 1990. He then appeared on albums with Jesse Davis, Lou Donaldson, Larry Goldings, Michael Hashim, Geoff Keezer, and Melvin Rhyne. He released his first album as a leader with pianist Brad Mehldau. He has also worked with Jimmy Cobb, Tom Harrell, Diana Krall, Lee Konitz, Eric Alexander, Joshua Redman, Dr. Lonnie Smith, and Walt Weiskopf. In 2008, Bernstein became part of the Blue Note 7, a septet formed that year in honor of the 70th anniversary of Blue Note Records. The group recorded the album ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Station (recording Studio)
Power Station at BerkleeNYC is a recording studio located at 441 West 53rd Street in the Hell's Kitchen neighborhood of Midtown Manhattan in New York City. It was originally founded in 1977 as Power Station and known as Avatar Studios from 1996 to 2017. Renowned for its exceptional acoustics, the studio has been the site of hundreds of gold, platinum, and Grammy Award-winning recordings. History Background Producer Tony Bongiovi and former Mediasound Studios co-worker engineer Bob Walters partnered to open the recording studio, putting together a team of people that included engineer Ed Stasium, Ed Evans, and Bob Clearmountain. They located an abandoned building at 441 West 53rd Street, between Ninth and Tenth avenues, in New York City's Hell's Kitchen neighborhood, which Bongiovi purchased from New York City for $360,000 as part of a building rehabilitation program. Bongiovi, Walters, and their team worked with Stephen B. Jacobs Associates to design a studio that would a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smoke Sessions Records
Smoke Sessions Records is an independent jazz record label based in New York City. History Smoke jazz club started the label in 2014.Hovan, C. Andrew (April 23, 2014"Smoke Sessions: A Threesome from Herring, Jackson, & Hazeltine" AllAboutJazz. The co-founders were Frank Christopher and Paul Stache; Damon Smith was added to the organization soon afterwards. In its first year, a vinyl sampler and nine CDs were released.Kaplan, Fred (December 19, 2014"Smoke Sessions on Record" ''Stereophile''. The music is mostly post-bop jazz. Early releases included recordings led by Harold Mabern, Vincent Herring, Javon Jackson, and David Hazeltine. They were recorded in concert at the club and were engineered by Stache.Potter, Jeff (March 2014) "Capturing Magic". ''Down Beat''. p. 50. Practices Releases are usually taken from recordings of concerts in the club. A late 2014 list of recording equipment included: "a matched pair of Schoeps Mk. 4 and a Neuman U87 microphones on the piano; U47 and R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brad Mehldau
Bradford Alexander Mehldau (; born August 23, 1970) is an American jazz pianist, composer, and arranger. Mehldau studied music at The New School, touring and recording while still a student. He was a member of saxophonist Joshua Redman's quartet in the mid-1990s, and has led his own trio since the early 1990s. His first long-term trio featured bassist Larry Grenadier and drummer Jorge Rossy; in 2005 Jeff Ballard replaced Rossy. These bands have released more than a dozen albums under the pianist's name. Since the early 2000s, Mehldau has experimented with other musical formats in addition to trio and solo piano. '' Largo'', released in 2002, contains electronics and input from rock and classical musicians. Later examples include: touring and recording with guitarist Pat Metheny; writing and playing song cycles for classical singers Renée Fleming, Anne Sofie von Otter, and Ian Bostridge; composing orchestral pieces for 2009's '' Highway Rider''; and playing electronic ke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Foster
Aloysius Tyrone Foster (January 18, 1943 – May 28, 2025) was an American jazz drummer. Foster's professional career began in the mid-1960s, when he played and recorded with hard bop and Swing music, swing musicians including Blue Mitchell and Illinois Jacquet. Foster played jazz fusion with Miles Davis during the 70s and was one of the few people to have contact with Davis during his retirement from 1975 to 1980. During Davis's retirement, Foster continued to play and record acoustic jazz with Sonny Rollins, Dexter Gordon, McCoy Tyner, Horace Silver, and other band leaders. Foster played on Miles Davis's 1981 comeback album ''The Man with the Horn'', and was the only musician to play in Davis's band both before, and after, his retirement. After leaving Davis's band in the mid-1980s, Foster toured and recorded with Herbie Hancock, Sonny Rollins, Joe Henderson, and many other band leaders, primarily working in acoustic jazz settings. Foster also released several solo albums under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicente Archer
Vicente Archer (born in Woodstock, New York ) is an American jazz bassist, composer and bandleader having performed with John Scofield, Nicholas Payton, Robert Glasper, Norah Jones, Amos Lee and many others. He has appeared on 5 Grammy Nominated and 2 Grammy Winning Recordings Biography Vicente Archer is a bassist, guitarist, composer and producer hailing from the culturally-rich Woodstock, New York. Having absorbed much of the historical town’s arts culture, this has made his work diverse ranging from folk to jazz to hip-hop. He attended New England Conservatory of Music and Northeastern University in Boston, where he earned a degree in business. While in college, he picked up the double bass with swiftness. Within 8 months, he was asked by great alto saxophonist, Donald Harrison, to join his group. Archer's first recording appearance is on Harrison’s Impulse recording “Free to Be”. Soon after he began recording/performing with a long list of luminaries including Pat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Jordan
Irving Sidney "Duke" Jordan (April 1, 1922 – August 8, 2006) was an American jazz pianist. Biography Jordan was born in New York and raised in Brooklyn where he attended Boys High School. An imaginative and gifted pianist, Jordan was a regular member of Charlie Parker's quintet during 1947–48, which also featured Miles Davis. He participated in Parker's Dial sessions in late 1947 that produced "Dewey Square", "Bongo Bop", "Bird of Paradise", and the ballad " Embraceable You". These performances are featured on '' Charlie Parker on Dial''. Jordan had a long solo career from the mid-1950s onwards, although for a period in the mid-1960s he drove a taxi in New York. After periods accompanying Sonny Stitt and Stan Getz, he performed and recorded in the trio format. His composition, " Jordu", became a jazz standard when trumpeter Clifford Brown adopted it into his repertoire. Another of his compositions, "No Problem", has been recorded several times, notably by Art Blakey, under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazzwise
''Jazzwise'' is a British monthly magazine focused on jazz, launched in 1997. The magazine covers a range of jazz sub-genres and provides news coverage, a national gig guide, a jazz-on-film page, feature articles, and a review section that evaluates new musical releases, DVDs, books, and live performances. News stories also feature on the ''Jazzwise'' magazine website. ''Jazzwise'' instructs new jazz writers through its ongoing intern scheme and '' The Write Stuff'' workshops held each November during the London Jazz Festival. Awards In 2006, ''Jazzwise'' editor Jon Newey won Journalist of the Year at the Parliamentary Jazz Awards. In 2007, ''Jazzwise'' won two awards – Best Jazz Publication at the Parliamentary Jazz Awards and Best Jazz Publication at the Ronnie Scott's awards. In 2009, ''Jazzwise'' writer Kevin Le Gendre won Journalist of the Year at the Parliamentary Jazz Awards. In 2010, ''Jazzwise'' won Best Jazz Publication for the second time, gig guide editor Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Go To My Head
"You Go to My Head" is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Many versions of the song have been recorded, and it has since become a pop and jazz standard. Melody and lyrics Alec Wilder terms Coots' melody as a "minor masterpiece". According to Ted Gioia, "'You Go to my Head' is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.” Gillespie's lyrics begin: ''"You go to my head and you linger like a haunting refrain"''. Recordings, use in film, and performances Larry Clinton recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Born To Be Blue (Mel Tormé Song)
"Born to Be Blue" is a 1946 traditional pop torch song written by Mel Tormé and Robert Wells. It was first recorded by Tormé and Sonny Burke in 1946. It was revived by both singers and instrumentalists starting in the mid-1950s, and is considered a jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive List .... Cover versions See also * List of jazz standards References 1940s jazz standards 1946 songs {{1940s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
