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Benjamin Godard
Benjamin Louis Paul Godard (18 August 184910 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera '' Jocelyn''. Godard composed eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes (Alpes-Maritimes) of tuberculosis and was buried in the family tomb in Taverny in the French department of Val-d'Oise. Life and career Godard was born in Paris in 1849. He entered the Conservatoire de Paris in 1863 where he studied under Henri Vieuxtemps (violin) and Napoléon Henri Reber (harmony) and accompanied Vieuxtemps twice to Germany. In 1876, his ''Concerto romantique'' was performed at the Concerts Populaires, and other of his large works were also performed at these concerts. In 1878, Godard was the co-winner of the Prix de la Ville de Paris. His winning composition, a dramatic symp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Carl Rosa Opera Company
The Carl Rosa Opera Company was founded in 1873 by Carl Rosa, a German-born musical impresario, and his wife, British operatic soprano Euphrosyne Parepa-Rosa to present opera in English in London and the British provinces. The company premiered many operas in the UK, employing a mix of established opera stars and young singers, reaching new opera audiences with popularly priced tickets. It survived Rosa's death in 1889, and continued to present opera in English on tour until 1960, when it was obliged to close for lack of funds. The company was revived in 1997, presenting mostly lighter operatic works including those by Gilbert and Sullivan. The company "was arguably the most influential opera company ever in the UK". Background Carl Rosa was born Karl August Nikolaus Rose in Hamburg, Germany, the son of a local businessman. A child violin prodigy, Rosa studied at the Conservatorium at Leipzig and in Paris. In 1863 he was appointed Konzertmeister at Hamburg, where he had occ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Les Guelfes
''Les Guelfes'', Op. 70, is an 1898 French-language grand opéra by Benjamin Godard in five acts to a libretto by Louis Gallet. It premiered posthumously on 12 August 1902 at the Théâtre des Arts in Rouen. Recordings *Aria "Là-bas, vers le palais", Véronique Gens Véronique Gens (born 19 April 1966) is a French operatic soprano. She has spent much of her career recording and performing Baroque music, Baroque music. Gens was born in Orléans, France, and studied at the Conservatoire de Paris, winning fir ..., Münchner Rundfunkorchester, Hervé Niquet 2017 References External links * Operas 1902 operas Operas by Benjamin Godard French-language operas Operas set in Italy Libretti by Louis Gallet {{French-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Antisemitism
Antisemitism or Jew-hatred is hostility to, prejudice towards, or discrimination against Jews. A person who harbours it is called an antisemite. Whether antisemitism is considered a form of racism depends on the school of thought. Antisemitic tendencies may be motivated primarily by negative sentiment towards Jewish peoplehood, Jews as a people or negative sentiment towards Jews with regard to Judaism. In the former case, usually known as racial antisemitism, a person's hostility is driven by the belief that Jews constitute a distinct race with inherent traits or characteristics that are repulsive or inferior to the preferred traits or characteristics within that person's society. In the latter case, known as religious antisemitism, a person's hostility is driven by their religion's perception of Jews and Judaism, typically encompassing doctrines of supersession that expect or demand Jews to turn away from Judaism and submit to the religion presenting itself as Judaism's suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like Aria, arias and Recitative, recitatives. He described this vision in a List of prose works by Richard Wagner, series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Encyclopædia Britannica Eleventh Edition
The ''Encyclopædia Britannica'' Eleventh Edition (1910–1911) is a 29-volume reference work, an edition of the ''Encyclopædia Britannica''. It was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time. This edition of the encyclopaedia, containing 40,000 entries, has entered the public domain and is readily available on the Internet. Its use in modern scholarship and as a reliable source has been deemed problematic due to the outdated nature of some of its content. Nevertheless, the 11th edition has retained considerable value as a time capsule of scientific and historical information, as well as scholarly attitudes of the era immediately preceding World War I. Background The 1911 eleventh edition was assembled with the management of American publisher Horace Everett Hooper. Hugh Chisholm, who had edited the previous edition, was appointed editor-in-chief, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Quintuple Meter
Quintuple meter or quintuple time is a musical meter (music), meter characterized by five Beat (music), beats in a measure, whether variably or equally stressed. Like the more common Duple meter, duple, triple meter, triple, and quadruple meter, quadruple meters, it may be Meter (music)#Simple meter, simple, with each beat divided in half, or Compound meter (music), compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are and ; compound quintuple meter is most often written in . Notation Simple quintuple meter can be written in or time, but may also be notated by using regularly ''alternating'' bars of triple and duple meters, for example + . Compound quintuple meter, with each of its five beats divided into three parts, can similarly be notated using a time signature of , by writing triplets on each beat of a simple quintuple signature, or by regularly alternating meters such as + . Another notational variant involves C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means " joke" or "jest." More rarely, the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, "jesting") has been used. Sometimes the word ''scherzando'' ("joking") is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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String Quartet
The term string quartet refers to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two Violin, violinists, a Viola, violist, and a Cello, cellist. The string quartet was developed into its present form by the Austrian composer Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since that time, the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical music era, Classical era, and Wolfgang Amadeus Mozart, Mozart, Ludwig van Beethoven, Beethoven and Franz Schubert, Schubert each wrote a number of them. Many Romantic era music, Romantic and 20th-century classical music, early-twentieth-century composers composed string quarte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |