|
Bemposta Monstrance
The Bemposta Monstrance ( pt, Custódia da Bemposta) is a monstrance dated 1777, designed by architect Mateus Vicente de Oliveira and made by Prussian-born jewelsmith Adam Gottlieb Pollet. It was commissioned by Peter III of Portugal for the Chapel of Bemposta Palace, an estate in the Infante's dominions as Lord of the House of the Infantado. It is one of the finest examples of Portuguese Baroque goldsmithing. It is currently part of the collection of the National Museum of Ancient Art, in Lisbon. History Few documents about the Bemposta Monstrance have survived. It was commissioned by Infante Peter of Portugal. In his will dictated in 1783, Infante Peter instructed Infante John, his successor over the dominion of the House of the Infantado, the appanage tied to the King's second eldest son, on "the great care he ought to take in the divine worship given to God in the Chapel of Bemposta Palace"; to this effect, he left "the precious Monstrance in ispossession" to that estat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastião José De Carvalho E Melo, 1st Marquis Of Pombal
Sebastião José de Carvalho e Melo, 1st Marquis of Pombal and 1st Count of Oeiras (13 May 1699 – 8 May 1782), known as the Marquis of Pombal (''Marquês de Pombal''; ), was a Portuguese statesman and diplomat who effectively ruled the Portuguese Empire from 1750 to 1777 as chief minister to King Joseph I. A liberal reformer influenced by the Age of Enlightenment, Pombal led Portugal's recovery from the 1755 Lisbon earthquake and modernized the kingdom's administrative, economic, and ecclesiastical institutions. During his lengthy ministerial career, Pombal accumulated and exercised autocratic power. The son of a country squire and nephew of a prominent cleric, Pombal studied at the University of Coimbra before enlisting in the Portuguese Army, where he reached the rank of corporal. Pombal subsequently returned to academic life in Lisbon, but retired to his family's estates in 1733 after eloping with a nobleman's niece. In 1738, with his uncle's assistance, he secure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Votive Offering
A votive offering or votive deposit is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for religious purposes. Such items are a feature of modern and ancient societies and are generally made in order to gain favor with supernatural forces. While some offerings were apparently made in anticipation of the achievement of a particular wish, in Western cultures from which documentary evidence survives it was more typical to wait until the wish has been fulfilled before making the offering, for which the more specific term ex-voto may be used. Other offerings were very likely regarded just as gifts to the deity, not linked to any particular need. In Buddhism, votive offering such as construction of stupas was a prevalent practice in Ancient India, an example of which can be observed in the ruins of the ancient Vikramshila University and other contemporary structures. Votive offerings have been described in historical Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jure Uxoris
''Jure uxoris'' (a Latin phrase meaning "by right of (his) wife"), citing . describes a title of nobility used by a man because his wife holds the office or title '' suo jure'' ("in her own right"). Similarly, the husband of an heiress could become the legal possessor of her lands. For example, married women in England and Wales were legally incapable of owning real estate until the Married Women's Property Act 1882. Kings who ruled ''jure uxoris'' were regarded as co-rulers with their wives and are not to be confused with king consort, who were merely consorts of their wives. Middle Ages During the feudal era, the husband's control over his wife's real property, including titles, was substantial. On marriage, the husband gained the right to possess his wife's land during the marriage, including any acquired after the marriage. Whilst he did not gain the formal legal title to the lands, he was able to spend the rents and profits of the land and sell his right, even if the wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservation And Restoration Of Cultural Heritage
The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. This field is closely allied with conservation science, curators and registrars. Definition Conservation of cultural property involves protection and restoration using "any methods that prove effective in keeping that property in as close to its original condition as possible for as long as possible." Conservation of cultural heritage is often associated with art collections and museums and involves collection care and management through tracking, examination, documentation, exhibition, storage, preventive conservation, and restoration. The scope has widened from art conservation, involving protection and care of artwork and architecture, to cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
João Frederico Ludovice
Johann Friedrich Ludwig (19 March 1673 in Baden-Wurttemberg - 18 January 1752 in Lisbon), known in Portugal as João Frederico Ludovice, was a German-born Portuguese architect and goldsmith. From Hohnehart to Rome Ludovice was born in 1670 in Hohenhart, near Schwäbisch Hall, Germany. His parents are recorded as Peter Ludwig (a small government servant) and Elizabeth Ludwig, both Lutherans. He first trained to be a goldsmith with his father, but joined the imperial army at age 19, during the Nine Years' War. After the Peace of Ryswick, in 1697, he goes to Rome, Italy. There, he works for the Jesuits, in particular in the Jesuit Andrea Pozzo's plan to decorate the altars of the Church of Saint Ignatius of Jesus. As part of this project, he reportedly worked in casting the silver figure designed by Pierre Le Gros, as well as bronze reliefs by Angelo de Rossi. Still in Rome, he converts to Catholicism, marries his wife, Clara Agnese (in 1700), and changes his name to Ludovice. As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benfica (Lisbon)
Benfica () is a ''freguesia'' (civil parish) and district of Lisbon, the capital of Portugal. Located in northern Lisbon, Benfica is west of São Domingos de Benfica, Carnide, and Campolide, north of Belém, Ajuda, and Alcântara, and directly east of Lisbon's border with Amadora. The population in 2011 was 36,985,Instituto Nacional de Estatística (INE) Census 2011 results according to the 2013 administrative division of Portugal History 
In 1959, the parish was split an ...
[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Infanta Isabel Maria Of Braganza
Infanta Isabel Maria of Braganza (); Queluz, 4 July 1801 – Benfica, then Belém, 22 April 1876 was a Portuguese ''infanta'' (princess) and fourth daughter of King John VI of Portugal and his wife Carlota Joaquina of Spain. She acted as regent for her brother Pedro IV and for her niece Maria II in 1826-1828. Early life Her full name was Isabel Maria da Conceição Joana Gualberta Ana Francisca de Assis Xavier de Paula de Alcântara Antónia Rafaela Micaela Gabriela Joaquina Gonzaga de Bragança e Bourbon. She was a titular of the Great-Cross of the Order of Our Lady of Conception; Dame of the orders of Saint Isabel and of the Noble Dames of Mary Louise and awarded with the Starry Cross of Austria. Regency Because Prince Pedro, who was heir to the throne, had just proclaimed the independence of Brazil, Prince Miguel was in Vienna, Queen Carlota Joaquina was exiled in Queluz and Isabel's older sisters (Maria Teresa and Maria Francisca of Assisi) had married to Spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evaluation
Evaluation is a systematic determination and assessment of a subject's merit, worth and significance, using criteria governed by a set of standards. It can assist an organization, program, design, project or any other intervention or initiative to assess any aim, realisable concept/proposal, or any alternative, to help in decision-making; or to ascertain the degree of achievement or value in regard to the aim and objectives and results of any such action that has been completed. The primary purpose of evaluation, in addition to gaining insight into prior or existing initiatives, is to enable reflection and assist in the identification of future change. Evaluation is often used to characterize and appraise subjects of interest in a wide range of human enterprises, including the arts, criminal justice, foundations, non-profit organizations, government, health care, and other human services. It is long term and done at the end of a period of time. Definition Evaluation is the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> João Frederico Ludovice")
.JPG "Click for more on -> Benfica (Lisbon)")