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Beatnigs
The Beatnigs were an American, San Francisco-based band, which combined hardcore punk, industrial and hip hop influences, described as "a kind of avant-garde industrial jazz poets collective". The band was the initial collaboration of Michael Franti and Rono Tse, who would later form The Disposable Heroes of Hiphoprisy, and Kevin Carnes who would later form Broun Fellinis. The band's stage performance included the use of power tools such as a rotary saw on a metal bar to create industrial noise and pyrotechnics. The Beatnigs released an LP virus065, Jan 1988 and 12" EP of their most famous song, ''"Television: The Drug of the Nation''virus071 remixed by Adrian Sherwood, Gary Clail, and Mark Stewart) on Alternative Tentacles in 1988. That same year the played their NYC debut at the New Music Seminar, and recorded for the BBC's Peel Sessions. The single was reissued by Alternative Tentacles in 2002, and the album was planned for a CD re-release while made available on iTunes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatnigs (album)
''The Beatnigs'' is the only album by the San Francisco band The Beatnigs, released in 1988. It combined punk, industrial and hip hop influences. Production Michael Franti wrote all of the lyrics to the songs; he also played bass. The album was produced by the Beatnigs. An enclosure explaining the origins of the band's name was included with the album. Critical reception ''Spin'' wrote that the album mixed "the Last Poets’ severe rhetoric with the horrific industrial grinding of Einstürzende Neubauten." ''Trouser Press'' wrote that "this striking San Francisco quintet explodes in a tight and danceable riot of industrial percussion, vocals and tape manipulations." ''The New York Times'' called the album "a powerful conglomeration of taped sounds - speeches by Malcolm X, for instance - industrial noise made with saws, sirens and oil drums, and a conventional rhythm section." '' MusicHound Rock: The Essential Album Guide'' called it "the most interesting and innovative album any o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Franti
Michael Franti (born April 21, 1966) is an American rapper, musician, poet, activist, documentarian, and singer-songwriter, known for his participation in many musical projects, most with a political and social emphasis, including the Beatnigs and the Disposable Heroes of Hiphoprisy. He is the creator and lead vocalist of his current independent project, Michael Franti & Spearhead, a band that blends hip hop with a variety of other styles including funk, reggae, jazz, folk, and rock. He is also an outspoken supporter for a wide spectrum of peace and social justice issues, and he is especially an advocate for peace in the Middle East. Early life Michael Franti was born in Oakland, California. His mother, Mary Lofy, had Irish, German, and Belgian ancestry, and his father, Thomas Hopkins, was of African-American and Native American descent. However, his mother placed him for adoption because she was afraid that her racist family would not accept him. He was adopted by Caro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Disposable Heroes Of Hiphoprisy
The Disposable Heroes of Hiphoprisy were an American hip-hop musical ensemble, active during the early 1990s. The band was formed in 1990 by Michael Franti (vocals, production, misc. instruments) and Rono Tse (drums, percussion, programming), who had worked together in The Beatnigs. They released two albums, the critically acclaimed '' Hypocrisy Is the Greatest Luxury'' in 1992, and ''Spare Ass Annie and Other Tales'' (with William S. Burroughs) in 1993. Their first live performance was on August 23, 1991 at the Kennel Club in San Francisco. The group was associated with contemporary bands, including House of Pain and Pop Will Eat Itself. They also were somewhat reminiscent of Gil Scott-Heron due to the half-spoken vocal styles of Franti and the up-front political messages in the music. The Disposable Heroes played many concerts, sometimes opening the bill for more well-known acts such as U2 (on their landmark Zoo TV Tour), Rage Against the Machine, Nirvana and Arrested Devel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Hip Hop
Industrial hip hop is a fusion genre of industrial music and hip hop. History 1980s The origins of industrial hip hop are in the work of Mark Stewart, Bill Laswell, and Adrian Sherwood. In 1985, former The Pop Group singer Mark Stewart released '' As the Veneer of Democracy Starts to Fade'', an application of the cut-up style of industrial music, with the house band of Sugar Hill Records (Doug Wimbish, Keith Leblanc, and Skip McDonald). In 1986, The Beatnigs were formed in San Francisco. As a collaboration between Michael Franti, Rono Tse and Kevin Carnes, The Beatnigs combined hardcore punk, industrial and hip hop influences, described as "a kind of avant-garde industrial jazz poets collective". The band's stage performance included the use of power tools such as a rotary saw on a metal bar to create industrial noise and pyrotechnics. In the late 1980s, Laswell's Material project began to take increasing influence from hip hop. Adrian Sherwood was a major figure in British ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Clail
Gary Clail (born 1956) is an English singer and record producer, and the founder of the Gary Clail Sound System. He was part of On-U Sound Records (and also the On-U Sound System) and led Gary Clail's Tackhead Sound System. They had a big hit in clubs with the 1991 song "Human Nature". Biography Clail worked originally as a roofer, but during the mid- to late 1980s, based in Bristol, he became a warm-up act for On-U gigs. Clail first released a record in 1985. Several 12" singles were issued between 1985 and 1987, before Clail's first LP for Nettwerk, ''Tackhead Tape Time'', a split effort between Clail and Tackhead. "Television: The Drug of the Nation" by The Beatnigs was remixed by Clail, Adrian Sherwood and Mark Stewart, on the Alternative Tentacles record label in 1988. In 1989, Clail, billed as Gary Clail & On-U Sound System, released an album on the label On-U Sound, marking his entrance to the electronic underground scene in Bristol, eventually leading him to work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Tentacles
Alternative Tentacles is an independent record label established in 1979 in San Francisco, California. It was used by Dead Kennedys for the self-produced single " California Über Alles". After realizing the potential for an independent label, they released records for other bands as well. Dead Kennedys guitarist East Bay Ray and vocalist Jello Biafra formed Alternative Tentacles, but Biafra became the sole owner in the mid-1980s. Alternative Tentacles no longer owns the rights to Dead Kennedys recordings after a 2000 lawsuit. History Alternative Tentacles subsequently released records of other bands of the alternative/punk scene including releasing records (which were later released by other labels) by bands including The Dicks, 7 Seconds, and the Butthole Surfers. In 1981, Alternative Tentacles released the compilation '' Let Them Eat Jellybeans!''. Some of the best known bands that have released albums through Alternative Tentacles are Dead Kennedys, NoMeansNo, D.O.A., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington D.C. and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C., Boston, and New York, as well as in Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Industrial Music Groups
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrington Hall (Berkeley, California)
Barrington Hall was a student housing cooperative in the University Students' Cooperative Association (USCA) (now known as the Berkeley Student Cooperative (BSC)) system in Berkeley, California, from 1935 to 1943 and 1950 to 1989. It is currently privately operated student housing. History The original Barrington Hall was a Sigma Nu fraternity house on Ridge Road leased from that fraternity in 1933. In 1935 the lease was allowed to expire and USCA purchased a building located at 2315 Dwight Way, to which the name Barrington Hall was transferred. The building was formerly the largest apartment house in Berkeley and would host 200 men when it opened the same year. It was leased to the U.S. Navy from 1943 to 1948; the Navy returned the building significantly upgraded. Barrington Hall, along with all the USCA residences, was always open to all students regardless of race, religion or nationality. In 1967, Barrington Hall's house council voted to become co-ed, which prompted th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Music Seminar
The New Music Seminar (NMS) is a Music Conference and Festival held annually each June in New York City. The New Music Seminar originally ran from 1980 to 1995 and was relaunched in 2009. NMS features over 150 CEOs and other executives, presidents, and other leaders in the emerging music business along with over 100 artist performances. In 2012, NMS hosted the first New York Music Festival in collaboration with the New York City Mayor's Office of Media & Entertainment declaration of the city’s first New York Music Week. The festival took place in 17 venues throughout Manhattan and Brooklyn. New Music Seminar 2015 took place June 21-23 in New York City. History 1980–95 In June 1980, Tom Silverman, Mark Josephson, Joel Webber, Danny Heaps, and Scott Anderson brought 220 people together at a New York City rehearsal studio to discuss challenges in the music business. The event grew in subsequent years to act as a catalyst for change in it. The New Music Seminar added music sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Stewart (English Musician)
Mark Stewart (born 28 April 1960) is an English singer and founding member of The Pop Group.Strong, Martin C. (1999) "The Great Alternative & Indie Discography", Canongate, A pioneer of post-punk and industrial hip-hop, he has recorded for On-U Sound Records and Mute Records. Career Stewart was educated at Bristol Grammar School, one of Bristol's leading public schools, and was in the same year as fellow musician Nick Sheppard. Stewart began his music career in 1977 as a founder of The Pop Group, a band whose sonic experimentation, political conviction, and willingness to collaborate laid the foundations for his later work. The Pop Group split in 1981, with Stewart and two other members heading off to London to hook up with the emerging On-U Sound "conspiracy of outsiders" as part of the New Age Steppers. On-U became a focal point of a diverse set of networks – punks, reggae players from both the UK and Jamaica and free-jazzers. His first post-Pop Group release was as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
