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Baude Cordier
Baude Cordier () was a French composer in the style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this. He is best known for his unique and experimental notational methods, often with shapes relating to the subject matter. These include a heart-shaped staff in ''Belle, Bonne, Sage'', a rondeau about love, and numerous circles in the ''Tout par compas suy composés'' rondeau. Such an approach is thought to have inspired later composers, ranging from Gilles Binchois to Karlheinz Stockhausen. Identity It has been suggested that Cordier was the pen name of Baude Fresnel. Music Cordier's works are considered among the prime examples of . In line with that cultural trend, he was fond of using red note notation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eye Music
Eye music (often referred to in English by its exact German translation ''Augenmusik'') describes graphical features of scores which when performed are unnoticeable by the listener. Difficulties in defining eye music By simple definition eye music is when the graphic notation of music is altered in some meaningful way visible to the performers. Often the changed "meaning" of the altered notation is enhanced by the music having compositional elements of melody and form such as word painting and canon. Moreover, the concept is demonstrated by sometimes differing perceptions of composer, performer, and listener.Dart, Thurston. "Eye music." New Grove Dictionary of Music and Musicians, Stanley Sadie, ed. London:Macmillan, 1980. Eye music and puzzle-solving The difficulty in definition is also apparent with border-line cryptographic contrapuntal works such as puzzle canons, which appear in the score entirely as a bare line of notes with clefs, rests, time signatures, key signatures or br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. Among the series it produces are the '' Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Mensurabilis Musicae
The ''Corpus mensurabilis musicae'' (CMM) is a collected print edition of most of the sacred and secular vocal music of the late medieval and Renaissance period in western music history, with an emphasis on the central Franco-Flemish and Italian repertories. CMM is a publication of the American Institute of Musicology, and consists of 109 series (individual volumes or sets of volumes) as of 2007. Renowned composers whose works have appeared in other collected editions, such as Josquin des Prez, Giovanni Pierluigi da Palestrina, and Orlande de Lassus, are generally excluded from the set. Many of the series are devoted to works of a single composer, and in some cases they are organized into sub-volumes because of their size (for example, "Volume 1" contains the works of Guillaume Dufay; it actually consists of 6 separate bound volumes, separately containing motets, masses, mass fragments, other liturgical music, and secular songs). Other series contain anthologies and contents of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three '' formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of verse with a refrain. The rondeau is believed to have originated in dance songs involving singing of the refrain by a group alternating with the other lines by a soloist. The term "Rondeau" is used both in a wider sense, covering older styles of the form which are sometimes distinguished as the triolet and rondel, and in a narrower sense referring to a 15-line style which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated to the much later instrumental dance form that shares the same name in French baroque music, which is more commonly called the ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the Rondeau (forme fixe), rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a Verse (poetry), verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass () is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recto
''Recto'' is the "right" or "front" side and ''verso'' is the "left" or "back" side when text is written or printed on a leaf of paper () in a bound item such as a codex, book, broadsheet, or pamphlet. In double-sided printing, each leaf has two pages – front and back. In modern books, the physical sheets of paper are stacked and folded in half, producing two leaves and four pages for each sheet. For example, the outer sheet in a 16-page book will have one leaf with pages 1 (recto) and 2 (verso), and another leaf with pages 15 (recto) and 16 (verso). Pages 1 and 16, for example, are printed on the same side of the physical sheet of paper, combining recto and verso sides of different leaves. The number of pages in a book using this binding technique must thus be a multiple of four, and the number of leaves must be a multiple of two, but unused pages are typically left unnumbered and uncounted. A sheet folded in this manner is known as a folio, a word also used for a book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apt, Vaucluse
Apt (; Provençal dialect, Provençal Occitan language, Occitan: ''At / Ate'' in both classical and Mistralian norms) is a Communes of France, commune in the Vaucluse Departments of France, department in the Provence-Alpes-Côte d'Azur Regions of France, region in southeastern France. It lies on the left bank of the Calavon, east of Avignon. It is the principal town of the Luberon mountains. The town is known for defining the Aptian age of the Early Cretaceous. Geography Apt lies north of Aix-en-Provence and the river Durance, in the valley of the river Calavon, (also called the Coulon), and at the foot of the north-facing slopes of the Luberon mountain. Climate Apt has a hot-summer mediterranean climate using the Köppen climate classification, with its relatively high rainfall bordering closely on a humid subtropical climate. On average, Apt experiences 68.6 days per year with a minimum temperature below , 1.0 days per year with a minimum temperature below , 0.5 days per yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain (Stockhausen)
''Refrain'' for three players (piano with woodblocks, vibraphone with alpine cowbells, and amplified celesta with antique cymbals) is a chamber music composition by Karlheinz Stockhausen, and is number 11 in his catalog of works. History ''Refrain'' was composed in June and July 1959 on commission from Gerhart von Westerman for the Berliner Festspiele, Berlin Festwochen, and is dedicated to . It was premiered on 2 October 1959 by David Tudor (piano), Cornelius Cardew (celesta), and a percussionist from the Westdeutscher Rundfunk, WDR Symphony Orchestra, Siegfried Rockstroh (vibraphone), at the Haus der Kulturen der Welt, Berlin Congresshalle, as part of an all-Stockhausen concert that also included ''Kreuzspiel'', ''Zeitmaße'', ''Zyklus'', and the Klavierstücke (Stockhausen), ''Klavierstücke I'', ''IV'', ''V'', ''VII'', ''VIII'', and ''XI''. Materials and form The title refers to the disturbance six times of a placid and wide-rangingly composed sound texture by a short refrain. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—familiar singalong versions of "Row, Row, Row Your Boat" and "Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
