Basse Danse
The ''basse danse'', or "low dance", was a popular court dance in the 15th and early 16th centuries, especially at the Duchy of Burgundy, Burgundian court. The word ''basse'' describes the nature of the dance, in which partners move quietly and gracefully in a slow gliding or walking motion without leaving the floor, while in livelier dances both feet left the floor in jumps or leaps. The basse danse was a precursor of the pavane as a dignified processional dance. The term may apply to the dance or the music alone. History The earliest record of a basse danse is found in an Occitan language, Occitan poem of the 1320s by Raimon de Cornet, who notes that the ''joglars'' performed them. The ''bassa danza'' is described in the dance treatise of Guglielmo Ebreo da Pesaro, in northern Italy towards the end of the 15th century, and by his friend Antonio Cornazzano, for whom it was the queen of all dance measures, low dance to be contrasted with the ''alta danza'', the "high" or leap ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Basse Danse Couleur
Basse may refer to: Places * Basse Santa Su, The Gambia * Basse, Netherlands * Bassé, Burkina Faso People * Éliane Basse (1899–1985), French paleontologist * Hans-Dieter von Basse (1916–1945), Oberstleutnant in the Wehrmacht during World War II * Jeremiah Basse (died 1725), governor of West and East Jersey * Marie Senghor Basse (1930-2019), Senegalese physician * Maurits Basse (1868–1944), Belgian writer and teacher * Mikkel Basse (born 1996), Danish footballer * William Basse (c.1583–1653?), English poet * Willie Basse (1956–2018), American hard rock musician Other uses * Basse (game), a Norwegian bag ball game * Basse und Selve, German engine manufacturers * Rue Basse, a road in the 1st arrondissement of Paris, France See also * * Bass (other) * Base (other) {{disambiguation, surname ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Social Dance
Social dances are dances that have social functions and context. Social dances are intended for participation rather than Concert dance, performance. They are often danced merely to socialise and for entertainment, though they may have Ceremonial dance, ceremonial, Competitive dance, competitive and Erotic dance, erotic functions. Many social dances of European origin are in recent centuries partner dances ''(see Ballroom dance)'' but elsewhere there may instead be circle dances or line dances. Social dance in western cultures The types of dance performed in social gatherings change with social values. Social dance music of the 14th century has been preserved in manuscript, though without proper choreography, for dances such as the ''ballo'', Carol (music), carol, ''stampita'', ''saltarello'', ''trotto'' and ''roto (dance), roto''. The 15th century is the first period from which written records of dances exist. A manuscript from Brussels highlights the Burgundian court dance ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Curtsy
A curtsy (also spelled curtsey or incorrectly as courtsey) is a traditional gendered gesture of greeting, in which a girl or woman bends her knees while bowing her head. In Western culture it is the feminine equivalent of bowing by males, although men will commonly curtsy in some churches as a simplified genuflection. Miss Manners characterizes its knee bend as deriving from a "traditional gesture of an inferior to a superior." The word "curtsy" is a phonological change from "courtesy" known in linguistics as syncope. Overview According to Desmond Morris, the motions involved in the curtsy and the bow were similar until the 17th century, and the sex differentiation between the actions developed afterwards. The earlier, combined version is still performed by Restoration comedy actors. In more formal variants of the curtsy, the girl/woman bends the knees outward (rather than straight ahead), often sweeping one foot behind her. She may also use her hands to hold her skirt ou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Choreography
Choreography is the art of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer creates choreographies through the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation to develop innovative movement ideas. Generally, choreography designs dances intended to be performed as concert dance. The art of choreography involves specifying human movement and form in terms of space, shape, time, a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bibliothèque Royale Albert Ier
The Royal Library of Belgium ( ; ; , abbreviated ''KBR'' and sometimes nicknamed in French or in Dutch) is the national library of Belgium. The library has a history that goes back to the age of the Dukes of Burgundy. In the second half of the 20th century, a new building was constructed on the Mont des Arts/Kunstberg in central Brussels, near the Central Station. The library owns several collections of historical importance, like the Library of the Dukes of Burgundy, and is the depository for all books ever published in Belgium or abroad by Belgian authors. There are four million bound volumes in the Royal Library, including a rare book collection numbering 45,000 works. The library has more than 750,000 prints, drawings and photographs, 150,000 maps and plans, and more than 250,000 objects, from coins to scales to monetary weights. This coin collection holds one of the most valuable coins in the field of numismatics, a fifth-century Sicilian tetradrachm. The library also ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Basse Danse
The ''basse danse'', or "low dance", was a popular court dance in the 15th and early 16th centuries, especially at the Duchy of Burgundy, Burgundian court. The word ''basse'' describes the nature of the dance, in which partners move quietly and gracefully in a slow gliding or walking motion without leaving the floor, while in livelier dances both feet left the floor in jumps or leaps. The basse danse was a precursor of the pavane as a dignified processional dance. The term may apply to the dance or the music alone. History The earliest record of a basse danse is found in an Occitan language, Occitan poem of the 1320s by Raimon de Cornet, who notes that the ''joglars'' performed them. The ''bassa danza'' is described in the dance treatise of Guglielmo Ebreo da Pesaro, in northern Italy towards the end of the 15th century, and by his friend Antonio Cornazzano, for whom it was the queen of all dance measures, low dance to be contrasted with the ''alta danza'', the "high" or leap ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Attaingnant
Pierre Attaingnant or Attaignant ( – late 1551 or 1552) was a French music publisher, active in Paris. He was one of the first to print music by single-impression printing, greatly reducing the labor involved, and he published music by more than 150 composers. Life Attaingnant learned the printing trade by printing first "livres d'heure" with the printer Philippe Pigouchet who sold them to Simon Vostre book shop located in St John the evangelist street near the Sorbonne University in the Parisian student district. Later Pigouchet became Attaingnant's father-in-law when Attaingnant married his daughter. Attaingnant published over 1500 chansons by many different composers, including Paris composers Claudin de Sermisy, Pierre Sandrin and Pierre Certon, and most prominently Clément Janequin with five books of chansons by Josquin Desprez . Attaingnant acquired royal privileges for his music books, which were renewed many times. In 1537, he was named ''imprimeur et librair ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chanson
A (, ; , ) is generally any Lyrics, lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval music, medieval and Renaissance music or to a specific style of French pop music which emerged in the 1950s and 1960s. The genre had origins in the monophony, monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the ''ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word ''chanson'' literally means "song" in French and can thus less commonly refer to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the '' Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typically ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |