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Bass Flute
The bass flute is a member of the flute family pitched one octave below the concert flute. The tubing length is twice as long at , which requires a J-shaped head joint to bring the embouchure hole within reach of the player. Despite its name, its lowest note of C or B places its lowest octave only in the tenor range. Its soft dynamic range means in large ensembles it is easily obscured unless amplified or lightly scored; however its unique timbre in the low register can be very effective, especially in solo works, small ensembles, and flute choirs. The "bass flute in F" produced by Kotato & Fukushima is a contra-alto flute. Alternative terminology Prior to the mid-20th century, the term "bass flute" was sometimes used, especially in Great Britain, to refer to the alto flute; for example, the part for "bass flute in G" in Holst's '' The Planets'', and many works by Britten. In 1910, Abelardo Albisi invented a bass flute known as the albisiphone which was used in scores by ...
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Woodwind
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples of other materials include brass, silver, cane, and other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air ...
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Paas Floote
Platform as a service (PaaS) or application platform as a service (aPaaS) or platform-based service is a cloud computing service model where users provision, instantiate, run and manage a modular bundle of a computing platform and applications, without the complexity of building and maintaining the infrastructure associated with developing and launching application(s), and to allow developers to create, develop, and package such software bundles. Development and uses PaaS can be delivered in three ways: * As a public cloud service from a provider, where the consumer controls software deployment with minimal configuration options, and the provider provides the networks, servers, storage, operating system (OS), middleware (e.g. Java runtime, .NET runtime, integration, etc.), database and other services to host the consumer's application. * As a private service (software or appliance) behind a firewall. * As software deployed on public infrastructure as a service.Judith Hurwitz ...
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Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece '' Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the '' Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, '' L'amico Fritz'' and '' Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a ...
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Abelardo Albisi
Abelardo Albisi (1872–1938) was an Italian flutist and instrument maker and composer. He was first flutist of the orchestra at La Scala for many years. In 1910 he invented the albisiphone, a type of bass flute. The instrument achieved some popularity in Italy and was notably included in the scores of several operas by Riccardo Zandonai and Pietro Mascagni Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece '' Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ..., and in symphonic music by Friedrich Klose among other composers. References External links * 1872 births 1938 deaths Flute makers Italian classical flautists {{ Italy-classical-musician-stub ...
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Benjamin Britten
Edward Benjamin Britten, Baron Britten of Aldeburgh (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera ''Peter Grimes'' (1945), the ''War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Britten was born in Lowestoft, Suffolk, the son of a dentist. He showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the ''a cappella'' choral work ''A Boy Was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large ...
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The Planets
''The Planets'', Op. 32, is a seven- movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character. The premiere of ''The Planets'' was at the Queen's Hall, London, on 29 September 1918, conducted by Holst's friend Adrian Boult before an invited audience of about 250 people. Three concerts at which movements from the suite were played were given in 1919 and early 1920. The first complete performance at a public concert was given at the Queen's Hall on 15 November 1920 by the London Symphony Orchestra conducted by Albert Coates. The innovative nature of Holst's music caused some initial hostility among a minority of critics, but the suite quickly became and has remained popular, influential and widely performed. The composer conducted two recordings of the w ...
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Gustav Holst
Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite ''The Planets'', he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folk music#Folk revivals 1890–1969, English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style. There were professional musicians in the previous three generations of Holst's family, and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a c ...
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Alto Flute
The alto flute is an instrument in the Western concert flute family, pitched below the standard C flute and the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. The bore of the alto flute is considerably larger in diameter and longer than the C flute and requires a larger column of air (volume of air) from the player, though it also requires a slower airspeed. This gives it a greater dynamic presence in the bottom octave and a half of its range. Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register stretching to D♭7. It uses the same fingerings as the C flute and piccolo, but is a transposing instrument in G (sounding a perfect fourth lower than written). British music that uses this instrument often refers to it as a bass flute, which can be confusing since ...
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Contra-alto Flute
The contra-alto flute is a large member of the flute family, pitched between the bass and the contrabass. It is a transposing instrument either in G (a perfect fourth below the bass and one octave below the alto) or in F (a perfect fifth below the bass and a major ninth below the alto). The instrument's body is held vertically with an adjustable floor peg similar to that of the bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common Soprano clarinet, soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays no .... The instrument maker Eva Kingma calls her contra-alto flute a "contr'alto flute in G," while Kotato & Fukushima call their instrument a "bass flute in F." Kotato & Fukushima's instrument sells for US$17,500. References Side-blown flutes {{Flute-stub ...
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Flute Choir
A flute ensemble is an instrumental chamber ensemble consisting of members of the flute family. Flute quartet In a more traditional sense, a flute quartet consists of a flute and a string trio (i.e., a violin, viola, and cello). This arrangement flourished in the eighteenth century, particularly through composers such as Wolfgang Amadeus Mozart, Carl Friedrich Abel, and Ferdinand Ries, among others. However, as of the twentieth century, a modern flute quartet typically refers to an arrangement of four flautists. The flute quartet does not have any set arrangement, but common configurations include: * Piccolo, Concert Flute, Alto Flute, Bass Flute * Two Concert Flutes, Alto Flute, Bass Flute * Four Concert Flutes Notable works For flute and string trio *Wolfgang Amadeus Mozart: ** No. 1 in D major (K. 285) ** No. 2 in G major (K. 285a) ** No. 3 in C major (K. Anh. 171/285b) ** No. 4 in A major (K. 298) Flute choir The modern definition of a flute choir is a recent develo ...
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Timbre
In music, timbre (), also known as tone color or tone quality (from psychoacoustics), is the perceived sound of a musical note, sound or tone. Timbre distinguishes sounds according to their source, such as choir voices and musical instruments. It also enables listeners to distinguish instruments in the same category (e.g., an oboe and a clarinet, both woodwinds). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctive with its own unique tone color. Musicians distinguish instruments based on their varied timbres, even instruments playing notes at the same pitch and volume ...
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Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece (woodwind), mouthpiece of a woodwind or brass instrument. The word is of French language, French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedag ...
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