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Basilica Del Santo Crucifix
The Basilica del Santo Crucifix is a 1444–1447 bronze sculpture by Donatello on the high altar of the Basilica of Saint Anthony of Padua in Padua. It measures 180 by 166 cm; his only monumental bronze on that scale prior to that date had been his 1423–1425 ''Saint Louis of Toulouse (Donatello), Saint Louis of Toulouse''. The work was originally nude, with a textile loincloth probably intended to be added; the current bronze one is a Baroque addition. The work also marks a development away from the exaggerated realism of his youthful ''Santa Croce Crucifix (sculpture), Santa Croce Crucifix''. Probably the artist's first important commission in Padua, it may have even been the offer of producing this work in bronze (a difficult and costly material) which tempted him to leave Florence for Padua in 1443. He acquired the wax for its modello in 1444 and the work was first displayed in the basilica in 1447, with Donatello paid the last installment of his fee in 1449. He was working ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), known mononymously as Donatello (; ), was an Italian Renaissance sculpture, Italian sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career. His ''David (Donatello, bronze), David'' was the first freestanding Nude (art), nude male sculpture since antiquity; like much of his work it was commissioned by the Medici family. He worked with stone, bronze, wood, clay, stucco, and wax, and used glass in inventive ways. He had several assistants, with four perhaps being a typical number. Although his best-known works are mostly statues executed in the round, he developed a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of Saint Anthony Of Padua
The Pontifical Basilica of Saint Anthony of Padua () is a Catholic Church, Catholic church and Basilicas in the Catholic Church, minor basilica in Padua, Veneto, Northern Italy, dedicated to Anthony of Padua, St. Anthony of Padua. Although the basilica is visited as a place of pilgrimage by people from all over the world, it is not the cathedral of the city, a title belonging to the Cathedral of Padua, Cathedral-Basilica of St. Mary of Padua. The basilica is known locally as "il Santo". It is one of the National shrine, national shrines recognized by the Holy See. Two chapels within the Basilica of Saint Anthony — the Cappella di San Giacomo and the Cappella del beato Luca Belludi — are included in the UNESCO World Heritage Site ''Padua's fourteenth-century fresco cycles'', inscribed in 2021. History Construction of the Basilica probably began around 1232, just one year after the death of St. Anthony of Padova, St. Anthony. It was completed in 1310 although several structu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padua
Padua ( ) is a city and ''comune'' (municipality) in Veneto, northern Italy, and the capital of the province of Padua. The city lies on the banks of the river Bacchiglione, west of Venice and southeast of Vicenza, and has a population of 207,694 as of 2025. It is also the economic and communications hub of the area. Padua is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Besides the Bacchiglione, the Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain. To the city's south west lies the Euganean Hills, Euganaean Hills, which feature in poems by Lucan, Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley. Padua has two UNESCO World Heritage List entries: its Botanical Garden of Padua, Botanical Garden, which is the world's oldest, and its 14th-century frescoes, situated in Padua's fourteenth-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Louis Of Toulouse (Donatello)
In Christian belief, a saint is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and denomination. In Anglican, Oriental Orthodox, and Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but a selected few are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. In many Protestant denominations, and following from Pauline usage, ''saint'' refers broadly to any holy Christian, without special recognition or selection. While the English word ''saint'' (deriving from the Latin ) originated in Christianity, historians of religion tend to use the appellation "in a more general way to refer to the state of special h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Croce Crucifix (sculpture)
The Santa Croce Crucifix is a polychrome wood sculpture by Donatello, perhaps from c.1406-1408, or 1409–10. If the former is the correct dating, then Donatello was a young artist working in Lorenzo Ghiberti's workshop and beginning to get his own commissions. It is now in the Cappella Bardi di Vernio, just off the left transept of Santa Croce in Florence, Italy. History According to the ''Book of Antonio Billi'' (a manuscript of about 1515 in the Biblioteca Nazionale Centrale di Firenze), quoted and added to in Vasari's ''Lives of the Artists'', the work was originally in the church's cappella Barbigia. There it was criticised by Donatello's friend Filippo Brunelleschi (who had gone with him to Rome) as showing a "contadino" (farmer) on a cross, that is for its unusual realism. This spurred Brunelleschi to produce for Santa Maria Novella in c.1410-1415 his own crucifix - Donatello's first sight of that work made him drop the eggs he was carrying. The Anonimo Magliabechiano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; ) is the capital city of the Italy, Italian region of Tuscany. It is also the most populated city in Tuscany, with 362,353 inhabitants, and 989,460 in Metropolitan City of Florence, its metropolitan province as of 2025. Florence was a centre of Middle Ages, medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful House of Medici, Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy. The Florentine dialect forms the base of Italian language, standard Italian and it became the language of culture throughout Italy due to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modello
A modello (plural modelli), from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are " oil sketch" (''schizzo'') and "cartoon" for paintings, tapestry, or stained glass; maquette, plastico or bozzetto for sculpture or architecture; and architectural model. Background Though in Gothic figural arts bishops and abbots are often represented carrying small simulacra of buildings they had constructed – "models" in the familiar modern sense – ''modello'' is only used of pieces which pre-date the finished work, and were at least in part produced by the main artist involved. The less frequently found term ricordo (Italian for "record" or "memory") means a similar piece produced as a small copy ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifixes
A crucifix (from the Latin meaning '(one) fixed to a cross') is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the (Latin for 'body'). The crucifix emphasizes Jesus' sacrifice, including his death by crucifixion, which Christians believe brought about the redemption of mankind. Most crucifixes portray Jesus on a Latin cross, rather than a Tau cross or a Coptic cross. The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Catholic Church, and is also used in the Lutheran Churches, Anglican Churches, Eastern Orthodox Church, and in most Oriental Orthodox Churches (except the Armenian Church and Syriac Church). The symbol is less common in churches of other Protestant denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Sculptures In Padua
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals (such as phosphorus) or metalloids (such as arsenic or silicon). These additions produce a range of alloys some of which are harder than copper alone or have other useful properties, such as strength, ductility, or machinability. The archaeological period during which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age, which started about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures By Donatello
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
