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Basilica Of San Vitale
The Basilica of San Vitale is a late antique church in Ravenna, Italy. The sixth-century church is an important surviving example of early Byzantine art and architecture, and its mosaics in particular are some of the most-studied works in Byzantine art. It is one of eight structures in Ravenna inscribed on the UNESCO World Heritage List. Its foundational inscription describes the church as a basilica, though its centrally-planned design is not typical of the basilica form. Within the Roman Catholic Church it holds the honorific title of basilica for its historic and ecclesial importance. History The church's construction began in 526 on the orders of Bishop Ecclesius of Ravenna. At the time, Ravenna was under the rule of the Ostrogoths. Bishop Maximian completed construction in 547, preceding Justinian's creation of the Exarchate of Ravenna, which followed his partial re-conquest of the Western Roman Empire. The construction of the church was sponsored by local banker and ...
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Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ...
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Maximianus Of Ravenna
Maximianus of Ravenna, or Maximian (499 – February 22, 556; feast day formerly February 21) was bishop of Ravenna in Italy. Ravenna was then the capital of the Byzantine Empire's territories in Italy, and Maximianus's role may have included secular political functions. Life Born in the Istrian town of Vistar (now Veštar) near Pola (Pula) in modern-day Croatia, Maximianus was consecrated bishop of Ravenna in 546 by Pope Vigilius in Patras, Greece. Maximianus was a forty-eight-year-old deacon from Pola when he became the twenty-sixth bishop of Ravenna. According to the ninth-century Ravennate priest Andreas Agnellus, Maximianus' flock initially refused his leadership, because he was selected by the emperor Justinian I and was not their initial candidate. To a modern art historian Meyer Shapiro, "Maximian was "a poor deacon of Pola who rose to a high position through his political adroitness" as a protégé of Justinian I. He had not been wanted as archbishop by the peo ...
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Basilica Of San Vitale - Triumphal Arch Mosaics
In Ancient Roman architecture, a basilica (Greek Basiliké) was a large public building with multiple functions that was typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the ''basilica'' architectural form. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in ...
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Theodora (wife Of Justinian I)
Theodora (; Greek language, Greek: Θεοδώρα; 490/50028 June 548) was a Byzantine empress and wife of emperor Justinian I. She was from humble origins and became empress when her husband became emperor in 527. Theodora was one of his chief political advisers. She is recognized as a saint in the Eastern Orthodox Church and the Oriental Orthodox Church, and commemorated on 14 November. Early years Much of her early life, including the date and place of her birth, is uncertain: her birthplace has been proposed by later sources as Roman Syria, Syria, Cyprus, Paphlagonia, or Alexandria. The modern consensus seems to be that Theodora most likely was born around 495 and raised in Constantinople. Procopius's ''Secret History'' is the foremost source of her life before marriage, but some modern scholars regard it as often unreliable and slanderous. David Potter writes that Procopius' description of Theodora's erotic life "probably was composed as an exaggerated diatribe" and was ...
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Justinian I
Justinian I (, ; 48214 November 565), also known as Justinian the Great, was Roman emperor from 527 to 565. His reign was marked by the ambitious but only partly realized ''renovatio imperii'', or "restoration of the Empire". This ambition was expressed by the partial recovery of the territories of the defunct Western Roman Empire. His general, Belisarius, swiftly conquered the Vandal Kingdom in North Africa. Subsequently, Belisarius, Narses, and other generals Gothic War (535–554), conquered the Ostrogothic Kingdom, restoring Dalmatia, Sicily, Italian peninsula, Italy, and Rome to the empire after more than half a century of rule by the Ostrogoths. The Liberius (praetorian prefect), praetorian prefect Liberius reclaimed the south of the Iberian Peninsula, establishing the province of Spania. These campaigns re-established Roman control over the western Mediterranean, increasing the Empire's annual revenue by over a million ''solidi''. During his reign, Justinian also subdued ...
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Jacopo Guarana
225px, ''Allegory of the virtues Mocenigo'', 1787 Jacopo Guarana (October 28, 1720 – April 18, 1808) was a Venetian painter of the late Baroque period who was born in Verona. He was active mainly in Venice and its mainland territories. In 1750 he completed frescoes for the interior of Ca' Rezzonico and, in 1780, for the church of San Tomà. He also painted for the church of San Teonisto in Treviso and the Villa Contarini in Cinto Euganeo and helped decorate the Villa Pisani at Stra. Other works were completed for the Palazzo Balbi, Palazzo Boldù a San Felice, Palazzo Erizzo a San Martino, Palazzo Michiel del Brusà, and Palazzo Mocenigo a San Stae. Guarana is the last remaining direct heir of the Tiepolesque tradition. He was a founding member of the Venetian Accademia di Belle Arti and is said to have studied under Sebastiano Ricci, then with Giovanni Battista Tiepolo. Among his most popular works are the wall frescoes at the concert hall of the Ospedaletto, Venic ...
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Ubaldo Gandolfi
Ubaldo Gandolfi (1728–1781) was an Italian painter, draughtsman and sculptor of the late-Baroque period, mainly active in and near Bologna. He is known for his biblical, mythological and allegorical subjects as well as his portraits and nudes. Ubaldo and his brother Gaetano were during their lifetime among the first and most celebrated artists of Italy. This fame was gained by the excellent quality of their works, which lead to many and important commissions they had from courts and countries all over Europe.Gaetano e Ubaldo Gandolfi - Opere scelte
Cento (FE) - 13 Aprile - 16 Giugno - 2002 (in Italian)


Life

He was born in San ...
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Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ...
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Ambulatory
The ambulatory ( 'walking place') is the covered passage around a cloister or the processional way around the east end of a cathedral or large church and behind the high altar. The first ambulatory was in France in the 11th century but by the 13th century ambulatories had been introduced in England and many English cathedrals were extended to provide an ambulatory. The same feature is often found in Indian architecture and Buddhist architecture generally, especially in older periods. Ritual circumambulation or parikrama around a stupa or cult image is important in Buddhism and Hinduism. Often the whole building was circumambulated, often many times. The Buddhist chaitya hall always allowed a path for this, and the Durga temple, Aihole (7th or 8th century) is a famous Hindu example. The term is also used to describe a garden feature in the grounds of a country house. A typical example is the one shown, which stands in the grounds of Horton Court in Gloucestershire, England. File:A ...
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Structural Clay Tile
Structural clay tile describes a category of burned-clay building materials used to construct roofing, walls, and flooring for structural and non-structural purposes, especially in fireproofing applications. Also called building tile, structural terra cotta, hollow tile, saltillo tile, and clay block, the material is an extruded clay shape with substantial depth that allows it to be laid in the same manner as other clay or concrete masonry. In North America, it was mainly used during the late 19th and early 20th centuries, reaching peak popularity at the turn of the century and declining around the 1950s. Structural clay tile grew in popularity in the end of the nineteenth-century because it could be constructed faster, was lighter, and required simpler flat falsework than earlier brick vaulting construction. Each unit is generally made of clay or terra-cotta with hollow cavities, or cells, inside it. The colors of terracotta transform from gray (raw, moist clay) to orange, red, ...
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Solidi
The ''solidus'' (Latin 'solid'; : ''solidi'') or ''nomisma'' () was a highly pure gold coin issued in the Later Roman Empire and Byzantine Empire. It was introduced in the early 4th century, replacing the aureus, and its weight of about 4.45 grams remained relatively constant for seven centuries. In the Byzantine Empire, the solidus or nomisma remained a highly pure gold coin until the 11th century, when several Byzantine emperors began to strike the coin with less and less gold. The nomisma was finally abolished by Alexios I Komnenos in 1092, who replaced it with the hyperpyron, which also came to be known as a "bezant". The Byzantine solidus also inspired the zolotnik in the Kievan Rus' and the originally slightly less pure gold dinar first issued by the Umayyad Caliphate beginning in 697. In Western Europe, the solidus was the main gold coin of commerce from late Roman times to the Early Middle Ages. In Late Antiquity and the Middle Ages, the solidus also functioned ...
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Donor Portrait
A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or (much more rarely) her, family. ''Donor portrait'' usually refers to the portrait or portraits of donors alone, as a section of a larger work, whereas ''votive portrait'' may often refer to a whole work of art intended as an ex-voto, including for example a Madonna, especially if the donor is very prominent. The terms are not used very consistently by art historians, as Angela Marisol Roberts points out, and may also be used for smaller religious subjects that were probably made to be retained by the commissioner rather than donated to a church. Donor portraits are very common in religious works of art, especially paintings, of the Middle Ages and Renaissance, the donor usually shown kneeling to one side, in the foreground of the image. Often, even late into the Renaissance, the donor portraits, especially when of ...
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