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Basant Bahar (raga)
Basant or Vasant is a Hindustani classical raga. Raga Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. In the Guru Granth Sahib Ji, there are a total of 60 raga compositions and this raga is the forty-ninth raga to appear in the series. The composition in this raga appear on a total of 29 pages from page numbers (Ang) 1168 to 1170. Basant denotes the changing of the season and the newness of spring. This Raag encourages the mind to brush away its selfishness, just like spring-cleaning removes all the cobwebs and creates a fresh start. There are feelings of hope and expectation of a new beginning and the start of a new cycle. However, these emotions are not dependent on the physical change of the season, but are an encouragement of an internal effort to change. Origin Vasant is a Sanskrit word for "spring". The word is much older than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poorvi (thaat)
Purvi or poorvi is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat A ''thaat'' () is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term '' Melakartha raga'' of Carnatic music. The concept of the ''thaat'' is not exactly equivalent to the western musical scal .... Description Poorvi thaat adds a Komal Dhaivat to Marva thaat. These thaat ragas usually feature komal Rishabh, shuddha Gandhar and Shuddha Nishad along with teevra Madhyam, the note which distinguishes evening from the morning ragas (dawn and sunset). The thaat raga Poorvi is deeply serious, quiet and mysterious in character and is performed at the time of sunset. Pictorial depictions in early texts, often mention the poise, grace, and charm of Poorvi. Ragas Ragas in Poorvi thaat include: * Poorvi * Puriya Dhanashree * Gauri * Shree * Paraj * Basant * Lalit References Hin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balamurali Krishna
Mangalampalli Balamuralikrishna (né Muralikrishna; 6 July 1930 – 22 November 2016) was an Indian Carnatic vocalist, musician, multi-instrumentalist, playback singer, composer, and character actor. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1978. He has garnered two National Film Awards (1976, 1987), the Sangeet Natak Akademi Award in 1975, the Padma Vibhushan, India's second-highest civilian honor in 1991, for his contribution towards arts, the Mahatma Gandhi Silver Medal from UNESCO in 1995, the Chevalier of the Ordre des Arts et des Lettres by the French Government in 2005, the Sangeetha Kalanidhi by Madras Music Academy, and the Sangeetha Kalasikhamani in 1991, by ''the Fine Arts Society'', Chennai to name a few. Balamuralikrishna started his career at the age of six. In his life-time, he gave over 25,000 concerts worldwide. Apart from Pandit Bhimsen Joshi, he presented jugalbandi concerts (duets) with Pandit Hariprasad Chaurasia, Pandit Ajoy Chakrabart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtan
Sikh ''kirta''n with Indian harmoniums and '' Kenya.html" ;"title="tabla'' drums (a common and popular pairing), in Kenya">tabla'' drums (a common and popular pairing), in Kenya (1960s) ''Kirtana'' (; ), also rendered as ''Kiirtan'', ''Kirtan'' or ''Keertan'', is a Sanskrit word that means "narrating, Bhajan, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration, shared recitation, or devotional singing, particularly of spiritual or religious ideas, native to the Indian subcontinent. A person performing kirtan is known as a ''kirtankara'' (or ''kirtankar,'' कीर्तनकार). With roots in the Vedic ''anukirtana'' tradition, a kirtan is a call-and-response or antiphonal style song or chant, set to music, wherein multiple singers recite the names of a deity, describe a legend, express loving devotion to a deity, or discuss spiritual idea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilaiyaraaja
Ilaiyaraaja (born R. Gnanathesikan) is an Indian musician, composer, arranger, conductor, orchestrator, multi-instrumentalist, lyricist and playback singer popular for his works in Indian cinema, predominately in Tamil cinema, Tamil in addition to Telugu cinema, Telugu, Malayalam Cinema, Malayalam, Kannada cinema, Kannada and Hindi cinema, Hindi films. Regarded as one of the most prolific composers, in a career spanning over forty-nine years, he has composed over 8,600 songs, provided film scores for about 1,523 feature films in nine languages, and performed in over 20,000 concerts. He is nicknamed "Isaignani" (the musical sage) and is often referred to as "Maestro", the title conferred to him by the Royal Philharmonic Orchestra, London. Ilaiyaraaja was one of the first Indian film composers to use Western classical music harmonies and string arrangements in Indian film music,Venkatraman, S. 1995. "Film music: the new intercultural idiom of 20th century Indian music". pp. 107– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archanai Pookal
''Archanai Pookal'' () is a 1982 Indian Tamil-language film written and directed by Gokula Krishnan, starring Chandrasekhar, Mohan, Rajyalakshmi and Subathra. The film was released on 15 October 1982, and failed at the box office. Plot Cast * Chandrasekhar * Mohan * Rajyalakshmi * Subhathra * Sangili Murugan * Manorama * Poornam Viswanathan * Senthil Production ''Archanai Pookkal'' marked the directorial debut of Gokula Krishnan who earlier assisted K. Bhagyaraj. Soundtrack The music was composed by Ilaiyaraaja. Reception Sindhu-Jeeva of ''Kalki Kalki (), also called Kalkin, is the prophesied tenth and final incarnation of the Hinduism, Hindu god Vishnu. According to Vaishnavism, Vaishnava cosmology, Kalki is destined to appear at the end of the Kali Yuga, the last of the four ages i ...'' praised the film for pleasant visuals, beautiful music but panned the editing and unnecessary symbolic shots. References External links * * {{Rotten Tomatoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vani Jayaram
Vani Jairam (born Kalaivani; 30 November 1945 – 4 February 2023) was an Indian playback singer in Indian cinema. She is fondly referred to as the "'' Meera of modern India''" Vani's career started in 1971 and has spanned over five decades. She did playback for over one thousand Indian movies recording over 20,000 songs. In addition, she recorded thousands of devotionals and private albums and also participated in numerous solo concerts in India and abroad. Renowned for her vocal range and easy adaptability to any difficult composition, Vani has often been the choice for several composers across India from the 1970s until the late 1990s. She has sung in several Indian languages languages including Kannada, Tamil, Hindi, Telugu, Malayalam, Marathi, Odia, Sanskrit, Gujarati, Haryanvi, Assamese, Tulu, Kashmiri, Bhojpuri, Marwari, Urdu, Konkani, Punjabi and Bengali languages. Vani is the youngest artist to be awarded the "Sangeet Peet Samman". She won the National Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vijaya Bhaskar
Vijaya Bhaskar (; 1924 – 3 March 2002) was an Indian music director and composer who composed music for several mainstream and experimental feature films in the Kannada film industry. Scoring music for over 720 films, Bhaskar worked in Tamil, Telugu, Malayalam, Marathi, Tulu and Konkani language films as well. He had a noted association with directors including KSL Swamy (Ravi), Puttanna Kanagal, Adoor Gopalakrishnan and a long association with singers including P. Susheela and Vani Jairam. Influenced by R C Boral and Mukul Mehta, Bhaskar developed his own style of music and introduced the concept of theme music in Kannada film industry. He is credited for inspiring producers to select popular works of Kannada poets through his music. He was awarded with the Dr. Rajkumar Award and the prestigious Sur Singar Award from Mumbai music lovers (for his classical score in Malaya Marutha Kannada movie, directed by Ravi). He was also a recipient of Karnataka State Film Award for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaalangalil Aval Vasantham (1976 Film)
''Kaalangalil Aval Vasantham'' () is a 1976 Indian Tamil-language film directed by S. P. Muthuraman and produced by S. Baskar. The screenplay was written by Panchu Arunachalam from a story by C. N. Muthu. The film stars R. Muthuraman, Chandrakala and Srividya. It was released on 13 April 1976. The film was remade in Kannada as '' Hrudaya Pallavi'' (1987). Plot It's the story of 2 sisters, Rajalakshmi (Raji), and Kalpana. They live with their father, and is often visited by their uncle Santhanam from Singapore. Kalpana, the younger one is in love with Ravi. The elder sister is about to be married, when fate has it that the groom unfortunately passes away in an accident, leaving her mentally troubled obsessing herself with marriage and groom. On the persuasion of her father, kalpana is asked to marry in the hope that at least his younger daughter would be happy. With initial hesitance she later agrees. Soon after she is married her father passes away leaving the mentally challe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devendran
Devendran also known as Ravi Devendran is an Indian music composer who works in Tamil-language films. He is known for the melodious composition of chartbuster ''Kannukkul Nooru Nilava...'' from the Bharathiraja directed film ''Vedham Pudhithu'' released in the year 1987. Early life Devendran was born and raised in Vadakarai. He studied Carnatic, Hindustani and Western music. Career Devendran began his career as a music teacher at a Tiruvottiyur school. Once when director R. Sundarrajan came as the chief guest for an event there, he was impressed with a song performed by the students, which was composed by Devendran, and announced at the event that he would be the composer of his next directorial. However, since the project was dropped, producer Kovaithambi hired Devendran to debut in film with ''Mannukkul Vairam''. The film's song "Pongiyathe Kadhal" was based on the school composition that Sundarrajan appreciated. Devendran later composed the music for Bharathiraja's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedham Pudhithu
''Vedham Pudhithu'' ( ) is a 1987 Indian Tamil-language drama film directed and co-written by Bharathiraja. It is based on the play ''Saadhigal Illaiyadi Papa'' by K. Kannan, who wrote the film adaptation's dialogues and became known as ''Vedham Pudhithu'' Kannan. The film stars Sathyaraj, Saritha and Amala, with Raja, Charuhasan, Nizhalgal Ravi, Janagaraj and Master Dasarathi in supporting roles. It revolves around an atheist whose son falls in love with a Brahmin woman in the same village, leading to catastrophic consequences. ''Vedham Pudhithu'' criticises the caste system, Tamil Brahminism and their hypocrisies. It was released on 27 December 1987, and became controversial for its depiction of Tamil Brahmins, with the Tamil Nadu Brahmins Association calling for its banning. Despite this, it became a critical and commercial success. The film won three Filmfare Awards South – Best Film – Tamil, Best Director – Tamil and Best Actor – Tamil (Sathy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miruthanga Chakravarthi
''Miruthanga Chakravarthi'' () is a 1983 Indian Tamil-language musical drama film directed by K. Shankar and produced by Sakunthala N. The film stars Sivaji Ganesan, K. R. Vijaya, M. N. Nambiar, V. K. Ramasamy, Prabhu and Sulakshana. It was released on 24 September 1983. Plot Subbaiah is a maestro when it comes to playing Mridangam. He is so renowned that he outshines the singers to whom he serves as accompaniment much to their jealousy. They manipulate the situation where they get his fellow musicians to question his integrity as the chief of union of mridangam causing him to vow off touching mridangam ever again. His son, however shows keen interest which he discourages. As fate would have it, his son falls in love with the daughter of a music lover. Further, his enemy who has now relented, feels guilty and wants the great musician to come back. They use his son as a prop to challenge him forcing him to come back and play one last time. He wins outshining his very talent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thisai Maariya Paravaigal
''Thisai Maariya Paravaigal'' () is a 1979 Indian Tamil-language romantic drama film, directed by S. Jagadeesan who also wrote the story. It was produced by P. S. Veerappa and P. S. V. Hariharan under his productions P. S. V. Pictures. The film stars Sarath Babu and Sumalatha, in her debut film appearance. It was released on 19 October 1979, and won three Tamil Nadu State Film Awards. Plot A harijan girl is brought up by a high-cast Brahmin in the agraharam, and the family is faced with antagonism and hatred. The girl's marriage to a Brahmin boy is thwarted, and out of frustration, she joins a nunnery. Cast Production ''Thisai Maariya Paravaigal'' is Sumalatha's feature film debut. It was shot in Gobichettipalayam. Soundtrack Soundtrack was composed by M. S. Viswanathan. The song "Raja Vaada Singakutti" is based on Kuntalavarali raga. Reception Kausikan of ''Kalki'' praised Jagadeesan's story and direction, the performances of cast, Balakrishnan's cinematograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
