|
Barbe-bleue (opera)
''Barbe-bleue'' (, ''Bluebeard'') is an opéra bouffe, or operetta, in three acts (four scenes) by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic HalévyLamb A. Barbe-bleue. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. based on Charles Perrault's 1697 story. Performance history The work was composed while Offenbach was travelling during 1865, in Vienna, Brussels and Cologne, conducting his works in those cities. Other distractions during the period were the marriage on 9 August in Étretat of his eldest daughter Berthe to Charles Comte (for which he composed a mass) and problems with gout (which he encouraged the press to report). It was first performed at the Théâtre des Variétés, Paris on 5 February 1866, playing for five months. Following the great success of the creators' ''Belle Hélène'', the roles were close relations of the composer's antique operetta: Dupuis (Paris) another seducer, in Barbe-Bleue, Kopp (M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Baron
Louis Baron (real name Louis Bouchêne or Bouchenez; September 1838 – 2 March 1920) was a French actor and bass singer. Biography Louis Baron was born in September 1838 at Alençon.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. His first stage appearances were at the Théâtre de la Tour-d'Auvergne, and subsequently in Limoges (1857–58) and Troyes (1858–59). After military service as a customs officer he then appeared in Toulouse (1863) and Rouen (1864–66). In July 1866 he made his debut at the Théâtre des Variétés in the comedy ''Le photographe'' by Meilhac and Ludovic Halévy, going on to create many other roles in plays by Labiche (''Les trente millions de gladiator'') and Meilhac and Halévy (including ''La cigale'', ''La petite marquise'', and ''Toto chez Tata''). In the field of operetta he created various roles in works by Offenbach including ''La Grande-Duchesse de Gérolstein'', ''Les brigands'', and ''La boulangè ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Dupuis
Joseph-Lambert Dupuis (known as José Dupuis) (18 March 1833, Liège – 9 May 1900, Nogent-sur-Marne) was a Belgian singer and actor. He was principally active in opéra-bouffe in Paris, in particular at the Théâtre des Variétés. Career After making his stage debut in Liège, he moved to Paris in 1851 and made his debut at the Théâtre du Luxembourg-Bobino in 1854. In 1857 he was taken on by Hervé at his Folies-Nouvelles, and continued when the theatre became the Théâtre Déjazet (after its joint manager Virginie Déjazet), only moving on, after fifty or so creations, to the Théâtre des Variétés; he made his debut there on 18 May 1861 in ''Le Sylphe'', a vaudeville by Edmond Rochefort, Charles Varin and Desvergers. Dupuis was chosen by Offenbach for Paris in ''La Belle Hélène'', and alongside Hortense Schneider, he went on to feature in principal roles in the premieres of some of Offenbach’s most famous works: '' Barbe-Bleue'' (title role), ''La Grande-Duc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gill - Dupuis & Mlle Schneider
A gill () is a respiratory organ that many aquatic organisms use to extract dissolved oxygen from water and to excrete carbon dioxide. The gills of some species, such as hermit crabs, have adapted to allow respiration on land provided they are kept moist. The microscopic structure of a gill presents a large surface area to the external environment. Branchia (pl. branchiae) is the zoologists' name for gills (from Ancient Greek ). With the exception of some aquatic insects, the filaments and lamellae (folds) contain blood or coelomic fluid, from which gases are exchanged through the thin walls. The blood carries oxygen to other parts of the body. Carbon dioxide passes from the blood through the thin gill tissue into the water. Gills or gill-like organs, located in different parts of the body, are found in various groups of aquatic animals, including mollusks, crustaceans, insects, fish, and amphibians. Semiterrestrial marine animals such as crabs and mudskippers have gill cham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to current subscribers (through Exact Editions). H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurent Pelly
Laurent Pelly (born 14 January 1962 in Paris) is a French opera and theatre director. He enjoys a career as one of France's most sought after directors of both theatre and opera, working regularly in the world's most prestigious houses. Biography In 1980 (at the age of 18) he founded thCompagnie Théâtrale du Pélicanwhich, from 1982, he co-directed with Agathe Mélinand. In 1994, he became an artist in association with Le Centre Dramatique National des Alpes (CDNA), Grenoble being appointed director from 1997 to 2007. From 2008–2018 he was co-director, with Agathe Mélinand, oThéâtre national de Toulouse Midi-Pyrénées (TNT) Laurent Pelly is particularly renowned for his work in French repertoire, and has a skill for revealing the serious side of comedy. He underlines his interpretation of characters through skilful and inspired costume designs and in recent years has expanded into set design. Many of Laurent Pelly's productions have been filmed for DVD and bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Le Poulain
Jean Le Poulain (12 September 1924 – 1 March 1988) was a French stage actor and stage director. He attended the cours Simon in Paris and won the first prize of Comedy at the Conservatoire national supérieur d'art dramatique in 1949. He was then recruited by Jean Vilar at the Théâtre national populaire and in 1952 he appeared with Gérard Philipe in '' The Prince of Homburg'' by Heinrich von Kleist at the théâtre des Champs-Élysées. He began as an actor both in theatre and cinema in 1947 and often appeared on the regular theatre show of the French television ''Au théâtre ce soir'' created in 1966. He joined the Comédie-Française in 1978, where he became sociétaire in 1980, then General administrator from septembre 1986 until his death, where he portrayed Monsieur Jourdain in Le Bourgeois gentilhomme by Molière. Theatre Actor *1947: ''Un amour comme le nôtre'' by Guy Verdot, *1949: ''L'Habit vert'' by Gaston Arman de Caillavet and Robert de Flers, directe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De Paris
The Théâtre de Paris is a theatre located at 15, rue Blanche in the 9th arrondissement of Paris. It includes a second smaller venue, the Petit Théâtre de Paris. History The first theatre on the site was built by the Duke of Richelieu in 1730. Baron Ogny bought it in 1779 and renamed it Folie-Richelieu. Then during the First Empire it was directed by Fortunée Hamelin, a celebrated member of the ''Merveilleuses'' ("marvelous women") of the Directoire era. In 1811, the Folie-Richelieu was transformed into a park, then demolished completely in 1851 in the redevelopment under Baron Haussmann. It became the site of the church of Sainte-Trinité de Paris with part of the site becoming a roller skating Roller skating is the act of traveling on surfaces with roller skates. It is a recreational activity, a sport, and a form of transportation. Roller rinks and skate parks are built for roller skating, though it also takes place on streets, si ... rink. In 1880, using plans b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Felsenstein
Walter Felsenstein (30 May 1901 – 8 October 1975) was an Austrian theater and opera director. He was one of the most important exponents of textual accuracy, productions in which dramatic and musical values were exquisitely researched and balanced. His most famous students were Götz Friedrich and Harry Kupfer both of whom went on to have important careers developing Felsenstein's work. Opera director Siegfried Schoenbohm was one of his assistants. Biography Felsenstein was born in Vienna and began his career at the Burgtheater there. From 1923 to 1932, he was a theater actor in Lübeck, Mannheim and Beuthen, where he first worked as a director. In Basel and Freiburg im Breisgau, he became closely acquainted with the contemporary concert hall. From 1932 to 1934 he worked as an opera director in Cologne, and from 1934 to 1936 at the Oper Frankfurt. He worked in Zürich from 1938 to 1940 and returned in 1940 to Germany, where he was active at the Berlin Schillertheater unti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komische Oper
The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals. The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History of the building The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as ''"Theater Unter den Linden"'' with Adolf Ferron's operetta ''Daphne'' and Gaul and Haßreiter's ballet ''Die Welt in Bild und Tanz''. The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Théâtre De Paris")
