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Ballo
The ''ballo'' was an Italian dance form during the fifteenth century, most noted for its frequent changes of tempo and meter. The name ''ballo'' has its origin in Latin ''ballō'', ''ballāre'', meaning "to dance", which in turn comes from the Greek "βαλλίζω" (''ballizō''), "to dance, to jump about". In Greece there is the Greek dance named Ballos. Renaissance During the Quattrocento ''balli'' were written by various composers, primarily the dance masters Domenico da Piacenza and Guglielmo Ebreo da Pesaro, who also wrote treatises including choreographies to their works. Domenico wrote of the balli as dealing with four ''misure'': * The bassadanza, from the basse danse, consisting of what would now be labeled as a slow or * The quadernaria, one-sixth faster than the Bassadanza * The saltarello, two-sixths faster than the Bassadanza * The piva, twice as fast as the Bassadanza Baroque The Renaissance dance should be distinguished from the early Baroque ballo, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballos
The Ballos () is a Greek folk dance and a form of sirtos. There are also different versions in other Balkan countries. The Ballos is of Greek origin, with ancient Greek elements. The name originates in the Italian ''ballo'' via Latin "ballo" which derives from the Greek verb "βαλλίζω" ''ballizo'', "to dance, to jump")., myetymology.com The melody of a ''ballos'' is generally joyous and lyrical which is typical of the music of the Aegean Islands. This couples' dance incorporates all the elements of courtship: attraction, flirtation, display of masculine prowess and feminine virtue, pursuit, and rejection followed by eventual capture and surrender. Its origin is in the island culture of Greece. Men could not approach women easily, so they created this dance in order to "flirt" with them. There are various forms of the ''ballos'' around the islands. The simplest is one in which a single couple goes through a series of spontaneous figures. In another version many couples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Dances
Greek dance (''choros''; ) is an old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos, Zeibekiko, and hasapiko. Traditional Greek dancing has a primarily social function. It brings the community together at key points of the year, such as Easter, the grape harvest or patronal festivals; and at key points in the lives of individuals and families, such as weddings. For this reason, tradition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballata
The ''ballata'' (plural: ''ballate'') is an Italian poetic form, poetic and musical form in use from the late 13th to the 15th century. It has the musical form AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the France, French musical 'formes fixes, forme fixe' virelai (and not the ballade (forme fixe), ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to dance, and the form certainly began as dance music. The ballata was one of the most prominent secular musical forms during the trecento, the period often known as the Italian ''ars nova''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ballo Delle Ingrate
''Il ballo delle ingrate'' (''The Ballet of the Female Ingrates'') is a semi-dramatic ballet by the Italian composer Claudio Monteverdi set to a libretto by Ottavio Rinuccini. It was first performed in Mantua on Wednesday, 4 June 1608 as part of the wedding celebrations for Francesco Gonzaga (the son of Monteverdi's patron Duke Vincenzo of Mantua) and Margaret of Savoy. Both Vincenzo and Francesco Gonzaga took part in the dancing. Monteverdi also composed the opera ''L'Arianna'' (to another libretto by Rinuccini) and the music for the prologue to Guarini's play ''L'idropica'' for the occasion. ''Il ballo delle ingrate'' was published as part of Monteverdi's Eighth Book of Madrigals (''Madrigali guerrieri, et amorosi'') in 1638. This printed version probably contains revisions Monteverdi made for a revival in Vienna. The virtuosic bass writing for Plutone is closer in style to Monteverdi's late operas than to that of his '' Orfeo'' (1607). The musicologist Paolo Fabbri believes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, Latin influence in English, including English, having contributed List of Latin words with English derivatives, many words to the English lexicon, particularly after the Christianity in Anglo-Saxon England, Christianization of the Anglo-Saxons and the Norman Conquest. Latin Root (linguistics), roots appear frequently in the technical vocabulary used by fields such as theology, List of Latin and Greek words commonly used in systematic names, the sciences, List of medical roots, suffixes and prefixes, medicine, and List of Latin legal terms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Dance
Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone. At Court, the formal entertainment would often be followed by many hours of country dances which all present could join in. Dances described as country dances such as Chiarantana or Chiaranzana remained popular over a long period – over two centuries in the case of this dance. A Renaissance dance can be likened to a ball. Knowledge of court dances has survived better than that of country dances as they were collected by dancing masters in manuscripts and later in printed books. The earliest surviving manuscripts that provide detailed dance instructions are from 15th century Italy. The earliest printed dance manuals come from late 16th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pastor Fido (Handel)
''Il pastor fido'' ("The Faithful Shepherd") (HWV 8) is an opera seria in a prologue and three acts by George Frideric Handel. It was set to a libretto by Giacomo Rossi based on the famed and widely familiar pastoral poem of the 'Il pastor fido' by Giovanni Battista Guarini. It had its first performance on 22 November 1712 at Her Majesty's Theatre, the Queen's Theatre in the Haymarket, London. Performance history It was composed in 1712 and first performed on 22 November of the same year under the composer. The opera opened to a largely hostile reception, probably due to disappointment after the success of ''Rinaldo (opera), Rinaldo'': one diarist noted critically that "the scene represented only the Country of Arcadia; the Habits [costumes] were old – the Opera short". The roles of Mirtillo and Silvio were originally sung by the castratos Valeriano Pellegrini and Valentino Urbani. The overture is in six movements and is long for its time: it is thought that it may have been or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, Handel spent his early life in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Lambardi
Francesco Lambardi (1587–1642) was a Neapolitan Baroque composer who participated in the staging of ''feste a ballo'' with Giovanni Maria Trabaci. He was born in Naples. Recordings *''Canto d'Amore'' on ''Festa teatrale'', Thomas Hengelbrock Hans Thomas Hengelbrock (born 9 June 1958) is a German violinist, musicologist, stage director and conductor. Biography Hengelbrock was born in Wilhelmshaven, the son of teachers Günther and Dorothea Elisabeth (Schliefert) Hengelbrock. He stud ..., DHM.Gramophone: vol 69 p824-828 1992 "A number of composers contributed to this actually relatively minor celebration (foremost among them Giovanni Maria Trabaci and Francesco Lambardi) and all the vocal numbers have survived together with a few dances. References 1587 births 1642 deaths Musicians from the Kingdom of Naples Composers from Naples Italian male classical composers Italian Baroque composers 17th-century Italian composers 17th-century Italian male musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Dance
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera. English country dance The majority of surviving choreographies from the period are English country dances, such as those in the many editions of John Playford, Playford's ''The Dancing Master''. The descriptions in these various publications give the music, the formation, the number of dancers, and textual descriptions of the figures to be danced in relation to the musical bars, i.e. the floor patterns of the dances. There is only occasional indication of the steps used, presumably because they were well known. However, other sources of the period, such as the writings of the French dancing-masters Raoul Auger Feuillet, Feuillet and Lorin, indicate that steps more complicated than simple walking were used, at least some of the time. English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saltarello
The ''saltarello'' is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscany, Tuscan origin, now in the British Library. It was usually played in a fast meter (music), triple meter and is named for its peculiar leaping step, after the Italian language, Italian verb ''saltare'' ("to jump"). This characteristic is also the basis of the German name ''Hoppertanz'' or ''Hupfertanz'' ("hopping dance"); other names include the French ''pas de Brabant'' and the Spanish ''alta'' or ''alta danza''. History The saltarello enjoyed great popularity in the courts of Middle Ages, medieval Europe. During the 14th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances. Entire dances consisting of only the saltarello step and meter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
