The ''ballata'' (plural: ''ballate'') is an Italian
poetic
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ...
and
musical form
In music, ''form'' refers to the structure of a musical composition or musical improvisation, performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a ...
in use from the late 13th to the 15th century. It has the musical form AbbaA, with the first and last
stanza
In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. ...
s having the same texts. It is thus most similar to the
French
French may refer to:
* Something of, from, or related to France
** French language, which originated in France
** French people, a nation and ethnic group
** French cuisine, cooking traditions and practices
Arts and media
* The French (band), ...
musical '
forme fixe
The ''formes fixes'' (; singular: ''forme fixe'', "fixed form") are the three 14th- and 15th-century French poetic forms: the '' ballade'', '' rondeau'', and ''virelai''. Each was also a musical form, generally a ''chanson'', and all consisted o ...
'
virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three '' formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the ...
(and not the
ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc.
Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to
dance
Dance is an The arts, art form, consisting of sequences of body movements with aesthetic and often Symbol, symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoir ...
, and the form certainly began as dance music.
The ballata was one of the most prominent secular musical forms during the
trecento
The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. The Trecento is considered to be the beginning of the Italian Renaissance or at least the Proto-Renaissance in art history. The Trecento was als ...
, the period often known as the Italian ''
ars nova
''Ars nova'' ()Fallows, David. (2001). "Ars nova". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. refers to a musical style which flourished in the Kingdom of ...
''. Ballate are sung at the end of each day of
Boccaccio
Giovanni Boccaccio ( , ; ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was s ...
's ''
Decameron
''The Decameron'' (; or ''Decamerone'' ), subtitled ''Prince Galehaut'' (Old ) and sometimes nicknamed ''l'Umana commedia'' ("the Human comedy", as it was Boccaccio that dubbed Dante Alighieri's ''Comedy'' "''Divine''"), is a collection of ...
'' (only one musical setting of these poems, by
Lorenzo da Firenze
Lorenzo Masi, known as Lorenzo da Firenze (Magister Laurentius de Florentia; died December 1372 or January 1373), was an Italian composer and music teacher of the Trecento. He was closely associated with Francesco Landini in Florence, and was one ...
, survives). Early ballate, such as those found in the
Rossi Codex
The Rossi Codex is a music manuscript collection of the 14th century. The manuscript is presently divided into two sections, one in the Vatican Library and another, smaller section in the Northern Italian town of Ostiglia. The codex contains 37 ...
are monophonic. Later, ballate are found for two or three voices. The most notable composer of ballate is
Francesco Landini
Francesco Landini ( or 1335 – 2 September 1397; also known by many names) was a Florentine composer, poet, organist, singer and instrument maker, and a central figure of the music of the Trecento in the Italian peninsula.
Name
Frances ...
, who composed in the second half of the 14th century. Other composers of ballata include
Andrea da Firenze
Andreas de Florentia (also known as Andrea da Firenze, Andrea de' Servi, Andrea degli Organi and Andrea di Giovanni; died 1415) was a Florentine composer and organist of the late medieval era. Along with Francesco Landini and Paolo da Firenz ...
, a contemporary of
Francesco Landini
Francesco Landini ( or 1335 – 2 September 1397; also known by many names) was a Florentine composer, poet, organist, singer and instrument maker, and a central figure of the music of the Trecento in the Italian peninsula.
Name
Frances ...
, as well as
Bartolino da Padova,
Johannes Ciconia
Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Franco-Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, parti ...
,
Prepositus BrixiensisStanley Boorman
Stanley may refer to:
Arts and entertainment
Film and television
* ''Stanley'' (1972 film), an American horror film
* ''Stanley'' (1984 film), an Australian comedy
* ''Stanley'' (1999 film), an animated short
* ''Stanley'' (1956 TV series) ...
''Studies in the Performance of Late Medieval Music'' p.225 and
Zacara da Teramo. In the 15th century both
Arnold de Lantins
Arnold de Lantins (fl. 1420s – before 2 July 1432) was a Netherlandish composer of the late medieval and early Renaissance eras. He is one of a few composers who shows aspects of both medieval and Renaissance style, and was a contemporary o ...
and
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397 – 27 November 1474) was a composer and music theorist of early Renaissance music, who is variously described as French or Franco-Flemish. Considered the leading European composer of h ...
wrote ballate; they were among the last to do so.
See also
* ''
Ballo''
References
Medieval music genres
Italian music history
Western medieval lyric forms
{{Poetry-stub