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Ballets By Riccardo Drigo
Riccardo Eugenio Drigo (; 30 June 1846 – 1 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing scores, such as his 1895 edition of Pyotr Ilyich Tch ...
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Riccardo Drigo -1892
Riccardo is a male given name, Italian language, Italian version of Ricardo or Richard. It also may be a surname. It means "Powerful Leader". It may refer to: People A–L *Riccardo Antoniazzi (1853–1912), Italian violin maker *Riccardo Bacchelli (1891–1985), writer *Riccardo Barthelemy (1869–1955), Italian composer *Riccardo Bauer (1896–1982), Italian journalist and politician *Riccardo Bertazzolo (1903–1975), Italian boxer *Riccardo Billi (1906–1982), Italian film actor and comedian *Riccardo Bocchino (born 1988), Italian rugby union player *Riccardo Bonetto (born 1979), Italian football player *Riccardo Brengola (1917–2004), Italian violinist *Riccardo Broschi (1698–1795), composer, brother of famous castrato singer Carlo Broschi *Riccardo Burchielli (born 1975), Italian artist *Riccardo Calimani (born 1946), Italian writer and historian *Riccardo Campa (born 1967), Italian professor *Riccardo Campogiani (1990–2007), Swedish assault victim *Riccardo Carapelles ...
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Barrister
A barrister is a type of lawyer in common law jurisdiction (area), jurisdictions. Barristers mostly specialise in courtroom advocacy and litigation. Their tasks include arguing cases in courts and tribunals, drafting legal pleadings, jurisprudence, researching the law and giving legal opinions. Barristers are distinguished from solicitors and other types of lawyers (e.g. chartered legal executives) who have more direct access to clients, and may do transactional legal work. In some legal systems, including those of Anglo-Dutch law, South Africa, Stockholm Institute for Scandinavian Law#Scandinavian Law, Scandinavia, Law of Pakistan, Pakistan, Law of India, India, Law of Bangladesh, Bangladesh and the Crown Dependencies of Law of Jersey, Jersey, Guernsey#Politics, Guernsey and the Manx Law, Isle of Man, ''barrister'' is also regarded as an honorific. In a few jurisdictions barristers are usually forbidden from "conducting" litigation, and can only act on the instructions of ano ...
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L'elisir D'amore
''L'elisir d'amore'' (; ''The Elixir of Love'') is a (comic melodrama, opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria " Una furtiva lagrima", a '' romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original libretto by Scribe ...
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Baron Karl Karlovich Kister
Baron is a rank of nobility or title of honour, often hereditary, in various European countries, either current or historical. The female equivalent is baroness. Typically, the title denotes an aristocrat who ranks higher than a lord or knight, but lower than a viscount or count. Often, barons hold their fief – their lands and income – directly from the monarch. Barons are less often the vassals of other nobles. In many kingdoms, they were entitled to wear a smaller form of a crown called a ''coronet''. The term originates from the Latin term , via Old French. The use of the title ''baron'' came to England via the Norman Conquest of 1066, then the Normans brought the title to Scotland and Southern Italy. It later spread to Scandinavian and Slavic lands. Etymology The word '':wikt:baron, baron'' comes from the Old French , from a Late Latin">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... , ...
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Concertmaster
The concertmaster (from the German language, German ''Konzertmeister''), first chair (U.S.) or leader (UK) is the principal first violin player in an orchestra (clarinet or oboe in a concert band). After the Conducting, conductor, the concertmaster is the most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is customarily the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a violin concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audienc ...
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I Due Orsi
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural ''ies''. Name In English, the name of the letter is the "long I" sound, pronounced . In most other languages, its name matches the letter's pronunciation in open syllables. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent ...
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Opera Bouffe
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Costantino Dall'Argine
Costantino is both a masculine Italian given name and an Italian surname. Notable people with the name include: People with the given name *Costantino Affer (1906–1987), Italian medallist * Costantino Barbella (1853–1925), Italian sculptor *Costantino Bresciani Turroni (1882–1963), Italian economist and statistician * Costantino de Castro, () Sardinian Roman Catholic bishop * Costantino Catena (born 1969), Italian classical pianist * Costantino Cedini (1741–1811), Italian painter * Costantino Corti, 19th-century Italian sculptor *Costantino D'Orazio (born 1974), Italian art critic and curator * Costantino Fiaschetti, 18th-century Italian architect * Costantino De Giacomo, Italian physician *Costantino Lazzari (1857–1927), Italian politician * Costantino Nigra (1828–1907), Italian diplomat *Costantino Nivola (1911–1988), Italian sculptor *Costantino Pasqualotto (1681–1755), Italian painter *Costantino Patrizi Naro (1798–1876), Italian cardinal * Costantino Rocca (bor ...
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Garibaldi Theatre (Padua)
The Garibaldi Theatre () is the name of many theatres in Italy, particularly in Sicily Sicily (Italian language, Italian and ), officially the Sicilian Region (), is an island in the central Mediterranean Sea, south of the Italian Peninsula in continental Europe and is one of the 20 regions of Italy, regions of Italy. With 4. ...: * Garibaldi Theatre (Enna) * Garibaldi Theatre (Modica) * Garibaldi Theatre (Padua) * Garibaldi Theatre (Palermo) * Garibaldi Theatre (Piazza Armerina) * Garibaldi Theatre (Ragusa) * Garibaldi Theatre (Treviso) {{dab Theatres in Sicily ...
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Waltz
The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. History There are many references to a sliding or gliding dance, including ''volte'', that would evolve into the waltz that date from 16th-century Europe, including the representations of the Printmaking, printmaker Sebald Beham, Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The ...
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Romance (music)
The term romance (, , , , , , ) has a centuries-long history. Applied to narrative ballads in Spain, it came to be used by the 18th century for simple lyrical pieces not only for voice, but also for instruments alone. The ''Oxford Dictionary of Music'' states that "generally it implies a specially personal or tender quality". Instrumental music bearing the title "Romance" Typically, a Classical piece or movement called a "Romance" is in three, meaning three beats in the bar * Ludwig van Beethoven, Beethoven: two violin romances (''Romanzen'') for violin and orchestra, Violin Romance No. 1 (Beethoven), No. 1 G major, Op. 40; Violin Romance No. 2 (Beethoven), No. 2 in F major, Op. 50 take the form of a loose theme and variations * Johannes Brahms: ''Romanze'' in F major for piano, Six Pieces for Piano, Op. 118 (Brahms), Op. 118, No. 5 (1893) * Max Bruch: "Romance for Viola and Orchestra in F" * Arthur Butterworth: Romanza for horn and string quartet with double bass ad libitum ( ...
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian Romantic music, Romantic composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his reside ...
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