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Back Spinning
Back spinning describes the act of manually manipulating a vinyl record (currently playing on a turntable), using enough force to cause the record to spin backward (despite the rotation of the platter beneath it). It is often used in DJing; many DJs use specialty slipmats so that friction will be reduced between the record and the platter. Back spinning is used to "rewind" the sound on a record to a previous point in the audio, to slip cue or cut music mixed live by a DJ, or in beat juggling (see: turntablism). Usually, the sound of a backspin is a shrill, reversed version of the audio being bypassed. Since the sound easily stands out against other forms of music or ambient noise due to its uniqueness, it is usually muted by creative use of a DJ mixer. However, the sound is sometimes used as a sound effect, especially in its attachment to DJs and surrounding cultures such as hip hop Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog signal, analog sound Recording medium, storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph (or "gramophone", "turntable", or "record player"). Records have been produced in different formats with playing times ranging from a few minutes to around 30 minutes per side. For about half a century, the discs were commonly made from shellac and these records typically ran at a rotational speed of 78 rpm, giving it the nickname "78s" ("seventy-eights"). After the 1940s, "vinyl" records made from polyvinyl chloride (PVC) became standard replacing the old 78s and remain so to this day; they have since been produced in various sizes and speeds, mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonograph
A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of sound. The sound vibration Waveform, waveforms are recorded as corresponding physical deviations of a helical or spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a ''Phonograph record, record''. To recreate the sound, the surface is similarly rotated while a playback #Stylus, stylus traces the groove and is therefore vibrated by it, faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a Diaphragm (acoustics), diaphragm that produced sound waves coupled to the open air through a flaring Horn loudspeaker, horn, or directly to the listener's ears through stethoscope-type earphones. The phonograph was invented in 1877 by Thomas Edison; its use would rise the following year. Alexander Graham Bell's Volta Laboratory an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slipmat
A slipmat is a circular piece of slippery cloth or synthetic materials disk jockeys place on the turntable platter instead of the traditional rubber mat. Unlike the rubber mat which is made to hold the record firmly in sync with the rotating platter, slipmats are designed to slip on the platter, allowing the DJ to manipulate a record on a turntable while the platter continues to rotate underneath. This is useful for holding a record still for slip-cueing, making minute adjustments during beatmatching and mixing and pulling the record back and forth for scratching. They are also very commonly used simply as decoration for when a record isn't on the turntable. The slipmat was invented by hip-hop pioneer Grandmaster Flash to improve its sound and move the vinyl counterclockwise without causing too much drag and too much friction. In a Washington Post interview, he recalls "My mother was a seamstress so I knew different types of materials," he continues. Having settled on felt, Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip-cueing
Slip-cueing is a DJ technique for cueing music with turntables. The DJ holds a record still while the platter rotates underneath the slipmat and releases it at the right moment. In this way the record attains the right speed almost immediately, with no need to wait for the heavy platter to accelerate. Slip-cueing was introduced to the disco scene by Francis Grasso, but the technique had been used for many years in the radio broadcast industry; it was often used by radio stations to match a following song to the preceding song, preserving the beat. Grasso used this method to great effect in order to create a continuous flow of music for a nightclub dance floor. See also * Cue (audio) * Needle drop (DJing) * Beatmatching Beatmatching or pitch cue is a DJ technique of pitch shifting or time stretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized� ... Sources ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cut (music)
In African American music, and in deejaying and turntablism, a cut "overtly insists on the repetitive nature of the music, by abruptly skipping it back to another beginning which we have already heard. Moreover, the greater the insistence on the pure beauty and value of repetition, the greater the awareness must also be that repetition takes place not on the level of musical development or progression, but on the purest tonal and timbric level". David Brackett describes the cut, repetition on the level of the beat, ostinato, and the harmonic sequence, as what makes improvisation possible. In a cut repetition is not considered accumulation. "Progress in the sense of 'avoidance of repetition' would at once sabotage such an effort". Brackett finds the cut in all African American folk and popular music "from ring to rap" and lists the blues (AAB), "Rhythm" changes in jazz, the AABA form of bebop, the ostinato vamps at the end of gospel songs allowing improvisation and a ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Juggling
Beat juggling is a deejaying and turntablism technique in which two records are used to prolong an existing beat, or to create a new one. It is associated with the context of hip hop, but not necessarily limited to this genre. Definition Beat juggling can be defined as the art of manipulating two or more samples (e.g. drum beats, or vocal phrases), in order to create a unique composition, using multiple turntables and one or more mixers. This can involve pauses, scratching, backspins and delays. It could be seen as fingertip sampling, and the turntable and mixer combination could be seen as an instrument from which sounds are made, from the sounds of other instruments (samples). Despite being a classical technique in deejaying and turntablism, beat juggling isn't limited to analogue mixing with vinyl records. It can also be achieved by digital means using Compact Disc DJ players or DJ controllers. History Beat juggling has its roots in cutting Cutting is the sep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turntablism
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more Phonograph, turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system (for live events) or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio) so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is a key part of hip hop music), all while using a DJ mixer's cross-fader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Mixer
A DJ mixer is a type of audio mixing console used by disc jockeys (DJs) to control and manipulate multiple audio signals. Some DJs use the mixer to make seamless transitions from one song to another when they are playing records at a dance club. Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds. DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing. The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop. DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience. Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers (such as the ones used in larger nightclubs) can accommodate up to six turntables or CD players. DJs and turntablists in hip hop music and nu m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Effect
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. Traditionally, in the twentieth century, they were created with Foley (filmmaking), Foley. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called ''sound effects''. This area and sound design have been s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip Hop
Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly Bronx. DJs began expanding the instrumental breaks of popular records when they noticed how excited it would make the crowds. The extended instrumental breaks provided a platform for break dancers and rappers. These breakbeats ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJing
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include Radio personality, radio DJs (who host programs on music radio stations), club DJs (who work at nightclubs or music festivals), mobile DJs (who are hired to work at public and private events such as weddings, parties, or festivals), and turntablism, turntablists (who use record players, usually turntables, to manipulate sounds on phonograph records). Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who DJ mix, mix music from other recording media such as compact cassette, cassettes, Compact disc, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names. DJs commonly use audio equipment that can play at least two sources of recorded music simul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turntablism
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more Phonograph, turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system (for live events) or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio) so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is a key part of hip hop music), all while using a DJ mixer's cross-fader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
