Babruvahana (1964 Film)
''Babruvahana'' is a 1964 Indian Telugu-language Hindu mythological film, produced by C. Jaganmohana Rao under the Sri National Art Pictures banner and directed by Samudrala Sr. It stars N. T. Rama Rao, S. Varalakshmi, Chalam, and music composed by Paamarthi. The film is based on the life of ''Babruvahana'', one of the sons of Arjuna. Plot The film begins at Dwaraka, where Krishna announces Rukmini arrival of Arjuna soon. Indeed, he is on an around-the-Earth trip for one year in atonement for the breach of Yudhishthira & Draupadi privacy. One night, when he is unwinding at the banks of the river Ganga. Nagaraja, Kouravya's daughter Ulupi allures and lifts him to Nagaloka. The two conjoin with Nagaraja's blessings. However, their chief minister, Dhrutarastra, is opposed to it. After a while, Arjuna advances to Manipura. He is impressed by its princess Chitrangada, and Emperor Vichitra Vahana approves their espousal, stipulating to bestow their 1st progeny as his heir. Parall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Samudrala Sr
Samudrala Raghavacharya (19 July 1902 – 16 March 1968), also known as Samudrala Sr., was an Indian screenwriter, lyricist, playback singer, director, and producer known for his works in Telugu cinema. Samudrala Senior made his screen debut in 1937, and known for his collaborations with Ghantasala (musician), Ghantasala. Personal life Samudrala Raghavacharya was born in 1902, in Pedapulivarru, Repalle Tehsil, Taluk, Andhra Pradesh, India. Filmography Writer # ''Kanakatara'' (1937) (debut) (dialogues and lyrics) # ''Gruhalakshmi (1938 film), Gruhalakshmi'' (1938) # ''Vande Mataram'' (1939) (dialogue) # ''Sumangali (1940 film), Sumangali'' (1940) (dialogue) # ''Devata (1941 film), Devata'' (1941) (dialogue) # ''Bhakta Potana'' (1942) (story and dialogue) # ''Chenchu Lakshmi (1943 film), Chenchu Lakshmi'' (1943) (story and dialogue) # ''Garuda Garvabhangam'' (1943) (dialogue) # ''Palnati Yudham'' (1947) (dialogue) (screen adaptation) # ''Ratnamala'' (1947) # ''Yogi Vemana'' (1947 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Patala
In Indian religions, Patala ( Sanskrit: पाताल, IAST: pātāla, lit. ''that which is below the feet''), denotes the subterranean realms of the universe – which are located under the earthly dimension. Patala is often translated as underworld or netherworld. Patala is described as more beautiful than Svarga (subtle dimensions, loosely translated as heaven). Patala is described as filled with splendid jewels, beautiful groves and lakes. In Vajrayana Buddhism, caves inhabited by asuras are entrances to Patala; these asuras, particularly female asuras, are often "tamed" (converted to Buddhism) as dharmapala or dakinis by famous Buddhist figures such as Padmasambhava. In Hindu cosmology, the universe is divided into the three worlds: Svarga, Bhumi or Martya (earth/mortal plane) and Patala (gross dimensions, the underworld). Patala is composed of seven realms/dimensions or lokas, the seventh and lowest of them is also called Patala or Naga-loka, the region of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lord Krishna
Krishna (; Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Līlā''. He is a central figure in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a divine hero, alluring god child, cosm ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kanta Rao
Tadepalli Lakshmi Kantha Rao (16 November 1923 – 22 March 2009) was an Indian actor and producer known for his works predominantly in Telugu cinema. Regarded as one of the finest method actors, Rao appeared in more than 400 feature films, starring in many, in a variety of genres including mythological, social and folklore. After a success string in folklore and swashbuckling films, he became popularly referred to as ''Kattula Kantha Rao''. He has also acted in a few Hindi, Kannada, Tamil, and Malayalam movies. He has produced about five films under the Hyma Films banner. In the 1960s, he was one of the primary actors in Telugu cinema, along with N. T. Rama Rao and Akkineni Nageswara Rao. Kantha Rao was known for portraying the roles of Narada, Lord Krishna and Arjuna in mythological films. He played Lakshmana in the blockbuster film '' Lava Kusa'', for which he received ''Vishehsa Puraskaram'' in 1963. Early life Rao was born into a Telugu Brahmin family to Kesavarao ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sudarshana Chakra
The Sudarshana Chakra (, ) is a divine discus, attributed to Vishnu in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). In the ''Rigveda'', the Sudarshana Chakra is stated to be Vishnu's symbol as the wheel of time. The discus later emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as ''Chakraperumal'' or ''Chakratalvar''. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su'' () meaning "good/auspicious" and '' Darshana'' () meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root (''kram'') or (''rt'') or (''kri'') and refers among many meanings, to the wheel of a carriage, wheel of the sun's chariot or metaphorically to the wheel of time. In ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bhishma
Bhishma (), also known as Pitamaha, Gangaputra, and Devavrata, is a central figure in the Hindu epic Mahabharata. He was a statesman and military commander of the ancient Kuru Kingdom. Renowned for his wisdom, valor, and unwavering principles, Bhishma served as the supreme commander of the Kaurava forces during the Kurukshetra War. Born to King Shantanu and the river goddess Ganga, he was originally named Devavrata. He was designated the heir-apparent to the throne. However, he renounced his claim and took a vow of lifelong celibacy to facilitate his father's marriage to Satyavati. This unparalleled sacrifice earned him the title Bhishma, meaning "the one who undertakes a severe vow," and he was blessed with ''Ichcha Mrityu''—the boon of choosing his time of death. Bhishma's life after his vow was marked by unwavering loyalty to the Kuru dynasty. He served as the chief advisor and regent to successive rulers of Hastinapura, including his stepbrothers Chitrangada and Vi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ganga In Hinduism
Ganga (, ) is the personification of the river Ganges, who is worshipped by Hindus as the goddess of purification and forgiveness. Known by many names, Ganga is often depicted as a fair, beautiful woman, riding a divine crocodile-like creature called the makara. Some of the earliest mentions of Ganga are found in the Rigveda, where she is mentioned as the holiest of the rivers. Her stories mainly appear in post-Vedic texts such as the ''Ramayana'', ''Mahabharata,'' and the ''Puranas''. The ''Ramayana'' describes her to be the firstborn of Himavat, the personification of the Himalayas, and the sister of the mother goddess Parvati. However, other texts mention her origin from the preserver deity, Vishnu. Legends focus on her descent to earth, which occurred because of a royal-sage Bhagiratha, aided by the god Shiva. In the epic ''Mahabharata'', Ganga is the mother of the warrior Bhishma in a union with the Kuru king Shantanu. In Hinduism, Ganga is seen as a mother to humani ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vrishaketu
Vrishaketu () is the youngest son of Karna, a character in the Hindu Sanskrit epic ''Mahabharata''. Most of his stories appear in regional adaptations of the ''Mahabharata'', not in the epic itself. Legend Vrishaketu was the youngest son of Karna. He was the only son of Karna to survive the Kurukshetra War. Once Karna's identity as the eldest son of Kunti was revealed, he was taken under the patronage of the Pandavas and received the kingdom of Anga. Before the '' ashvamedha yajna'' of Yudhishthira, he took part in Arjuna's battles against a number of kings.Himanshu Agarwal, 2016Mahabharata Retold: Part - 1 Notion Press. Vrishaketu was an active participant in Yudhishthira's ''ashvamedha yajna'', capturing King Anushalva of the Chandravamsha The Lunar dynasty (IAST: Candravaṃśa) is a legendary principal house of the Kshatriyas varna, or warrior–ruling varna (Social Class) mentioned in the ancient Indian texts. This legendary dynasty was said to be descended from moo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kurukshetra War
The Kurukshetra War (), also called the Mahabharata War, is a war described in the Hindu Indian epic poetry, epic poem ''Mahabharata'', arising from a dynastic struggle between two groups of cousins, the Kauravas and the Pandavas, for the throne of Hastinapura. The war is used as the context for the dialogues of the ''Bhagavad Gita. Background The ''Mahābhārata'' is an account of the life and deeds of several generations of a ruling dynasty called the Kuru (Hindu mythology), Kuru clan. Central to the epic is an account of a war that took place between two rival families belonging to this clan. Kurukshetra (literally "Kshetram, Region of the Kurus"), also known as Dharmakshetra (the "Region of Dharma"), was the battleground on which the Kurukshetra War was fought. The first ''Mahābhārata'' says that this site was chosen because a sin committed on land was forgiven because of the land's sanctity. The events of the war make up more than a quarter of the ''Mahabharata''. The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ashvamedha
The Ashvamedha () was a horse sacrifice ritual followed by the Śrauta tradition of Vedic religion. It was used by ancient Indian kings to prove their imperial sovereignty: a horse accompanied by the king's warriors would be released to wander for a year. In the territory traversed by the horse, any rival could dispute the king's authority by challenging the warriors accompanying it. After one year, if no enemy had managed to kill or capture the horse, the animal would be guided back to the king's capital. It would be then sacrificed, and the king would be declared as an undisputed sovereign. The ritual is recorded as being held by many ancient rulers, but apparently only by two in the last thousand years. The most recent ritual was in 1741, the second one held by Maharajah Jai Singh II of Jaipur. The original Vedic religion had evidently included many animal sacrifices, as had the various folk religions of India. Brahminical Hinduism had evolved opposing animal sacrifices, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Indraprastha
Indraprastha (Sanskrit: इन्द्रप्रस्थ, n̪d̪ɾɐpɾɐst̪ʰə (lit. "Plain of Indra" or "City of Indra") is a city cited in ancient Indian literature as a constituent of the Kuru Kingdom. It was designated the capital of the Pandavas, a brotherly quintet in the Hindu epic '' Mahabharata''. The city is sometimes also referred to as '' Khandavaprastha'' or ''Khandava Forest'', the epithet of a forested region situated on the banks of Yamuna river which, going by the Hindu epic ''Mahabharata,'' was cleared by Krishna and Arjuna to build the city. Under the Pali form of its name, ''Indapatta'', it is also mentioned in Buddhist texts as the capital of the Kuru Mahajanapada. The topography of the medieval fort Purana Qila on the banks of the river Yamuna matches the literary description of the citadel Indraprastha in the Mahabharata; however, excavations in the area have revealed no signs of an ancient fortified city to match the epic's described gran ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Duryodhana
Duryodhana (, Help:IPA/Sanskrit, [d̪ʊɾjoːd̪ʱən̪ᵊ], ), also known as Suyodhana, is the primary antagonist in the Hindu epic ''Mahabharata.'' He is the eldest of the Kaurava, Kauravas, the hundred sons of King Dhritarashtra and Queen Gandhari (Mahabharata), Gandhari of Kuru dynasty. Born through a miraculous manner, his birth is accompanied by ill-omens. Duryodhana grows up in Hastinapur, Hastinapura and later becomes its crown prince. Driven by innate selfishness, jealousy, and hostility towards his cousins—the five Pandava brothers—Duryodhana frequently plots against them, aided by his principal allies: his trickster uncle Shakuni, his loyal friend Karna, his devoted brother Dushasana and his blind and indulgent father Dhritarashtra. Duryodhana's envy culminates in the infamous dice game, where he humiliates Draupadi, the queen of the Pandavas. This incident provokes Bhima, the second Pandava, to vow that he will one day smash Duryodhana's thigh. Later, with the he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |