Babel (film)
''Babel'' is a 2006 psychological drama film directed by Alejandro González Iñárritu and written by Guillermo Arriaga. The multi-narrative drama features an ensemble cast and portrays interwoven stories taking place in Morocco, Japan, Mexico, and the United States. An international co-production among companies based in the United States, Mexico and France, the film completes Arriaga and Iñárritu's ''Death Trilogy'', following '' Amores perros'' (2000) and ''21 Grams'' (2003). ''Babel'' was selected to compete for the Palme d'Or at the 2006 Cannes Film Festival, where González Iñárritu won the Best Director Award. The film was later screened at the Toronto International Film Festival. It opened in selected cities in the United States on 27 October 2006, and went into wide release on 10 November 2006. ''Babel'' received positive reviews and was a financial success, grossing $135 million worldwide. It won the Golden Globe Award for Best Motion Picture – Drama, and r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alejandro González Iñárritu
Alejandro González Iñárritu (born 15 August 1963) is a Mexican filmmaker primarily known for making modern psychological drama (film genre), psychological drama films about the human condition. His most notable films include ''Amores perros'' (2000), ''21 Grams'' (2003), ''Babel (film), Babel'' (2006), ''Biutiful'' (2010), ''Birdman (film), Birdman'' (2014), ''The Revenant (2015 film), The Revenant'' (2015), and ''Bardo, False Chronicle of a Handful of Truths, Bardo'' (2022). His projects have garnered critical acclaim and List of awards and nominations received by Alejandro González Iñárritu, numerous accolades, including five Academy Awards. In 2006, Iñárritu became the List of Mexican Academy Award winners and nominees, first Mexican filmmaker to receive the Best Director Award at the 72nd Cannes Film Festival, Cannes Film Festival. Eight years later, he became the first Mexican filmmaker to be nominated as director or producer in the history of the Academy Awards, a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Screen International
''Screen International'' is a British film magazine covering the international film business. It is published by Media Business Insight, a British B2B media company which also owned '' Broadcast''. The magazine is primarily aimed at those involved in the global film business. The magazine in its current form was founded in 1975, and its website, ''Screendaily.com'', was added in 2001. ''Screen International'' also produces daily publications at film festivals and markets in Berlin, Germany; Cannes, France; Toronto, Ontario, Canada; the American Film Market in Santa Monica, California; and Hong Kong. History ''Screen International'' traces its history back to 1889 with the publication of ''Optical Magic Lantern and Photographic Enlarger''. At the turn of the 20th century, the name changed to ''Cinematographic Journal'' and in 1907 it was renamed '' Kinematograph and Lantern Weekly''. Kinematograph Weekly ''Kinematograph and Lantern Weekly'' contained trade news, advertisemen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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21 Grams
''21 Grams'' is a 2003 American crime thriller film directed by Alejandro González Iñárritu and written by Guillermo Arriaga. It is the second installment in the duo’s informal “Trilogy of Death,” preceded by ''Amores perros'' (2000) and followed by '' Babel'' (2006). The film features an ensemble cast including Sean Penn, Naomi Watts, Benicio del Toro, Charlotte Gainsbourg, and Danny Huston. The narrative centers on the emotional and psychological aftermath of a tragic hit-and-run accident, exploring the intersecting lives of a terminally ill mathematician, a grieving mother, and a reformed ex-convict grappling with his faith. The film employs a nonlinear narrative structure, presenting the characters' past, present, and future in fragmented sequences that gradually converge as the story unfolds. It premiered at the Venice Film Festival before receiving a limited theatrical release in the United States on November 21, 2003, followed by a wider release in early 200 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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International Co-production
A co-production is a joint venture A joint venture (JV) is a business entity created by two or more parties, generally characterized by shared ownership, shared returns and risks, and shared governance. Companies typically pursue joint ventures for one of four reasons: to acce ... between two or more different Production company, production companies for the purpose of film production, television production, video game development, and so on. In the case of an international co-production, production companies from different countries (typically two to three) are working together. Co-production also refers to the way services are produced by their users, in some parts or entirely. History and benefits The journalist Mark Lawson identifies the first use of the term, in the context of radio production, in 1941, although the programme to which he refers, ''Children Calling Home'', "Presented in collaboration between the CBC of Canada, NBC of the U.S.A., and the BBC, and broadc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hyperlink Cinema
Hyperlink cinema is a style of filmmaking characterized by complex or multilinear narrative structures with multiple characters under one unifying theme. History The term was coined by author Alissa Quart, who used the term in her review of the film '' Happy Endings'' (2005) for the film journal ''Film Comment'' in 2005. Film critic Roger Ebert popularized the term when reviewing the film ''Syriana'' in 2005. These films are not hypermedia and do not have actual hyperlinks, but are multilinear in a more metaphorical sense. In describing ''Happy Endings'', Quart considers captions acting as footnotes and split screen as elements of hyperlink cinema and notes the influence of the World Wide Web and multitasking. Playing with time and characters' personal history, plot twists, interwoven storylines between multiple characters, jumping between the beginning and end ( flashback and flashforward) are also elements. Ebert further described hyperlink cinema as films where the characte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ensemble Cast
In a dramatic production, an ensemble cast is one that comprises many principal actors and performers who are typically assigned roughly equal amounts of screen time.Random House: ensemble acting Linked 2013-07-17 Structure In contrast to the popular model, which gives precedence to a sole protagonist, an ensemble cast leans more towards a sense of "collectivity and community". Cinema Ensemble casts in film were introduced as early as September 1916, with D. W. Griffith's silent epic film '' Intolerance'', featuring four separate though parallel plots. The film follows the lives of several characters over hundreds of years, across different cultures and time periods. The unification of different plot lines and character arcs is a key characteristic of ensemble casting in film; whether it is a location, event, or an overarching theme that ties the film and characters together. Films that feature ensembles tend to emphasize the interconnectivity of the characters, even when the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Multiperspectivity
Multiperspectivity (sometimes polyperspectivity) is a characteristic of narration or representation, where more than one perspective is represented to the audience. Most frequently the term is applied to fiction which employs multiple narrators, often in opposition to each-other or to illuminate different elements of a plot, creating what is sometimes called a multiple narrative, or multi-narrative. However, a similar concept is applied to historical process, in which multiple different perspectives are used to evaluate events. Educators have extended the concept and term to apply to techniques used to teach multiple disciplines, including social sciences, like economics and civics, and physical education Physical education is an academic subject taught in schools worldwide, encompassing Primary education, primary, Secondary education, secondary, and sometimes tertiary education. It is often referred to as Phys. Ed. or PE, and in the United Stat .... Use in history Th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psychological Drama
Psychological drama, or psychodrama, is a Genre, subgenre of Drama (film and television), drama and psychological fiction literatures that generally focuses upon the emotional, mental, and psychological development of the protagonists and other characters within the narrative, which is highlighted by the drama. It is widely known as one of the main subgenres of psychological fiction; the subgenre is commonly used for films and television series. Discussion of the subgenre The roots of the subgenre can be traced back to the early 20th century, emerging from a rich tapestry of literature that focused on the inner workings of the mind. As cinema evolved, filmmakers began to see the potential for the medium to explore complex psychological themes and narratives. Characteristics Similar with these psychological genres, but rather than using imagery to provoke fear, suspense or terror, they utilize dramatic settings to elicit a Shock value, strong, emotional value from audiences. P ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Berber Languages
The Berber languages, also known as the Amazigh languages or Tamazight, are a branch of the Afroasiatic language family. They comprise a group of closely related but mostly mutually unintelligible languages spoken by Berbers, Berber communities, who are indigenous to North Africa.Hayward, Richard J., chapter ''Afroasiatic'' in Heine, Bernd & Nurse, Derek, editors, ''African Languages: An Introduction'' Cambridge 2000. . The languages are primarily spoken and not typically written. Historically, they have been written with the ancient Libyco-Berber script, which now exists in the form of Tifinagh. Today, they may also be written in the Berber Latin alphabet or the Arabic script, with Latin being the most pervasive. The Berber languages have a similar level of variety to the Romance languages, although they are sometimes referred to as a single collective language, often as "Berber", "Tamazight", or "Amazigh". The languages, with a few exceptions, form a dialect continuum. There is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Japanese Sign Language
, also known by the acronym JSL, is the dominant sign language in Japan and is a complete natural language, distinct from but influenced by the spoken Japanese language. Population There are 304,000 Deaf and Hard of Hearing people who are above age 18 in Japan (2008). However, there is no specific source about the number of JSL users because of the difficulty in distinguishing who are JSL users and who use other kinds of sign, like and . According to the Japanese Association for Sign Language Studies, the estimated number of JSL users is around 60,000 in Japan. History Little is known about sign language and the deaf community before the Edo period. In 1862, the Tokugawa shogunate dispatched envoys to various European schools for the deaf but the first school for the deaf was not established until 1878 in Kyōto. It was founded by Tashiro Furukawa, who also developed what would become JSL. Until 1948, deaf children were not required to attend school or to receive a formal e ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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British Board Of Film Classification
The British Board of Film Classification (BBFC) is a non-governmental organization, non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works (such as television programmes, Trailer (promotion), trailers, adverts, public information/campaigning films, menus, bonus content, etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray Disc, Blu-ray (including Blu-ray 3D, 3D and Ultra HD Blu-ray, 4K UHD formats), and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification, UK age-verification scheme, which was abandoned before being implemented. History and overview The BBFC was established in 1912 as the British Board of Film Censors, under the aegis of the Incorporated Associa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |