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BWV 35
(Spirit and soul become confused), 35, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for alto voice in Leipzig for the twelfth Sunday after Trinity and first performed it on 8 September 1726. Bach composed the cantata in his fourth year as ''Thomaskantor'' (musical director) in Leipzig. The text is based on the day's prescribed reading from the Gospel of Mark, the healing of a deaf mute man. The librettist is Georg Christian Lehms, whose poetry Bach had used already in Weimar as the basis for solo cantatas. The text quotes ideas from the gospel and derives from these the analogy that as the tongue of the deaf mute man was opened, the believer should be open to admire God's miraculous deeds. The cantatas for this Sunday have a positive character, which Bach stressed in earlier works for the occasion by including trumpets in the score. In this work, he uses instead an obbligato solo organ in several movements. The cantata is structured in seven movem ...
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Sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and Φωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as '' Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (HWV 56), "Overture to the Messiah" ( French Overture in E minor) was originally titled "Sinfony". In the 20th ...
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List Of Bach Cantatas By Liturgical Function
Throughout his life as a musician, Johann Sebastian Bach composed Bach cantata, cantatas for both List of secular cantatas by Johann Sebastian Bach, secular and sacred use. He composed his church cantatas for use in the Lutheranism, Lutheran church, mainly intended for the occasions of the liturgical year. Bach's Nekrolog, Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: ''scores:Bach-Gesellschaft Ausgabe/Thematic Catalogue, Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas ...
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Craig Smith (conductor)
Craig Smith (January 31, 1947 – November 14, 2007) was an American conducting, conductor who is considered a seminal figure in Boston's Baroque music revival of the 1970s and 1980s. At the beginning of his career, in 1970, he founded Emmanuel Music, a widely recognized organization that continues to focus on performances of the works of Johann Sebastian Bach. Biography Born in Lewiston, Idaho, Smith began studying the piano at the age of four. His mother was a teacher and his father a carpenter. Although neither of his parents were working musicians, they constantly encouraged their children's musical education. For Craig that meant flute lessons in addition to the piano. With his parents and his brother Kent he traveled frequently throughout the Northwest to concerts as he was growing up. In high school, Smith was active in musical ensembles including the band and several choirs. In 1965 Smith entered Washington State University, where he was first exposed to the production ...
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Second Epistle To The Corinthians
The Second Epistle to the Corinthians is a Pauline epistle of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and a co-author named Saint Timothy, Timothy, and is addressed to the church in Ancient Corinth, Corinth and Christians in the surrounding province of Achaea (Roman province), Achaea, in modern-day Greece. According to Jerome, Saint Titus, Titus was the amanuensis of this epistle. Composition While there is little doubt among scholars that Paul is the author, there is discussion over whether the Epistle was originally one letter or composed from two or more of Paul's letters. Although the New Testament contains only two letters to the Corinthian church, the evidence from the letters themselves is that he wrote at least four and the church replied at least once: # 1 Corinthians 5:9 ("''I wrote unto you in an epistle not to company with fornicators''", KJV) refers to an early letter, sometimes called the "warning letter" or the "pr ...
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Bartholomeus Breenbergh 003
Bartholomeus, Bartholomaeus or Barthelomaeus is a masculine name, masculine Latin given name, the Latin cognate, equivalent of Bartholomew (name), Bartholomew. The German cognate is Bartholomäus. Notable people with the name include: * Amadeus of the Amidei, Bartholomeus Amadeus degli Amidei (died 1266), Italian founder of the Servite Order * Bartholomeus Amicus (1562–1649), Jesuit priest, teacher and writer who spent his adult life in Naples * Bartholomeus Anglicus (1203–1272), scholastic scholar of Paris, member of the Franciscan order * Bartholomeus Appelman (1628–1686), Dutch landscape painter * Bartholomeus Assteyn (1607–1669/1677), Dutch still life painter * Bartholomeus Barbiers (1743–1808), Dutch landscape painter * Bartholomeus van Bassen (1590–1652), Dutch painter and architect * Bart Bok, Bartholomeus Jan "Bart" Bok (1906–1983), Dutch-born American astronomer * Bartholomeus Breenbergh (1598–1657), Dutch painter * Bartholomaeus of Bruges (died 1356), Flem ...
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Hyperion Records
Hyperion Records is a British classical music record label. It was independent until February 2023, when it was acquired by the Universal Music Group. Under Universal, Hyperion is one of the three main classical record labels, alongside Decca and Deutsche Grammophon. History Hyperion is a British classical label established in 1980, showcasing recordings of music of all genres from the 12th century to the 21st. The company is eponymous with Hyperion, one of the Titans of Greek mythology. George Edward Perry (known as "Ted") founded the company. Early LP releases include rarely recorded 20th-century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The venture's success was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, '' A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. After the death on 9 February 2003 of Hyperion Records founder Ted ...
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Soli Deo Gloria (record Label)
Soli Deo Gloria is a British record label which releases recordings of the Monteverdi Choir and other ensembles conducted by Sir John Eliot Gardiner. It was founded in order to release recordings made during the Bach Cantata pilgrimage that took place in the year 2000. According to its website, the name ''Soli Deo Gloria'' is drawn from the initials that Johann Sebastian Bach appended at the end of each of his cantatas, dedicating them to the "glory of God alone". The label is a not-for-profit organisation. Bach recordings Cantata set Gardiner had a successful collaboration with Deutsche Grammophon from the 1980s, but the company was willing to release only a small number of the Bach cantatas which were recorded live in 2000. SDG set out to release a complete set of CDs of the Bach Cantata pilgrimage's concerts. In October 2005 its very first release, ''Bach Cantatas, volume 1'' (SDG101), won "Record of the Year" at the Gramophone Awards. In 2011, by which time nearly all Ba ...
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Church Cantatas Of Bach's Third To Fifth Year In Leipzig
On Trinity Sunday 27 May 1725 Johann Sebastian Bach had presented the last Church cantata (Bach), cantata of his Bach's second cantata cycle, second cantata cycle, the cycle which coincided with his second year in Leipzig. As director musices of the principal churches in Leipzig he presented a variety of cantatas over the next three years. New cantatas for occasions of the liturgical year composed in this period, except for a few in the chorale cantata (Bach), chorale cantata format, are known as Bach's third cantata cycle. His next cycle of church cantatas, the Picander cycle, did not start before St. John's Day 24 June 1728. Sacred music of this period by Bach that does not belong to a cantata cycle includes council election cantatas, Passion music for Good Friday, and music for weddings and funerals. Annually returning services After Trinity of 1725 Johann Sebastian Bach began a third annual cycle, but with less consistency than the previous two. The oldest extant cantata of t ...
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List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 occasions (e.g. '' Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays of Lent (apart when Annunciation fell on a Sund ...
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Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned i ..., ...
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Oboe
The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, measures roughly long and has metal Key (instrument), keys, a conical Bore (wind instruments), bore and a flared bell. Sound is produced by blowing into the Reed (instrument), reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the soprano member rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in Orchestra, symphony orchestras, concert bands and chamber music, chamber ensembles. The oboe is especially used in classical music, film music, some ge ...
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Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a Historically informed performance, historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, Woodwind instrument, woodwinds, String instrument, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period was based on string instruments (violin, viola) and #Continuo, continuo. A continuous bass was the rule ...
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