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BWV 248 VI A
(Lord, when our insolent enemies snort), BWV 248VI (also written as BWV 248 VI), is a church cantata by Johann Sebastian Bach, composed for Epiphany as the sixth part of his ''Christmas Oratorio'' for the Christmas season of 1734–35 in Leipzig. The cantata was first performed in two major churches there on . The topic of Part VI follows the Gospel of Matthew, telling of the Adoration of the Magi. Bach scored it for a festive orchestra, with all instruments from Part I except the flutes. Its exceptional closing chorale, with the voices embedded in an orchestral concerto dominated by the first trumpet, closes not only the cantata but also the oratorio. History Bach was Thomaskantor, responsible for church music at four churches in Leipzig, a position he had assumed in 1723. Bach had presented church cantatas for the Christmas season in the Thomaskirche and Nikolaikirche, including two cantatas for Epiphany: * As part of his first cantata cycle: ''Sie werden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance in a church service on a feast day of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici ( Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach's First Cantata Cycle
Bach's first cantata cycle refers to the church cantatas Johann Sebastian Bach composed for the somewhat less than 60 occasions of the liturgical year of his first year as in Leipzig which required concerted music. That year ran from the first Sunday after Trinity The Trinity (, from 'threefold') is the Christian doctrine concerning the nature of God, which defines one God existing in three, , consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, thr ... in 1723 to Trinity Sunday of the next year: List 1723 # Trinity I, : ''Die Elenden sollen essen'', BWV 75 # Trinity II, : ''Die Himmel erzählen die Ehre Gottes'', BWV 76 # Trinity III, : Weimar cantata ''Ich hatte viel Bekümmernis'', BWV 21 restaged (third version in C minor) # Trinity IV, : ''Ein ungefärbt Gemüte'', BWV 24, and Weimar cantata ''Barmherziges Herze der ewigen Liebe'', BWV 185 restaged # Nativity of St. John the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV Anh
The BWV Anh. () is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach. History First edition of the ''Bach-Werke-Verzeichnis'' (1950) In 1950 the ''Bach-Werke-Verzeichnis'' was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata): # List of compositions by Johann Sebastian Bach#BWV Chapter 1, Kantaten (Cantatas), BWV 1–224 # List of compositions by Johann Sebastian Bach#BWV Chapter 2, Motetten (Motets), BWV 225–231 # List of compositions by Johann Sebastian Bach#BWV Chapter 3, Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243 # List of compositions by Johann Sebastian Bach#BWV Chapter 4, Passionen, Oratorien (Passions, Oratorios), BWV 244–249 # List of compositions by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many works by Johann Sebastian Bach, notably the St Matthew Passion of 1727. Life and career Henrici was born in Stolpen. He studied law at Wittenberg and Leipzig. He wrote to supplement his income from tutoring and continued even after obtaining regular employment as a civil servant. Librettist for Bach Bach moved to Leipzig in 1723. There is uncertainty as to who was writing the libretti he set during his first years in the city. The authors of the libretti for the Chorale cantata cycle of 1724/25 are anonymous. By 1725, Henrici and Bach were working together, resulting in two related compositions, the '' Shepherd Cantata'' and an Easter cantata which became the '' Easter Oratorio''. Their best-known collaboration was the St Matthew Passion of 1727. They worked together on other cantatas, secular (such as the ''Coffee Cantata ' (Be sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Secular Cantatas By Johann Sebastian Bach
Apart from church cantata (Bach), his hundreds of church cantatas, Johann Sebastian Bach wrote secular cantatas in Weimar, Köthen and Leipzig, for instance for members of the Royal-Polish and Prince-electoral Saxonian family (e.g. ''Trauer-Ode''), or other public or private occasions (e.g. ''Hunting Cantata''). The text of these cantatas was occasionally in dialect (e.g. ''Peasant Cantata'') or in Italian (e.g. ''Amore traditore''). Many of the secular cantatas were lost, but for some of these the text and the occasion are known, for instance when Picander later published their libretto (e.g. BWV BWV Anh. 11, Anh. 11–BWV Anh. 12, 12). Some of the secular cantatas had a plot carried by mythological figures of Greek antiquity (e.g. ''Der Streit zwischen Phoebus und Pan''), others were almost miniature buffo operas (e.g. ''Coffee Cantata''). Extant secular cantatas are published in the New Bach Edition (Neue Bach-Ausgabe, NBA), Series I, volumes 35 to 40, with the two Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 1160
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomanerchor
The Thomanerchor (English: St. Thomas Choir of Leipzig) is a boys' choir in Leipzig, Germany. The choir was founded in 1212. The choir comprises about 90 boys from 9 to 18 years of age. The members, called ''Thomaner'', reside in a boarding school, the ''Thomasalumnat'' and attend the St. Thomas School, Leipzig, a Gymnasium (school), Gymnasium school with a linguistic profile and a focus on musical education. The younger members attend the primary school ''Grundschule Forum Thomanum'' or ''Anna-Magdalena-Bach-Schule''. Johann Sebastian Bach served as Thomaskantor, director of the choir and church music in Leipzig, from 1723 to 1750. The choir Although the choir's main musical field traditionally consists of the vocal works of Johann Sebastian Bach, the repertoire comprises pieces from different eras, from the Renaissance to contemporary music. Andreas Reize is the 18th Thomaskantor since Bach. The Forum Thomanum is the campus of the choir in the Bach quarter of Leipzig. It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheranism, Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nativity Of Jesus
The Nativity or birth of Jesus Christ is found in the biblical gospels of Gospel of Matthew, Matthew and Gospel of Luke, Luke. The two accounts agree that Jesus was born in Bethlehem, Palestine, in Herodian kingdom, Roman-controlled Judea, that Mary, mother of Jesus, his mother, Mary, was engaged to a man named Saint Joseph, Joseph, who was Davidic line, descended from King David and was not his biological father, and that his birth was Virgin birth of Jesus, caused by divine intervention. The majority of contemporary scholars do not see the two canonical gospel Nativity of Jesus, Nativity stories as historically factualMarcus Borg, 'The Meaning of the Birth Stories' in Marcus Borg, N T Wright, ''The Meaning of Jesus: Two Visions'' (Harper One, 2007) page 179: "I (and most mainline scholars) do not see these stories as historically factual." since they present clashing accounts and irreconcilable Genealogy of Jesus, genealogies. The secular history of the time does not synchron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liebster Immanuel, Herzog Der Frommen, BWV 123
(Dearest Immanuel, Lord of the Faithful), 123, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Epiphany and first performed it on 6 January 1725. It is based on the 1679 hymn of the same name by Ahasverus Fritsch which is focused on the contrast of the vanities of the world and the trust in support by Jesus. The cantata is part of Bach's chorale cantata cycle, the second cycle during his tenure as that began in 1723. In the style of the cycle, an unknown poet retained the outer stanzas for framing choral movements and paraphrased the inner stanzas into four movements for soloists, alternating recitatives and arias. Bach scored the work for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of traversos, two oboes d'amore, strings and basso continuo. History, hymn and words Bach wrote the chorale cantata in his second year in Leipzig to conclude a set of Christmas cantatas on the Feast of Epiphany. The prescribed rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
