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BWV 208
''Was mir behagt, ist nur die muntre Jagd'' (The lively hunt is all my heart's desire), 208.1, BWV 208,Work at Bach Digital website. also known as the ''Hunting Cantata'', is a secular cantata composed by Johann Sebastian Bach, belatedly for the birthday of Duke Christian of Saxe-Weissenfels on 27 February 1713. A performance lasts about forty minutes. The aria "Schafe können sicher weiden" (" Sheep May Safely Graze") is the most familiar part of this cantata. History and text It is Bach's earliest surviving secular cantata, composed while he was employed as court organist in Weimar. The work may have been intended as a 31st birthday gift from Bach's employer, William Ernest, Duke of Saxe-Weimar, for his neighbouring ruler, Duke Christian, who was a keen hunter. Bach is known to have stayed in Weißenfels in 1713 for the birthday celebrations. He went on to earn more commissions from Saxe-Weissenfels, and in 1729, Bach was appointed Royal Kapellmeister, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diana (mythology)
Diana is a goddess in Religion in ancient Rome, Roman religion, primarily considered a patroness of the countryside and nature, hunters, wildlife, childbirth, crossroads, the night, and the Moon. She is Syncretism, equated with the Greek mythology, Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter (mythology), Jupiter and Latona, and a twin brother, Apollo,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. though she had Diana Nemorensis, an independent origin in Italy. Diana is considered a virgin goddess and protector of childbirth. Historically, Diana made up a triad with two other Roman deities: Egeria (mythology), Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god. Diana is revered in modern Modern paganism, neopagan religions including Reconstructionist Roman religion, Roman neopaganism, Stregheria, and Wic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Goodman
Roy Goodman (born 26 January 1951) is an English conductor and violinist, specialising in the performance and direction of early music. He became internationally famous as the 12-year-old boy treble soloist in the March 1963 recording of Allegri's '' Miserere'' with the Choir of King's College, Cambridge, under David Willcocks. Life and career Goodman was born in Guildford, studied at the Royal College of Music, and became a Fellow of the Royal College of Organists and Associate of the Royal College of Music. He has also served as Director of Music at the University of Kent in Canterbury and Director of Early music Studies at the Royal Academy of Music. As a violinist and concertmaster, he played from 1975 to 1985 under the baton of Iván Fischer, John Eliot Gardiner, Charles Mackerras, Roger Norrington, and Simon Rattle (at Glyndebourne Opera). He was viola d'amore soloist with the Academy of St Martin in the Fields under Neville Marriner and the Philharmonia Orchestra un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brandenburg Concertos
The ''Brandenburg Concertos'' ( BWV 1046–1051) by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). The original French title is ''Six Concerts Avec plusieurs instruments'', meaning "Six Concertos for several instruments". Some of the pieces feature several solo instruments in combination. They are widely regarded as some of the greatest orchestral compositions of the Baroque era. History It is uncertain when most of the material for the Brandenburg Concertos was written. It is clear that the first movement of Concerto No. 1 (BWV 1046) was based on an introduction to Bach's 1713 cantata '' Was mir behagt'', and the second and last may have been as well. It also seems likely that Concerto No. 5 was the last to be written; it features a prominent harpsichord part, which is presumed to be for a new instrument ordered for Prince Leopold from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach (journal)
''Bach'' is a biannual peer-reviewed academic journal published by the Riemenschneider Bach Institute at Baldwin Wallace University. It covers the study of Johann Sebastian Bach and Baroque music. The journal was established in 1970, and the 2016–2017 guest editor is Mary Greer (Cambridge, Massachusetts Cambridge ( ) is a city in Middlesex County, Massachusetts, United States. It is a suburb in the Greater Boston metropolitan area, located directly across the Charles River from Boston. The city's population as of the 2020 United States census, ..., U.S.). External links * Johann Sebastian Bach Music journals Biannual journals Academic journals established in 1970 English-language journals Baldwin Wallace University 1970 establishments in Ohio {{music-journal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violone
The term violone (; literally 'large viol', being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted instrument, and may have six, five, four, or even only three strings. The violone is also not always a contrabass instrument. In modern parlance, one usually tries to clarify the 'type' of violone by adding a qualifier based on the tuning (such as "G violone" or "D violone") or on geography (such as "Viennese violone"), or by using other terms that have a more precise connotation (such as "bass violin", "violoncello", or "bass viol"). The term violone may be used correctly to describe many different instruments, yet distinguishing among these types can be difficult, especially for those not familiar with the historical instruments of the viol and violin families and their respective variations in tuning. Usage In modern usage, the term most often refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taille (instrument)
The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. The instrument was first used in ''Alcidiane'' by Jean-Baptiste Lully in 1658 and in French ensembles known as the ''bandes de hautbois'', in which it played the inner lines of polyphonic compositions. J.S. Bach employed it when a low-pitched oboe was needed to double the viola parts in several of his cantatas, but almost exclusively in movements of a jubilant or otherwise loud nature due to its having had a more piercing sound than that of the cor anglais. Today, the instrument is rare outside period ensembles, and a cor anglais is commonly substituted. However, the period-instrument movement has seen a revival of the taille, with a number of makers now producing reproductions of classic examples. The term was also later applied to any instrument that played the tenor part in an orchestra, e.g. the tenor viol The viol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and '' hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (god)
In ancient Greek religion and Greek mythology, mythology, Pan (; ) is the god of the wild, shepherds and flocks, Pastoral#Pastoral music, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia (ancient region), Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Religion in ancient Rome, Roman religion and myth, Pan was frequently identified with Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna (goddess), Fauna; he was also closely associated with Silvanus (mythology), Silvanus, due to their similar relationships with woodlands, and Inuus, a vaguely-defined deity also sometimes identified with Faunus. In the eighteenth and nineteenth centuries, Pan became a significant figure in Romanticism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
