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BWV 127
(Lord Jesus Christ, true Man and God), 127, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in 1725 in Leipzig for the Sunday , the Sunday before Lent, and first performed it on 11 February 1725. It is based on Paul Eber's 1582 hymn in eight stanzas "". In the format of the chorale cantata cycle, an unknown librettist retained the outer stanzas unchanged, but paraphrased the inner stanzas for vocal soloists. Bach structured the cantata in five movements and scored it for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of trumpet, two recorders, two oboes, strings and continuo. The outer choral movements use the hymn tune, the first movement in a chorale fantasia, the last one in a four-part setting. In the first movement, Bach quoted two other chorales, "" as an instrumental and "" repeatedly in the continuo. The third movement features unusual scoring for an obbligato oboe and pizzicato strings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata Cycle
Johann Sebastian Bach's chorale cantata cycle is the Cantata cycle (Bach), year-cycle of Church cantata (Bach), church cantatas he started composing in Leipzig from the first Sunday after Trinity Sunday, Trinity in 1724. It followed the cantata cycle he had composed from his appointment as Thomaskantor after Trinity in 1723. Bach's second cantata cycle is commonly used as a synonym for his List of chorale cantatas by Johann Sebastian Bach, chorale cantata cycle, but strictly speaking both cycles overlap only for 40 cantatas. Two further chorale cantatas may belong to both cycles: the final version of , and the earliest version of ; it is, however, uncertain whether these versions were first presented in Bach's second year in Leipzig. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. After his second year in Leipzig, he composed at least eight further cantatas for in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a Historically informed performance, historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, Woodwind instrument, woodwinds, String instrument, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period was based on string instruments (violin, viola) and #Continuo, continuo. A continuous bass was the rule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach's First Cantata Cycle
Bach's first cantata cycle refers to the church cantatas Johann Sebastian Bach composed for the somewhat less than 60 occasions of the liturgical year of his first year as in Leipzig which required concerted music. That year ran from the first Sunday after Trinity The Trinity (, from 'threefold') is the Christian doctrine concerning the nature of God, which defines one God existing in three, , consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, thr ... in 1723 to Trinity Sunday of the next year: List 1723 # Trinity I, : ''Die Elenden sollen essen'', BWV 75 # Trinity II, : ''Die Himmel erzählen die Ehre Gottes'', BWV 76 # Trinity III, : Weimar cantata ''Ich hatte viel Bekümmernis'', BWV 21 restaged (third version in C minor) # Trinity IV, : ''Ein ungefärbt Gemüte'', BWV 24, and Weimar cantata ''Barmherziges Herze der ewigen Liebe'', BWV 185 restaged # Nativity of St. John the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity Sunday
Trinity Sunday is the first Sunday after Pentecost in the Western Christianity, Western Christian liturgical year, liturgical calendar, and the Sunday of Pentecost in Eastern Christianity. Trinity Sunday celebrates the Christian doctrine of the Trinity, the three Persons of God: the God the Father, Father, the God the Son, Son, and the Holy Spirit. Western Christianity Trinity Sunday is celebrated in all denominations of the Western liturgical churches: Latin Catholic, Lutheran, Anglican, Reformed Christianity, Reformed (Continental Reformed, Presbyterian, Congregationalist), and Methodist. History In the early Church, no special Office or day was assigned for the Holy Trinity. When Arianism, the Arian heresy was spreading, the Fathers prepared an Office with canticles, responses, a Preface, and hymns, to be recited on Sundays. In the Sacramentary of Pope Gregory I, Gregory the Great there are prayers and the Preface of the Trinity. During the Middle Ages, especially during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of Cantor (Christianity), cantor and director. As the cantor, he prepared the choir for service in four Lutheranism, Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche, Leipzig, Nikolaikirche (St. Nicholas), St. Matthew, Leipzig, Neue Kirche (New Church) and St. Peter, Leipzig, Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche, Leipzig, Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a Leipzig University, university dating back to 1409, and is a commercial center, hosting a Leipzig Trade Fair, trade fair first mentioned in 1165. It has been mostl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion Structure
Johann Sebastian Bach's ''St Matthew Passion'' (), , is structured on multiple levels: the composition is structured in three levels of text sources (Gospel, libretto and chorales) and by the different forms that are used for musical expression (arias, recitatives and choruses). Bach's large Passion (music), choral composition was written to present the Passion of Jesus, as told in the Gospel of Matthew, in a Vespers in Lutheranism, vespers service on Good Friday. It is composed in two parts, that were to be performed before and after the sermon of that service. Part I covers the events until the arrest of Jesus and Part II concludes with his burial and the sealing of his grave. Bach took the Gospel text for the composition from Martin Luther's Luther Bible, German translation of and . Contemporary poetry in Picander's libretto and chorales comment on the Bible text and open and close most scenes of the narration. Numbering of the movements Bach did not number the sections of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Friday
Good Friday, also known as Holy Friday, Great Friday, Great and Holy Friday, or Friday of the Passion of the Lord, is a solemn Christian holy day commemorating the crucifixion of Jesus and his death at Calvary (Golgotha). It is observed during Holy Week as part of the Paschal Triduum. Members of many Christian denominations, including the Catholic, Eastern Orthodox, Lutheran, Anglican, Methodist, Oriental Orthodox, United Protestant and some Reformed traditions (including certain Continental Reformed, Presbyterian and Congregationalist churches), observe Good Friday with Fasting in religion#Christianity, fasting and church services. In many Catholic, Lutheran, Anglican and Methodist churches, the Three Hours' Agony, Service of the Great Three Hours' Agony is held from noon until 3p.m.—the hours the Bible records crucifixion darkness, darkness covering the land until Jesus' death on the cross. In the Catholic, Lutheran and Anglican traditions of Christianity, the Stations of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St John Passion Structure
The structure of the ''St John Passion'' (), Bach-Werke-Verzeichnis, BWV 245, a sacred oratorio by Johann Sebastian Bach first performed in Leipzig on Good Friday 1724, is "carefully designed with a great deal of musico-theological intent". Some main aspects of the structure are shown in tables below. The original Latin title translates to "Passion according to John". Bach's large choral composition in two parts on German text, written to be performed in a Lutheranism, Lutheran service on Good Friday, is based on the Passion (Christianity), Passion, as told in two chapters from the Gospel of John ( and ) in the translation by Martin Luther, with two short interpolations from the Gospel of Matthew (in the earliest version, one is from the Gospel of Matthew and one from the Gospel of Mark). During the Vespers in Lutheranism, vespers service, the two parts of the work were performed before and after the sermon. Part I covers the events until Saint Peter, Peter's denial of Jesus, Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgement
The Last Judgment is a concept found across the Abrahamic religions and the '' Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the salvation of a few and the damnation of many. Some Christian denominations believe most people will be saved, some believe most people will be damned, and some believe the number of the saved and of the damned is unknown. The concept of the Last Judgment is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in many chapters of the Quran, according to some interpretations. The Last Judgment has inspired numerous artistic depictions, including painting, sculpture and evangelical work. In Judaism In Judaism, beliefs vary. Rosh HaShanah is sometimes referred to as a 'day of judgement', but it is not conceptualized as ''the'' Day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Sacred Head, Now Wounded
"O Sacred Head, Now Wounded" is a Christian Passion hymn based on a Latin text written during the Middle Ages. Paul Gerhardt wrote a German version which is known by its incipit, "O Haupt voll Blut und Wunden". Text Original Latin The hymn is based on a long medieval Latin poem, ''Salve mundi salutare'', with stanzas addressing the various parts of Christ's body hanging on the Cross. The last part of the poem, from which the hymn is taken, is addressed to Christ's head, and begins "Salve caput cruentatum". The poem is often attributed to Bernard of Clairvaux (1091–1153), but is now attributed to the medieval poet Arnulf of Leuven (died 1250). A selection of stanzas from the seven cantos were used for the text of Dieterich Buxtehude's '' Membra Jesu Nostri'' addressing the various members of the crucified body German translation The poem was translated into German by the Lutheran hymnist Paul Gerhardt (1607–1676). He reworked the Latin version to suggest a more personal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christe, Du Lamm Gottes
"" (lit. "Christ, you Lamb of God") is a Lutheran hymn, often referred to as the German Agnus Dei. Martin Luther wrote the words of the hymn as a translation of the Latin Agnus Dei from the liturgy of the mass. The tune, Zahn 58, was taken from an older liturgy. The hymn was first published in 1528 and has been the basis for several musical settings by composers such as Bach, Mendelssohn and Hessenberg. It appears in modern German hymnals, both the Protestant ''Evangelisches Gesangbuch'' (EG 190:2) and the Catholic '' Gotteslob'' (GL 208). Background and usage When Luther began the Reformation, he wanted to keep most of the order of the mass but to have it performed in German. In 1526, he published ''Deutsche Messe'' as a German language alternative to the Catholic liturgy. Before this publication, his liturgy was first used in the Advent of 1525. The document contains several German hymns, rather than using a German translation of the Credo and Agnus Dei from the Latin li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Fantasia
Chorale fantasia is a type of large composition based on a chorale melody, both works for Pipe organ, organ, and vocal settings, for example the opening movements of Chorale cantata (Bach), Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantasias first appeared in the 17th century in the works of German organ schools, North German composers such as Jan Pieterszoon Sweelinck (who arguably had the greatest influence on the genre), Heinrich Scheidemann and Franz Tunder (who, however, rarely used the term). Their works would treat each phrase of a chorale differently, thus becoming large, sectional compositions with elaborate development of the chorale melody. By mid-18th century this type of organ composition was practically non-existent. Johann Sebastian Bach used the term first to designate a whole variety of different organ chorale types (during his period in Weimar), and then limited its use to large compositions with the chorale melody prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
