Awaara (1951)
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Awaara (1951)
''Awaara'', also written ''Awāra'' and known overseas as ''The Vagabond'', is a 1951 Indian crime drama film, produced and directed by Raj Kapoor, and written by Khwaja Ahmad Abbas. It stars Raj Kapoor along with his real-life father Prithviraj Kapoor, as well as Nargis, Leela Chitnis and K. N. Singh. Other members of the Kapoor family make an appearance, including Raj's youngest brother Shashi Kapoor, who plays the younger version of his character, and Prithiviraj's father Dewan Basheshwarnath Kapoor, playing a cameo in his only film appearance. The film's music was composed by Shankar Jaikishan. The film expresses socialist themes, and blends social and reformist themes with the crime, romantic comedy and musical melodrama genres. The plot centers on the intertwining lives of a poor thief Raj (played by Raj Kapoor), the privileged Rita (played by Nargis), and Judge Raghunath (played by Prithviraj Kapoor) who is unaware that Raj is his son. In the film, Kapoor's poor "littl ...
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Raj Kapoor
Raj Kapoor (; born as Shrishti Nath Kapoor; 14 December 1924 2 June 1988; also known as Ranbir Raj Kapoor) was an Indian actor, film director and producer, who worked in Hindi cinema. He is considered to be one of the greatest and most influential actors and filmmakers in the history of Indian cinema, and has been referred to as ''The Greatest Showman of Cinema of India, Indian Cinema'' and as the ''Charlie Chaplin of Indian Cinema''. Born in Peshawar as the eldest son of Prithviraj Kapoor of the Kapoor family, Raj Kapoor starred in and produced many films for which he received List of awards and nominations received by Raj Kapoor, multiple accolades, including three National Film Awards and 11 Filmfare Awards in India. He was inspired by Charlie Chaplin and played characters based on The Tramp in films, such as ''Awaara'' (1951), ''Shree 420'' (1955) and ''Mera Naam Joker'' (1970). His performance in ''Awaara'' was ranked as one of the "Top-Ten Greatest Performances of All Tim ...
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Crime Drama
Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime and fiction. Stylistically, the genre may overlap and combine with many other genres, such as Drama (film and television), drama or gangster film, but also include Comedy film, comedy, and, in turn, is divided into many sub-genres, such as Mystery film, mystery, suspense or Film noir, noir. Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. ''China ...
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Shree 420
''Shree 420'' (also spelled as ''Shri 420''; ) is a 1955 Indian Hindi comedy-drama film directed and produced by Raj Kapoor from a story written by Khwaja Ahmad Abbas whose use of Shree with the negative connotations of 420 caused controversy. The film stars Nargis, Nadira, and Kapoor. The number 420 refers to Section 420 of the Indian Penal Code, which prescribes the punishment for the offence of fraud; hence, "Mr. 420" is a derogatory term for a fraud. The film centers on Raj Kapoor, a poor but educated orphan who comes to Bombay with dreams of success. Kapoor's character is influenced by Charlie Chaplin's " little tramp", much like Kapoor's character in his 1951 '' Awaara''. The music was composed by the team of Shankar Jaikishan, and the lyrics were penned by Shailendra and Hasrat Jaipuri. ''Shree 420'' was the highest-grossing Indian film of 1955, the highest grossing Indian film of all time at the time of its release and the song " Mera Joota Hai Japani" ("My Shoes ...
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Charlie Chaplin
Sir Charles Spencer Chaplin (16 April 188925 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from his childhood in the Victorian era until a year before his death in 1977, and encompassed both accolade and controversy. Chaplin's childhood in London was one of poverty and hardship. His father was absent and his mother struggled financiallyhe was sent to a workhouse twice before the age of nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon intr ...
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The Tramp
The Tramp (''Charlot'' in several languages), also known as the Little Tramp, was English actor Charlie Chaplin's most memorable on-screen character and an icon in world cinema during the era of silent film. ''The Tramp (film), The Tramp'' is also the title of a silent film starring Chaplin, which Chaplin wrote and directed in 1915. The Tramp, as portrayed by Chaplin is a childlike and bumbling but generally good-hearted character who is most famously portrayed as a mischievous Vagrancy (people), vagrant. He endeavours to behave with the manners and dignity of a gentleman despite his actual social status. However, while the Tramp is ready to take what paying work is available, he also uses his cunning self to get what he needs to survive and escape the authority figures who will not tolerate his antics. Chaplin's films did not always portray the Tramp as a vagrant, however. The character ("The little fellow", as Chaplin called him) was rarely referred to by any names on-scre ...
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Edinburgh University Press
Edinburgh University Press is a scholarly publisher of academic books and journals, based in Edinburgh, Scotland. History Edinburgh University Press was founded in the 1940s and became a wholly owned subsidiary of the University of Edinburgh in 1992. Books and journals published by the press carry the imprimatur of The University of Edinburgh. All proposed publishing projects are appraised and approved by the Press Committee, which consists of academics from the university. Since August 2004, the Press has had Charitable Status. In November 2013, Edinburgh University Press acquired Dundee University Press for an undisclosed sum, with a stated aim to increase textbook and digital sales, with a particular focus on law. Brodies advised Edinburgh University Press on the terms of the acquisition. Publishing Edinburgh University Press publishes a range of research publications, which include scholarly monographs and reference works, as well as materials which are available on-lin ...
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Melodrama
A melodrama is a Drama, dramatic work in which plot, typically sensationalized for a strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". Melodramas typically concentrate on dialogue that is often bombastic or extremely sentimentality, sentimental, rather than on action. Characters are often Character (arts)#Round vs. flat, flat and written to fulfill established character archetypes. Melodramas are typically set in the private sphere of the home, focusing on morality, family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, film, or television is usually accompanied by dramatic and suggestive music that offers further cues to the audience of the dramatic beats being presented. In scholarly and historical musical contexts, melodramas are Victorian era, Victorian dramas in which orchestral music or son ...
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Musical Film
Musical film is a film genre in which songs by the Character (arts), characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the musical theater, stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegesis, diegetic audience, as the performer looks directly into the camera and performs to it. With the Sound film, advent of sound in the late 1920s, musicals gained popularity with ...
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Romantic Comedy
Romantic comedy (also known as romcom or rom-com) is a sub-genre of comedy and Romance novel, romance fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount all obstacles. Romantic comedy evolved from Ancient Greek comedy, Middle Ages, medieval romance, and 18th-century Restoration comedy, later developing into sub-genres like Screwball comedy, screwball comedies, career woman comedies, and 1950s Sex comedy, sex comedies in Hollywood. Over time, the genre has expanded beyond traditional structures, incorporating unconventional themes, challenging gender roles, and addressing adult topics while maintaining its core focus on romance and humor. A common convention in romantic comedies is the "Meet cute, meet-cute", a humorous or unexpected encounter that creates initial tension and sets up the romantic storyline. History Comedies, rooted in the fertility rites and satyr plays of Ancient Greek comedy, ancient ...
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Crime Film
Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime and fiction. Stylistically, the genre may overlap and combine with many other genres, such as Drama (film and television), drama or gangster film, but also include Comedy film, comedy, and, in turn, is divided into many sub-genres, such as Mystery film, mystery, suspense or Film noir, noir. Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. ''China ...
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Reformist
Reformism is a political tendency advocating the reform of an existing system or institution – often a political or religious establishment – as opposed to its abolition and replacement via revolution. Within the socialist movement, reformism is the view that gradual changes through existing institutions can eventually lead to fundamental changes in a society's political and economic systems. Reformism as a political tendency and hypothesis of social change grew out of opposition to revolutionary socialism, which contends that revolutionary upheaval is a necessary precondition for the structural changes necessary to transform a capitalist system into a qualitatively different socialist system. Responding to a pejorative conception of reformism as non- transformational, philosopher André Gorz conceived non-reformist reform in 1987 to prioritize human needs over capitalist needs. As a political doctrine, centre-left reformism is distinguished from centre-right or pra ...
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Social Problem Film
A social problem film is a narrative film that integrates a larger social conflict into the individual conflict between its characters. In the context of the United States and of Hollywood, the genre is defined by fictionalized depictions of social crises set in realistic American domestic or institutionalized settings. Background Like many film genres, the exact definition is often in the eye of the beholder; however, Hollywood did produce and market a number of topical films in the 1930s, and by the 1940s, the term " social problem" film, or "message" film, was conventional in its usage among the film industry and the public. Many characteristics that have grown to define the social problem film revolve around the perceived consciousness of the nation about a certain social issue and integrating that issue into a narrative structure. Social problems such as the horrors of war, suffering of the poor, addiction, the rights of women, and the inhumanity of a certain world are o ...
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