Avant Slant
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Avant Slant
''Avant Slant'' (subtitled ''One Plus 1 = II?'') is an album by American jazz ensemble the John Benson Brooks Trio, released in September 1968 by Decca Records. Produced by Decca A&R executive Milt Gabler, it was pianist and bandleader John Benson Brooks' third and final released recording, arriving ten years after his previous record, the acclaimed '' Alabama Concerto'' (1958). The record is a sound collage that draws from several primary sources, namely ''The Twelves''–a 1962 live performance by Brooks' ensemble in which they improvised within the twelve-tone technique–and ''D.J.-ology'', a musique concrète tape that Brooks privately created which consisted of numerous sound effects, one-liners and excerpts of records and radio broadcasts. Gabler contributed additional pop songs to the final album, which he largely created himself. The record uses the Brooks trio's dissonant live music as a backbone while cutting to sampled audio and recordings of poetry, comedy, spoken co ...
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John Benson Brooks
John Benson Brooks (February 23, 1917, in Houlton, Maine – November 13, 1999, in New York City) was an American jazz pianist, songwriter, arranger, and composer. Career Brooks worked early in his career as an arranger for Randy Brooks, Les Brown, Boyd Raeburn, and Tommy Dorsey. He worked often with lyricists Eddie DeLange and Bob Russell in the 1940s; he and DeLange wrote the song " Just as Though You Were Here," a hit for Tommy Dorsey with Frank Sinatra as vocalist. He wrote " You Came a Long Way from St. Louis" with Bob Russell for Ray McKinley, released as a single in 1948. In 1956, Brooks worked with Zoot Sims and Al Cohn on the recording, "Folk Jazz U.S.A.", and was recognized as a composer during this time. His works blend elements of folk music and dodecaphony with the idioms of modern jazz. In 1958, he composed a work entitled ''Alabama Concerto'' and assembled a cast of sidemen for a recording which included Cannonball Adderley, Art Farmer, Barry Galbraith, and Mi ...
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Spoken Word
Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an oral tradition, ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live Intonation (linguistics), intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include Sketch comedy, comedy routines and prose monologues. Unlike written poetry, the quality of spoken word is shaped less by the visual aesthetics on a page, and more from phonaesthetics or the aesthetics of sound. History Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken p ...
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John Clellon Holmes
John Clellon Holmes (March 12, 1926 – March 30, 1988) was an American author, poet and professor, best known for his 1952 novel '' Go''. Considered the first "Beat" novel, ''Go'' depicted events in his life with his friends Jack Kerouac, Neal Cassady and Allen Ginsberg. He was often referred to as the "quiet Beat" and was one of Kerouac's closest friends. Holmes also wrote what is considered the definitive jazz novel of the Beat Generation, ''The Horn''. Life and career Holmes was more an observer and documenter of beat characters like Ginsberg, Cassady and Kerouac than one of them. He asked Ginsberg for "any and all information on your poetry and your visions," (shortly before Ginsberg's admission into the hospital) saying that "I am interested in knowing also anything you may wish to tell... about Neal, Huncke, Lucien in relation to you..." (referring to Herbert Huncke and Lucien Carr), to which Ginsberg replied with an 11-page letter detailing, as completely as he could, th ...
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Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud." Born and raised in Fort Worth, Texas, Coleman taught himself to play the saxophone when he was a teenager. He began his musical career playing in local R&B and bebop groups, and eventually fo ...
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Aleatoric Music
Aleatoric music (also aleatory music or chance music; from the Latin language, Latin word ''alea'', meaning "dice") is music in which some Aspect of music, element of the composition is left to Randomness, chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities. The term became known to European composers through lectures by acoustics, acoustician Werner Meyer-Eppler at the Darmstadt New Music Summer School, Darmstadt International Summer Courses for New Music in the beginning of the 1950s. According to his definition, "a process is said to be aleatoric ... if its course is determined in general but depends on chance in detail". Through a confusion of Meyer-Eppler's German terms ''Aleatorik'' (noun) and ''aleatorisch'' (adjective), his translator created a new English word, "aleatoric" (ra ...
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Twelve-tone Serial Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a Key (music), key. The technique was first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. Over time, the technique increased greatly in popularity and eventually became widely ...
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Howard University
Howard University is a private, historically black, federally chartered research university in Washington, D.C., United States. It is classified among "R1: Doctoral Universities – Very high research activity" and accredited by the Middle States Commission on Higher Education. Established in 1867, Howard is a nonsectarian institution located in the Shaw neighborhood. It offers undergraduate, graduate, and professional degrees in more than 120 programs. History 19th century Shortly after the end of the American Civil War, members of the First Congregational Society of Washington considered establishing a theological seminary for the education of black clergymen. Within a few weeks, the project expanded to include a provision for establishing a university. Within two years, the university consisted of the colleges of liberal arts and medicine. The new institution was named for General Oliver Otis Howard, a Civil War hero who was both the founder of the university an ...
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Don Heckman
Don, don or DON and variants may refer to: Places *Don (river), a river in European Russia *Don River (other), several other rivers with the name *Don, Benin, a town in Benin *Don, Dang, a village and hill station in Dang district, Gujarat, India * Don, Nord, a ''commune'' of the Nord ''département'' in northern France *Don, Tasmania, a small village on the Don River, located just outside Devonport, Tasmania *Don, Trentino, a commune in Trentino, Italy *Don, West Virginia, a community in the United States *Don Republic, a temporary state in 1918–1920 *Don Jail, a jail in Toronto, Canada *DON, Chapman code for County Donegal, Ireland People and characters Role or title *Don (honorific), a Spanish, Portuguese, and Italian title, given as a mark of respect *Don (academia), a fellow or tutor of a college or university in the U.K. and elsewhere *Don, a crime boss, especially in the Mafia People with the name *Don (given name), a short form of the masculine given name Dona ...
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Contemporary Classical Music
Contemporary classical music is Western art music composed close to the present day. At the beginning of the 21st-century classical music, 21st century, it commonly referred to the post-1945 Modernism (music), post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music and ''Postminimalism#Music, post-minimalism''. History Background At the beginning of the 20th century, composers of classical music were experimenting with an increasingly Consonance and dissonance, dissonant pitch language, which sometimes yielded atonality, atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a Neoclassicism (music), neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see als ...
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Modern Jazz
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style to a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing ...
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Folk Music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ...
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Mashup (music)
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered " transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album '' Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' " You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This reco ...
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