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Avalon Cable
Avalon () is an island featured in the Arthurian legend. It first appeared in Geoffrey of Monmouth's 1136 ''Historia Regum Britanniae'' as a place of magic where King Arthur's sword Excalibur was made and later where Arthur was taken to recover from being gravely wounded at the Battle of Camlann. Since then, the island has become a symbol of Arthurian mythology, similar to Arthur's castle of Camelot. Avalon was associated from an early date with mystical practices and magical figures such as King Arthur's sorceress sister Morgan, cast as the island's ruler by Geoffrey and many later authors. Certain Briton traditions have maintained that Arthur is an eternal king who had never truly died but would return as the "once and future" king. The particular motif of his rest in Morgan's care in Avalon has become especially popular. It can be found in various versions in many French and other medieval Arthurian and other works written in the wake of Geoffrey, some of them also linking A ...
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The Last Sleep Of Arthur In Avalon
''The Last Sleep of Arthur in Avalon'' is a painting by the English artist Edward Burne-Jones, started in 1881. The massive painting measures 279 cm × 650 cm, and is widely considered to be Burne-Jones's ''Masterpiece, magnum opus''.Waters, p. 42. The painting was originally commissioned from Burne-Jones by his patron George Howard, 9th Earl of Carlisle, to hang on a wall in the library of Naworth Castle. Howard shared Burne-Jones's affection for the King Arthur, Arthurian legend and left the choice of topic to the artist.Mancoff, p. 118. Burne-Jones started working on it in 1881 and continued for 17 years. Within this period, he also designed the stage set for the play ''King Arthur'' by J. Comyns Carr that premiered in London in January 1895.Wildman, p. 315. The 1880s brought the deaths of Burne-Jones's close friends. As they died, the artist experienced mounting isolation and painful awareness of his own mortality.Mancoff, p. 113. Immersed in his work, Burne-Jones i ...
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Glastonbury Tor
Glastonbury Tor is a hill near Glastonbury in the English county of Somerset, topped by the roofless tower of St Michael's Church, a Grade I Listed building (United Kingdom), listed building. The site is managed by the National Trust and has been designated a scheduled monument. The Tor is mentioned in Welsh mythology, particularly in myths linked to King Arthur, and has several other enduring mythological and spiritual associations. The conical hill of clay and Blue Lias rises from the Somerset Levels. It was formed when surrounding softer deposits were eroded, leaving a hard cap of sandstone exposed. The slopes of the hill are terraced, but the method by which they were formed remains unexplained. Archaeological excavations during the 20th century sought to clarify the background of the monument and church, but some aspects of their history remain unexplained. Artefacts from human visitation have been found, dating from the Iron Age to Roman eras. Several buildings were const ...
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Irish Legends
Irish mythology is the body of myths indigenous to the island of Ireland. It was originally Oral tradition, passed down orally in the Prehistoric Ireland, prehistoric era. In the History of Ireland (795–1169), early medieval era, myths were Early Irish literature, written down by Celtic Christianity, Christian scribes, who Christianized them to some extent. Irish mythology is the best-preserved branch of Celtic mythology. The myths are conventionally grouped into 'List of literary cycles, cycles'. The Mythological Cycle consists of tales and poems about the god-like Tuatha Dé Danann, who are based on Ireland's pagan deities, and other mythical races like the Fomorians. Important works in the cycle are the ''Lebor Gabála Érenn'' ("Book of Invasions"), a legendary history of Ireland, the ''Cath Maige Tuired'' ("Battle of Moytura"), and the ''Aided Chlainne Lir'' ("Children of Lir"). The Ulster Cycle consists of heroic legends relating to the Ulaid, the most important of whi ...
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Proto-Celtic
Proto-Celtic, or Common Celtic, is the hypothetical ancestral proto-language of all known Celtic languages, and a descendant of Proto-Indo-European. It is not attested in writing but has been partly Linguistic reconstruction, reconstructed through the comparative method. Proto-Celtic is generally thought to have been spoken between 1300 and 800 BC, after which it began to split into different languages. Proto-Celtic is often associated with the Urnfield culture and particularly with the Hallstatt culture. Celtic languages share common features with Italic languages that are not found in other branches of Indo-European, suggesting the possibility of an earlier Italo-Celtic linguistic unity. Proto-Celtic is currently being reconstructed through the comparative method by relying on later Celtic languages. Though Continental Celtic presents much substantiation for Proto-Celtic phonology, and some for its morphology (linguistics), morphology, recorded material is too scanty to allow ...
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Old Breton
Breton (, , ; or in Morbihan) is a Southwestern Brittonic language of the Celtic language group spoken in Brittany, part of modern-day France. It is the only Celtic language still widely in use on the European mainland, albeit as a member of the insular branch instead of the extinct continental grouping. Breton was brought from Great Britain to Armorica (the ancient name for the coastal region that includes the Brittany peninsula) by migrating Britons during the Early Middle Ages, making it an Insular Celtic language. Breton is most closely related to Cornish, another Southwestern Brittonic language. Welsh and the extinct Cumbric, both Western Brittonic languages, are more distantly related, and the Goidelic languages ( Irish, Manx, Scottish Gaelic) have a slight connection due to both of their origins being from Insular Celtic. Having declined from more than one million speakers around 1950 to about 200,000 in the first decade of the 21st century, Breton is classified ...
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Old Cornish
Cornish ( Standard Written Form: or , ) is a Southwestern Brittonic language of the Celtic language family. Along with Welsh and Breton, Cornish descends from Common Brittonic, a language once spoken widely across Great Britain. For much of the medieval period Cornish was the main language of Cornwall, until it was gradually pushed westwards by the spread of English. Cornish remained a common community language in parts of Cornwall until the mid-18th century, and there is some evidence for traditional speakers persisting into the 19th century. Cornish became extinct as a living community language in Cornwall by the end of the 18th century, although knowledge of Cornish, including speaking ability to a certain extent, persisted within some families and individuals. A revival started in the early 20th century, and in 2010 UNESCO reclassified the language as critically endangered, stating that its former classification of the language as extinct was no longer accurate. Th ...
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Old Welsh
Old Welsh () is the stage of the Welsh language from about 800 AD until the early 12th century when it developed into Middle Welsh.Koch, p. 1757. The preceding period, from the time Welsh became distinct from Common Brittonic around 550, has been called "Primitive"Koch, p. 1757. or "Archaic Welsh". Phonology The phonology of Old Welsh is as follows. * Older was diphthongized into in (stressed) final syllables, but it was retained elsewhere. Whilst this persisted as a diphthong in Middle Welsh, in Modern Welsh /aw/ has collapsed to following the stress shift to the penultimate, except in monosyllables. * and were allophones of and in unstressed non-final syllables. In Middle Welsh these merged to . * Old Welsh and became and in Modern Welsh final syllables, in dialects where /ɨ/ has not merged with /i/. Texts The oldest surviving text entirely in Old Welsh is understood to be that on a gravestone now in Tywyn – the Cadfan Stone – thought to date from the ...
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